Jay Cee (J. C.) Johnson Collection (September 14, 1896-February

Jay Cee (J. C.) Johnson Collection

(September 14, 1896-February 27, 1981)

BIOGRAPHICAL NOTE

Jay Cee (J. C.) Johnson, a Jazz and Pop composer, was often referred to as the “composer’s ‘composer.’”

Johnson was born in Chicago, Illinois, on September 14, 1896, and died on Friday, February 27, 1981, at

St. Luke’s Hospital in Manhattan (New York City), at the age of 84. He received early education in the

Chicago Public School System. His mother, Ellen, and his father—who worked as a waiter on the

railroad, was away from home most of the time—is unknown. J. C. expressed an interest in music at an

early age, but his mother, who sang in the church choir, did not encourage her son to pursue a career in

music. Later, while studying the violin, a friend began to give him piano lessons, and because of his

attention dedication sounds better in learning to play, his mother decided that this would be his instrument

of choice.

At the age of 19, following the death of his mother, he moved to New York City, where he began to study

piano with a man named Sam Patterson. Around 1920, he began to work as a session pianist, working

with singers such as Ethel Waters, who sung in his first recorded hit titled “You Can’t Do What My Last

Man Did,” and would go on to record many of his songs. Johnson would go on to compose more songs,

including his first version of “Travel’ lin All Alone,” with Billie Holliday as vocalist (one of her first

significant hit songs). Several other artists would also record this song. He also performed in his band “J.

C. Johnson and his Five Hot Sparks,” while playing for many other recording artists.

Between the 1920’s-40’s Johnson worked with composers and lyricists, such as Andy Razaf, Thomas

“Fats” Waller, Henry Creamer, George Whiting, Nat Schwartz, Fletcher Henderson, Chick Webb, Claude

Hopkins, Earl Hines, Duke Ellington, Count Basie, and many others. Other artists included Billy

Eckstine, Ella Fitzgerald, Louis Armstrong, Connie Boswell, Bessie Smith, Mamie Smith, Clarence

Williams, Lonnie Johnson, Bette Midler, Bessie Smith, and Bing Crosby. Leonard Bernstein called his

“Empty Bed Blues” the perfect jazz piece.

During his career as a composer, lyricist, and co-composer, he recorded and produced over 200 songs.

Not only was he a composer, but he also published articles for various magazines and newspapers,

including short stories, poems, and plays. Additionally, he produced shows in New York, such as “The

Year-Round” and managed the “Ink Spots,” which included the famous tenor, Bill Kenney, and Billy

Rowen in the Forties.

In 1955 he collaborated on Jazz Train, which later became a Musical Traveling Revue. They toured

several theatres in England, with a special presentation of Jazz Train for the Queen of England.

J.C. Johnson also expressed interest in the arts and being involved with other cultural activities and

events. He was also a constant reader throughout his life, which influenced him to acknowledge many

unequal opportunities for people of color. Inequality would later impress on him to organize many

programs and establish organizations to assist other Black artists who faced many roadblocks. The

organizations included the Crescendo Club, and the Good Heart Welfare Club, that assisted black artist

with physical ailments, The Good Heart, The Friends Club & The Songwriter Protective Association. He

was active in working toward integrating the music organizations and publishing houses, notably the

American Society of Authors and Composers and Publishers. He was loyal to his county, becoming active

during World War II as an ambulance driver.

J. C. Johnson received many tributes and awards celebrating his life and career as a composer, musician,

and philanthropist. Johnson died on February 17, 1981 in New York. He was survived by his wife, Julie

Johnson Ross of New York City.

Scope and Content

1923-1981

The Jay Cee or J.C. (J.C.) Johnson collection contains one hundred and forty-eight boxes of materials

consisting of three section: Section 1-Personal, including His Works; Section 2-Organizations; and

Section 3-Collected Materials. The collection covers the 1920’s to the 1980’s, documenting Johnson’s

career as a young session pianist to one of the most outstanding Afro-American composers of blues and

jazz music.

Section 1 (Boxes 1-42):

Personal Information; Business Affairs: 10 Sub-Sections

Biographical Information: Box 1: Section 1: Sub-Section 1:

Contains four folders of biographical materials; also includes other items such as awards, certificates,

newspapers clippings, personal items, passports, and bank books. There are fifteen folders in this box.

Correspondence: Boxes 2 - 9: Section 1: Sub- Section 2:

Spans from the 1920’s – 1979. Contains correspondence to and from J. C. Johnson, including a 1978

letter from former president Jimmy Carter (1979); also includes letters from the governor of New York

and other politicians, insurance correspondence, legal issues, financial concerns, receipts, and

correspondence from many of his business connections, including when Johnson served as business

manager of the Ink Spots, copyright information, and information regarding his own music companies- “

Jaybillee Music Company” and “Record Music Publishing Company”.

Music Career: Boxes 10-16: Section 1: Sub-Section 3:

This section contains music composed by Johnson, including lyrics and musical scores.

He composed over 200 songs in his lifetime. In this section you will find songs composed by Johnson,

including correspondence about each song. The section is arranged by the title of the song, including

date(s) if known, number of copies, format, and condition of the music.

Music Career-With Other composers: Box 17-23: Section 1: Sub-Section 3:

This section contains music that Johnson composed with other composers such as: Mercer Cook, Fletcher

Henderson, Claude Hopkins, Andy Razaf, Langston Hughes, and Thomas Fats Waller; organized by

composer name. Over one hundred songs are listed within this section.

Music Career: Jazz Train Boxes 24- 33: Section 1: Sub-Section 4:

This section contains materials on Johnson’s expanding musical inventory with the composition of the

songs for the Musical Comedy Revue, by Jazz Train. The troupe performed in the United States and

throughout Europe from 1950-1955 and 1962. Additionally, within these boxes you will find programs,

records , The Jazz Train Orchestra’s music for each instrument (located in separate binders), and

photographs of the members of the troupe.

Records and Recorded Albums: Boxes 34 -35: Section 1: Sub - Section 5:

This section includes vinyl records and recorded albums produced and recorded by J. C., and other

composers during this period in his career. Arranged by title of song, such as “Believe It Beloved”;

“Travlin’ All Alone’”; “Lost in The Midnight Love”; and “You Can’t Be Mine and Someone Else’s Too”.

Photograph Slides: Box 36: Section 1: Sub - Section 6:

This section consists of one hundred and thirty-two photograph slides-specify of Jazz Train performers,

sheet music, and many unidentified male and female artists.

Other Works: Writings: Boxes 37 - 40: Section 1: Sub-Section 7-9:

These sections contain Johnson’s writings (plays, poems, short stories, protest writings, and a publication

-Harlemite Magazine.

Photographs: Personal-Family and Friends: Boxes 41 - 42: Section 1: Sub-Section 10:

This section contains Johnson’s collection of photographs and photograph albums. Included in the

albums are photos of family members, friends, homes, vacation outings, J. C. at the piano, Crescendo

Club Members, older photo of J. C. sitting at the piano, and a photo of the Good Heart Club Members.

Many of the photos are without names.

Section 2 (Boxes 43-48):

Organizations, Societies and Clubs

Memberships: Organizations, Clubs: Boxes 43 - 48: Section 2: Sub-Section 1-3:

This section covers the many organizations and clubs that Johnson was active in during his career. His

social and cultural interests. His concern for his fellow musicians and artists is identified exemplified in

his active work with the Good Heart Welfare Association. Johnson’s love for his country is shown when

he was active as an ambulance driver during World War II .This section ends Johnson’s personal life and

career.

Section 3 (Boxes 49-148)

Collected Materials

Section 3 is the largest in the collection, consisting of 99 boxes, covering materials that Johnson collected

during his career. This section consist of several sub-section, and sub-sub section. The materials includes

correspondence, music collected from other composers, photographs, records, recorded albums, plays,

programs, announcements, articles, press releases, monographic titles, music catalogs, music books,

magazines and newsletters, and many other publications. This collection of materials is in boxes 49 to

148.

Announcements, Articles, Press Releases: Box 49: Section 3: Sub Section 1:

Contains announcements, arranged by year; articles, arranged by title; and press releases, arranged by

title.

Art Works: Box 50: Section 3: Sub-Section 2:

Contains several copies of art works and paintings collected over the years.

Biographies: Box 51: Section 3: Sub-Section 3:

Within this box you will find biographies of many lesser known Afro-American artists, arranged in order

by last name, from W. Adams to E. Willis. This box contains 20 folders.

Music Catalogs: Box 52: Section 3: Sub-Section 4:

This box contains music catalogs, including publishers such as the Dorsey Brothers, Broadway

Publishers, Top Tunes Publishers, Joe Turner and many other publishers during the years 1928-1947.

Many of the catalogs do not have dates.

Music-Single Composers: Box 53-54: Section 3: Sub-Section 5: Sub-Sub Section 1:

These boxes contain songs by single composers and are arranged in alphabetical order by composer’s

surname. Box 53 lists 58 composers from Leslie Adams to Johnny Louis, including songs written by each

of the composers. Box 54 lists 44 single composers from A. Matthews to John Work, including songs

written by each composer.

Music-Several Composers: Boxes 55-57: Section 3: Sub-Section 5: Sub-Sub Section 2:

These boxes contain songs, composed by several composers; the titles are arranged in alphabetical order

in each box by title following the name of the composer. Box 55, titles A-H, containing 55 folders; Box

56, titles I – L, containing 60 folders; Box 57, titles M-S, containing 60 folders.

Music-Several Composers: Box 58: Section 3: Sub-Section 5: Sub-Sub Section 2:

This box contains songs composed by several composers; the titles are arranged in alphabetical order in

each box by title following the name of the composer. Titles T - Z, containing 52 folders.

Music-Lyrics, Music and Words Only: Boxes 59-60: Section 3: Sub-Section 5: Sub-Sub Section 3:

Within these boxes you will find songs without the name of composers, by title only, with several titles

located in each folder. Box 59, titles from A-Light, containing 20 folders; Box 60, titles, from Little -

You, containing 24 folders.

Music Only-Scores: Boxes 61-62: Section 3: Sub-Section 5: Sub-Sub Section 4:

Within these boxes you will find songs missing the composer’s name by title only, with several titles

located in each folder. Box 61, titles from F - O, containing 11 folders; Box 62, titles from P - Z,

containing 5 folders.

Music, Others: Box 63: Section 3: Sub Section 5: Sub-Sub Section 5:

Miscellaneous items including music and lyrics.

Theatre Productions: Boxes 64 - 65: Section 3: Sub Section 5: Sub-Sub Section 6:

Within these boxes you will find music written especially for musical theatre productions. The songs are

arranged by title with original covers of the musical and its composer. Box 64, titles from A - M,

containing 48 folders; Box 65, titles from N- Z, containing 35 folders.

Records and Recorded Albums-Vinyl-78’s: Box 66-77: Section 3: Sub Section 5: Sub-Sub Section

Within this section you will find 24 vinyl records including the 1928 Classic Jazz Masters, and other

original records by such artists as Harry Belafonte, Bobby Darin, Peggy Lee, Eileen Hamilton, and the

Glenn Miller Band; arranged by recording artists: (A - W).

Arranged by Title of Songs on Record and recording artist:

(A - B), 19 records in Box.

(C - D), such as “Carless Love”, by W. C. Handy, and “Do You Feel That Way Too”, by P. Flynn.

(E – F), such as “Easy Listenin’ Blues”, by N. Robinson and “For You” by J. Burke. 17 Records in box.

(G - L), such as “Golden Earrings” by Livingston Evans and “Lonely Nights” by A. Sears Orch.

(M - P), such as “Make Believe Ballroom Time”, and “Portrait of Jenny”

(R -The Pe), such as “Ramona” and “The Pearl”

(The S-Y) such as “The Sound of Music” and “You Made Me Love You”

Programs: Box 77- 78: Section 3: Sub Section 6:

J. C. Johnson was interested in events and news ,especially in New York City. He attended and

participated in many different church functions and events, not excluding any denomination , from the

1920’s to the 1950’s. Church programs collected from visits are located in the collection. Other programs

are located by years; 78 programs are located by titles of functions and events. There are 53 folders of

programs covering social occasions, entertainment & sports, church affairs, and other types of meetings.

Photographs: Box 78-A: Section 3: Sub Section 7:

J.C. Johnson collected photographs of many composers and other artists, from Eddie Barfield, Eubie

Blake, Andy Razaf, Chris Smith, Fats Waller, the Ink Spots (whom he managed), and others. There are

three folders of unidentified photos. 81 folders in box.

Scrapbook: Boxes 79 - 81: Section 3: Sub Section 8:

This scrapbook consists of a collection of Ancient African Leaders, which appeared in the 1934

Pittsburgh Courier Feature Section “Your History”. The collection has 3 boxes with a total of 181 pages.

Posters and Maps: Box 82: Section 3: Sub Section 9

There are several items within this box, such as a poster celebrating the life and career of J. C. Johnson, a

poster on the Negro songs, and a poster on the African Educational Assistance Society. There are several

maps of states and of roads within certain cities.

Publications: Bulletins and Pamphlets: Boxes 83 - 84A: Section 3: Sub Section 10: Sub - Sub

Section 1: Within these boxes are J. C. Johnson’s collection of over 132 bulletins and pamphlets on a

variety of subjects

Publications: Magazines and Newsletters: Boxes 85 - 89-B: Section 3: Sub Section 10: Sub-Sub

Section 2:

J. C. Johnson collected and read many different magazines and newsletters pertaining to Afro-American

events, especially in the entertainment world. Therefore, many of the magazines and newsletters are

Afro-American and not widely distributed. There are over 59 different titles in the collection, arranged by

title and year.

Publications: Monographs: Box 90: Section 3: Sub Section 10: Sub-Sub Section 3:

There are 15 titles of monographs in this collection, arranged by number and title.

Publications: Monographs: Box 91: Section 3: Sub Section 10: Sub-Sub Section 3:

Including art publications, arranged by number and titles.

There are eight monographs in this box, including some sixteen “Masterpiece of Modern Art” and one

copy of “Rare Book Autograph Manuscript Drawing” (should this be in quotation marks), 1934.

Publications: Monographs, Music Box 92 - 92-A: Section 3: Sub Section 10: Sub-Sub Section 3:

Arranged by number and title. These two boxes contain music publications, from 1904-1965

Publications: Newspapers / Clippings: Box 93 - 108: Section 3: Sub Section, 10: Sub-Sub Section 4:

Publications in Boxes 93-94 arranged by year, 1920 -1979; Newspapers and Clippings in Boxes 95 - 108

arranged by title

Publications: Books: Boxes 109 – 148: Section 3: Sub Section 10: Sub-Sub Section 5: Books

Special Note: Books

There are over 300 book titles located in this collection

J.C. Johnson Collection

Inventory/Shelf List

Box 1

Section 1

Sub-Section 1

Personal

Biographical

f.1 Newspapers and magazine articles, 1941, 1953, 1979, 1981

f.2 Manuscript, typed, about, article about, 1953, n.d.

f.3 Manuscript, typed, Lucky Roberts, n.d.

f.4 Manuscript, Visual Music, Audio, 12 pages, n.d.

f.5 Celebration, community birthday, 1975, 1979, 1983

f.6 Tributes, articles and programs; 54

Annual Arts Festival, 1983

f.7 Awards-Certificates, 1981, n.d.

f.8 Music, songs, A.S.C.A.P., member, 1923-1958

f.9 J.C. Johnson, letter head, author, composer, N.Y.

f.10 Black & white picture of J.C. Johnson’s house, n.d.

f.11 Clippings, about, 1926-1942, 1963, 1968, 1981

f.12 Cards, Christmas, cards (pictures of fellow composers)

f.13 Cards, African History (18); Ancient African History (29), post cards (13)

f.14 Cards, miscellaneous, picture of Dr. Louis T. Wright, Gary, Indiana;

Lake Mead, new home of CBS; (11 other cards)

f.15 Miscellaneous, including invitations, envelopes, n.d.

Personal: Driver License; Telephone Books; Bank Books; Business Cards; Passports

f.1 Two autograph books

f.2 Business cards

f.3 Membership cards

f.4 Bank deposit books

f.5 Address books

f.6 Identification cards

f.7 Note tablets with names

f.8 Miscellaneous - personal information

Box 1B

Personal-Honors and Awards

Plaques; Awards; Certificates

Box 1C

Collected Materials- Media 1927-1981

Newspapers Items on and about J. C. Johnson

Section 1: Sub Section, 6: Folders

Box 2

Personal-Correspondence 1935-1979

Letters To/From J.C. Johnson-Section 1: Sub-Section 2:

f.1 To- J.C.: 1930-1938-39, (A - S); from- J.C.: 1935 - 1939, (B - W)

f.2 To- J.C.: 1942, 1945, 1947, (C - E); from- J.C.: 1940 -1947, (D - K)

f.3 To- J.C.: 1950-52, 1954-55, (B - M); from- J.C: 1950 -1954, (H- S)

f.4 To- J.C.: 1956, 1959, (C- J); from- J.C.: 1956 - 1959, (C - S)

f.5 To- J.C.: 1960-61, (H - W); from, J.C.: 1960 -1961, (M - R)

f.6 To- J.C.: 1961, (Razaf); from, J.C.: 1959, (A. Razaf)

f.7 To- J. C.: 1962, (Razaf); from, J.C.: 1962, (C - Razaf)

f.8 From- J.C.: 1963 -1964, (C- Razaf)

f.9 To- J.C.: 1965-68, (D - R)

f.10 From- J.C.: 1965 - 1966, 1968; To- J.C.: 1970, 1979, (A- R), n. d.

f.11 To- J. C.: from The White House, Jimmy Carter, President,

1979/ from the State of New York, Governor, 1979; from

Congress of the U. S. House of Representatives, 1979

f.12 Insurance- Liberty Mutual, 1942-43

f.13 Insurance- Liberty Mutual, 1944-45

f.14 Insurance- Liberty Mutual, 1946-47

f.15 Insurance- Liberty Mutual, 1968

f.16 Insurance- Metropolitan Life Insurance Company, n.d.

f.17 Insurance- Auto and Medical, n.d.

Box 3

Personal-Correspondence1962-1973

Taxes-Section 1: Sub-Section 2

f.1 New York County, School Taxes 1962-1968

f.2 Property Taxes, N.Y., 1967-1968

f.3 New York State Taxes, 1954, 1967-68

f.4 U.S. Income Taxes, 1955-1967

f.5 U.S. Income Taxes, 1968-1973

Box 4

Personal-Business Affairs 1920-1966

Correspondence-Business Receipts-Section 1: Sub-Section 2

f.1 1920’s

f.1A 1920’s

f.2 1930’s

f.3 1940’s

f.3A 1940’s

f.4 1950-1952

f.5 1953-1955

f.6 1956-1959

f.7 1960-1961

f.8 1962-1966

Box 4A

Personal- Business Affairs 1967-1973

Correspondence-Business Receipts-Section 1: Sub-Section 2

f.1 1967-69

f.2 1973

f.3 n.d.

f.4 n.d.

f.5 n.d.

Box 5

Personal- Business Affairs 1928-1973

Correspondence-Business Connections (A-L)-Section 1: Sub-Section 2

f.1 A.F. of M, Contract, 1936

f.2 American Record Corporation, N.J., 1936-1939

f.3 Apollo Theatre, 1956

f.4 Ardmore & Beechwood, Limited, 1966

f.5 Australian Record Club Pty, Ltd. East Sidney, 1964

f.6 J. Bregman Vocco & Conn, Inc., N.Y., 1939-1973

f.7 Broadway Music Corporation, N.Y., 1933-1967

f.8 Capitol Record Inc., n.d.

f.9 CBS Records, N.Y., 1972

f.10 CBS Records, N.Y., 1973

f.11 Columbia Picture Corporation, 1946

f.12 Columbia Phonography Company, Canada, 1931

f.13 Columbia Records, N.Y., 1965 -1968

f.14 Columbia Records, Canada, 1966, 1971-73, n.d.

f.14A Cosmo Music Publishing Corporation, n.d.

f.15 Decca Records, Inc. N.Y., 1947-1944

f.16 Delys Theatre Associates, n.d.

f.17 Denton & Haskins Corp. N.Y., 1939,

f.18 Dickwin Realty Corporation, Agreement, 1928

f.19 Dorsey Brothers Music, Inc., (IMS), N.Y., 1967- 1973

f.20 Dramatico Musical (Dramatists) Guild Authors League of America, Inc., n.d.

f.21 Edwin H. Morris, and Company, Inc., N.Y., 1961, 1973

f.22 Electric and Musical Industries, N.Y., 1955

f.23 E.M.I. (Australia, Ltd. Sidney), 1957-58

f.24 Excelsior Record Co. Los Angeles, CA., 1946

f.24A Famous Music Corporation, envelope only, to, J. C., n.d.

f.25 Gordon V. Thompson, Ltd. Canada, 1947, 1949

f.26 Gotham Music Service, Inc., N.Y., 1950

f.27 Gramophone Company, 1958-59

f.28 GRT Canada, 1973

f.29 Handy Bothers Music Company, N.Y., 1939-1948

f.30 Harry Von Tilzer, N.Y, 1953

f.31 Manager, Ink Spots, 1943, 1947

f.32 Manager, Ink Spots, 1948

f.33 Manager, Ink Spots, 1950

f.34 Manager, Ink Spots, 1951

f.35 Manager, Ink Spots, 1952

f.36 Ink Spots, Miscellaneous (letter head stationary, Bill Kenny), n.d.

f.37 International Tape Cartridge Corporation, 1967

f.38 Irving Berlin, Inc. N.Y., 1928-1943

Box 6

Personal- Business Affairs 1923-1973

Correspondence-Business Connections (J-P)-Section 1: Sub-Section 2

f.1 Harrison Smith Music Publisher, 1960-63

f.2 Jack Mills, Inc., 1923

f.3 J.C. Johnson, Publisher, Agreement, with Andy Razaf, 1928

f.4 J.C. Johnson, Publisher, Organ. n.d.; copy right, “Fats” Waller, 1938

f.5 J.C. Johnson Publisher, Copyright, Statements, 1961, n.d.

f.6 Jaybillee Music Corporation, N.Y., 1946, Certificate Incorporation, etc.

f.7 Jaybillee Music Corporation, N.Y., 1946-48

f.8 Jaybillee Music Corporation, N.Y., 1957

f.9 Joe Davis, Inc., N.Y., 1939, 1932, 1949, 1954

f.10 Johnson-Rosenberg, including letter head stationary, 1927-1929

f.11 Joseph P. Whalen Music Corporation, 1942

f.12 Keit - Engel, Inc. Music Publishers, Contract, n.d.

f.13 Kenney Music of Canada, Ltd., 1972

f.14 La Salle Music Publisher, Inc.1944-1945

f.15 Leeds Music Corporation, N.Y., 1940, 1945

f.16 Library of Congress, Copyright, Music, 1921, 1928

f.17 Library of Congress, Copyright, Agreement, Music, 1942-1949

f.18 Library of Congress, Copyright, Agreement, Music, 1950, 1953

f.19 Library of Congress, Copyright, Agreement, Music, 1958-1959

f.20 Library of Congress, Copyright, Agreement, Music, 1961-1973

f.21 Leo Feist, Inc., Contract, n.d.

f.22 Mayfair Music Publisher, N.Y., 1955-1964

f.23 Mechanical Copyright Protection Society, Ltd, London, 1954-1972

f.24 Melrose Music Corporation, 1955

f.25 Miller Music, Inc., N.Y., 1937-1973

f.26 Mills Music, Inc., N.Y., 1965, n.d.

f.27 Ministry of Labor and National Service, United Kingdom Copyright, 1955

f.28 Nattrass -Schenck Inc., N.Y., 1933-34

f.29 N.V. Phillis, N.Y., 1938, 1954, 1961-1962

f.30 NU-WAY Music Co., N.Y., 1941

f.31 Olman Music Corporation, N.Y., 1936-1940

f.32 OKeh Records, N.Y., 1928

f.33 Omega Sound, Inc., Philadelphia, PA, 1974

f.34 Pace Photograph Corporation, 1923

f.35 Parlophone Company, Ltd., n.d.

f.36 Perry Bradford Music Publishing Corporation, 1923

f.37 Phillip L Ponce, N.Y., 1938-1939

f.38 Pickwick Music Corporation, N.Y, 1955

f.39 Prestige Records, Inc., N.Y., 1964-1966

f.40 Progressive Music Company, including stationary, 1928, n.d.

Box 7

Personal-Business Affairs 1923-1976

Correspondence-Business Connections (R-W)-Section 1: Sub-Section 2

f.1 Rainbow Records, 1924, 1947-1948

f.2 RCA (Radio Corporation of America) - (Victor Record Division), 1963-1971

f.3 RCA Manufacture Company, Inc., 1942-1943

f.4 Record Music Publishing Company, 1938-1947

f.5 Record Music Publishing Company, 1961-1969

f.6 Record Music Publishing Company, 1965-1969

f.7 Record Music Publishing Company, 1968-1969

f.8 Record Music Publishing Company, 1970-1973

f.9 Record Music Publishing Company, 1974-1978

f.10 Record Music Publishing Company, Assignment of Copyright, 1964

f.11 Record Music Publishing Company, Business, Certificate, Letter head, 1948-49

f.12 Robbins Music Corporation, 1938 -1964

f.13 Sam Fox Publishing Company, 1938-1941

f.14 Santly Brother, Inc., N.Y., 1932-1934

f.15 Schuster Miller (Bob) Incorporated Music Publisher, N.Y., 1938-1942

f.16 Shapiro, Bernstein & Company, Inc., N.Y., 1938

f.17 Sherman Clay & Company, 1933-1936

f.18 Simon & Schuster, Inc., N.Y., 1959

f.19 Songwriters Protection Association, 1929-1956

f.20 Southern Music Publishing Company, Inc., 1933-1966

f.21 Sparton of Canada, Limited, 1954

f.22 Starr Piano Company, 1928

f.23 The Aeolian Company, 1925

f.24 The Big 3 Music Corporation, N.Y., 1962

f.25 The Compo Company Limited, Canada, 1939-1940

f.26 The Gramophone Company, Ltd., 1958

f.27 The Sandmen, Agreement, 1954

f.28 Triangle Music Publishing Company, (Joe Davis), N.Y., 1928

f.29 USAAC, n.d.

f.30 Video Pictures, Inc., n.d.

f.31 Warner/Elektra/ Atlanta, 1972, Royalties

f.32 Miscellaneous, Contracts, Royalties

f.33 Miscellaneous Materials

Box 8

Personal-Business Affairs 1926-1980s

Correspondence-Business including Legal Issues-Section 1: Sub-Section 2

f.1 1926-1929, (B-W)

f.2 1930-1935, (B-W)

f.3 1936-1938, (B-W)

f.4 1939, (A-M)

f.5 1940-1944, (A-W)

f.6 1945-1948, (A-T)

f.7 1949, (B-T)

f.8 1950-1951, (C-R)

f.9 1953, 1958, (B-W)

f.10 1959, (C-R)

f.11 1960-1961, (B-R)

f.12 1964, (B-R)

f.13 1964, (H-W)

f.14 1965-1966, (B-W)

f.15 1967-1968, (J-W)

f.16 1973- 1978, several, n.d.

f.17 Miscellaneous 1932- 1960, n.d. Legal Issues-Court Cases

f.18 Legal Issues, 1944, 1948- (Court case), Faston vs Twentieth Century Fox

f.19 Legal Issues, 1945, (Court Case), 1946-(Civil Court Case), 1955 (Press Release) Broadcast Music

Corporation and Edward B. Marks Music Corporation, against Deem Taylor

f.20 Legal Issues, 1961-1962, J. C. Johnson vs. Tops Records

f.21 Legal Issues, Contracts, 1940, 1955, 1961, n.d.

Box 8A (Custom Box)

Personal-Business Affairs 1961-1962

Correspondence-Legal Affairs-Section 1: Sub-Section 2

f.1 Legal Issues, Johnson vs. Precision Radiation Instruments, Inc., 1961

f.2 Legal Issues, Johnson vs. Precision Radiation Instruments, Inc., April 10, 1962

f.3 Legal Issues, Johnson vs. Precision Radiation Instruments, Inc., 1961

f.4 Legal Issues, Johnson vs. Precision Radiation Instruments, Inc., 1962

f.5 Court Case, Business, Legal Issues, Johnson V. Precision Radiation Instruments, Inc., 1962

Box 9

Personal- Business Affairs 1927-1972

Correspondence-Business-Financial Issues-Section 1: Sub-Section 2

f.1 A.S.C.P. 1942, 1959

f.2 Domestic Frivolity, Estimated Production Cost), 1943

f.3 Expenditures, Cash-1927, Invoices (A-P; Q-W) 1949-1973

f.4 Expenditures, Cancelled, Checks, 1947-1961

f.5 Expenditures, 1963-1968 - (Blank Checks)

f.6 Operation Expenses, Budgets, 1927-1965

f.7 Productions Expenses, Budgets, 1963, 1968, n.d.

f.8 Financial Issues, Statement of Earnings, 1950

f.9 Financial Issues, Leger Book, 1948

f.10 Financial Issues, Petty Cash, 1947-48, 1962

f.11 Financial Issues, Leger Book, 1949

Box 10

Personal-Works-Compositions

Music- Songs-Section 1: Sub-Section 3:

Arranged by Titles (A-Don’t)

f.1 “A Lonely Road”, n.d., 1 copy

f.2 “A Lonely Soul”, n.d., 1 copy

f.3 “A New Day Dawning”, lyrics and music, 1944, 9 copies

f.4 “A Weary Soul”, music, n.d., 1 copy

f.5 “Almighty One”, lyrics and music, 1968, 4 copies

f.6 “Bandanna Rhythm”, music, n.d., 2 copies

f.7 “Better Stop ‘N Pray”, lyric, n.d., 8 copies, 3 fragile, different versions

f.8 “Big Ben”, music, 1927; correspondence, 1953-54, 1 copy

f.9 “Big Gorilla Blues”, lyric and music, 1928, some copies for specific instruments, 4 copies;

f.10 “Big Trunk Blues”, n.d., 1 copy lyric

f.11 “Black Mountain Blues”, lyric and music, 1931, different versions and formats, 2

fragile, 17 copies,

f.12 “Black Mountain Blues”, correspondence, 1952-1976

f.13 “Blue Dust”, lyric and music, n.d., 12 copies, some handwritten

f.14 “Blue Valley”, music, n. d., I copy

f.15 “Blues”, lyrics only, n. d., fragile, 1 copy,

f.16 “Breath and Britches”, lyric’ n.d., 1 copy; correspondence, 1928

f.17 “Bust Your Vest”, lyric and music, n.d., fragile, lyric different formats, 7 copies

f.18 “But Ain’t It a Shame”, lyric, n.d., fragile, 3 copies

f.19 “Bye Bye Baby”, music, n.d., 1 copy

f.20 “Cameo Falls”, lyrics and music, n.d., 6 copies

f.21 “Can’t Be Bother Now”, lyrics, n.d., 1 copy

f.22 “Can I Get Some of That?”, lyrics, n.d., 1 copy

f.23 “Change Your Luck”, lyric, n.d., 1 copy

f.24 “Chicken”, music, n.d., 2 copies

f.25 “Daddy Mine Blues”, lyric and music, n d., fragile, 4 copies

f.26 “Daddy You Got Ev’rything”, lyric and music, 1929, 1929, fragile, 4 copies

f.27 “Dancin’ Way Your Sin”, music, 1930, 2 copies,

f.28 “Dog Tracks”, music, n.d., 1 copy; correspondence, 1930-1932

f.29 “Done Set My Po’ Spirit Free”, lyrics and music, n. d., 6 copies

f.30 “Don’t Be a Drag”, lyric, n.d., different version, 6 copies

Box 11

Personal-Works-Compositions

Music-Songs-Section 1: Sub-Section 3:

Arranged by Titles (East-How Long)

f.1 “East on West Street”, music, 1967-1968, different version, 3 copies

f.2 “Eavesdroppers Blues” music, 1949, 3 copies; correspondence, 1950-1971

f.3 “Empty Bed Blues”, music, 1928, different version, formats, 13 copies,

f.4 “Empty Bed Blues”, lyric only, 1928, fragile, 6 copies

f.5 “Empty Bed Blues”, correspondence, 1920’s-1930

f.6 “Empty Bed Blues”, correspondence, 1940’s

f.7 “Empty Bed Blues”, correspondence, 1950’s

f.8 “Empty Bed Blues”, correspondence, 1960’s

f.9 “Empty Bed Blues”, correspondence, 1970’s

f.10 “Empty Bed Blues”, Miscellaneous

f.11 “Fascinatin’ Island”, lyrics and music, n.d., some handwritten; different version, 12 copies

f.12 “Feeling Too Fine”, n.d., fragile, 1 copy

f.13 “Finish What You Started with Me”, (see also I’ve Finished what I, start with You), lyric and

music, n.d., 5 copies

f.14 “Flood and Thunder Blues”, n.d., fragile; correspondence 1955, 2 copies

f.15 “Georgia’ land, lyric and music, n.d., 2 copies

f.16 “Got My Religion On”, lyric and music, n.d., fragile, 5 copies

f.17 “Got the Peace of My Savior in My Soul”, fragile, lyric and music, 7 copies

f.18 “Happiness Is A Legal Thing”, n.d., different version, 14 copies

f.19 “Harlem Has Forsaken the Blues”, 1961, different version, 15 copies

f.20 “Harlem’s All That Heaven Can Be”, n.d. different version, 10 copies

f.21 “Haunted House Blues”, music, 1949,3 copies; correspondence, 1924-1973

f.22 “He’ll Answer Your Call”, lyric and music, n.d., 4 copies

f.23 “Help Me”, lyric, n.d., 2 copies

f.24 “Help Me Save Your Soul”, lyric and music, n.d. 16 copies, different version, formats

f.25 “Here ‘Tis”, lyric and music, n.d., 6 copies

f.26 “He-She Blues”, fragile, lyric and music, n.d., 2 copies,

f.27 “How Do I Stand with You”, lyric and music, n.d., 4 copies,

f.28 “How Long Can A Lady Be Good?”, lyric and music, 1950, different version, 10 copies

f.29 “How Long Has It Been”, lyric, music, n.d., typed, handwritten, fragile, 9 copies

f.30 “How Long Is the Journey”, 1949, difference version, format, 13 copies;

correspondence

Box 12

Personal-Works-Compositions

Music-Songs-Section 1: Sub-Section 3

Arranged by Titles (How Many - Let’s Say)

f.1 “How Many Friends”, lyric and music, 1961, 3 copies, different format

f.2 “How Many Friends -Are Coming to Your fun’ral”, lyric, n.d., different version, 5 copies

f.3 “Hustlin’ Dan”, music, n.d., 1 copy

f.4 “I Ain’t Puttin’ Out Nothin’”, n.d., fragile, 2 copies

f.5 “I Can’t See Why My Daddy Stays Away”, n.d., 1 copy

f.6 “I Had to Live and Learn”, n.d., music, 1 copy; correspondence, 1939

f.7 “I Wasn’t Meant for Love”, 1947, fragile, 3 copies; correspondence, 1947-1955

f.8-9 “I Wasn’t Meant for Love”, music, 1947, different version (Love Wasn’t Meant for Me, four

different instruments), 17 copies

f.10 “If Papa Has Out-Side Lovin’”, lyric and music 1928, fragile, 3 copies;

correspondence, 1954

f.11 “If You Would Say So”, lyric, n.d., 2 copies

f.12 “I’ll Always Remember the Night”, 1947, different instruments, typed

copies & handwritten, 7 copies

f.13 “I’m Honest”, lyric, n.d., fragile, 3 copies

f.14 “I’m Not the One You Love”, lyric and music, n.d., 2 fragile, 7 copies

f.15 “Is Madam Falling Again”, lyric and music, n.d., 2 fragile, 10 copies

f.16 “It Sure Is Nice”, lyric, n.d.,

f.17 “Its A Great World After All”, n.d., fragile, 1 copy

f.18 “I’ve Finished What I Started with You”, Lyric, n.d.

f.19 “I’ve Just Finished What I Start with You”, Lyric, n.d.

f.20 “I’ve Learned to Do Without You Now”, lyric and music, 1925, 4 copies

f.21 “Jet Black Blues”, music, n.d., 1 copy; correspondence, 1962

f.22 “Josephine”, lyric and music, 5 copies

f.23 “Josephine My Own”, lyric and music, 1929, 1 fragile, 8 copies

f.24 “Journey’s End”, music, n.d., 1 copy

f.25 “Keepin’ You Jealous”, lyric and music 1961, 9 copies; correspondence, n.d.

f.26 “Lawd Whatcha’ Gonna’ Do Wid Me?”, lyric and music, 1947, 9 copies “Lawd

Whatcha’Gonna’ Do with Me?”

f.27 “Lazy Lezee”, music, 1 copy

f.28 “Let’s Do, Let’s Do,”, lyric and music, 5 copies, n.d., 9 copies, 1 handwritten,

lyric and music, 6 copies

f.29 “Let’s Say Good-Bye”, lyric, n.d., 2 copies

Personal

Music, J. C. Johnson, Pseudonyms

f.30 Songs-3AA, Pseudonyms (Harry Burke)

“Me and My Gin”; Henry Cole “All Around Mama”; James Crawford

“Black Mountain Blues”; Harry Harris “Mama I Don’t Need You Now”,

James uncle Joe”; Willie Jones “Tired OF The Way You Do”; Johnny

Louis “Wild Geese Blues”; Harry Roberts “Old Forsaken Blues”; John

Rose “You Can’t Sleep In My Bed”

Personal

Songs, Sheet Music

Arranged by titles

f.31 Song-3AAA: Some listing of all of J C Johnson titles, by J. C., include copyright year, those in

shows, and the name of record producers and those with co-producers, 1923-1953, other information on

songs.

Box 13

Personal-Works-Compositions

Music-Songs: Section 1: Sub-Section 3

Arranged by Titles (Love Never -Percolatin’)

f.1 “Love Never Came Back”, n.d. 5 copies

f.2 “Love That Will Not Die”, lyric and music, 1968, 14 copies

f.3 “Low - Land Moan”, n.d., 4 copies; correspondence, 1956

f.4 “Make Room for A Fool”, n.d., 1 copy

f.5 “May Take A Long Time”, music, 3 copies

f.6 “Me and My Gin”, 1928, different versions, 17 copies; correspondence, 1828, 1945-1974

f.7 “Mean Tight Mama”, lyric, n.d. 1 fragile 2 copies

f.8 “Minstrel Days”, music, n.d., 2 copies

f.9 “Moanful Wailin’ Blues”, lyric and music, n.d., fragile, 2 copies

f.10 “My Baby’s in Again Now”, lyric, n.d., 2 copies

f.11 “My Home Town”, music, 1922, 1 copy

f.12 “My Kinda’ Girl”, music, n.d., 2 copies

f.13 “My Kinda’ Man”, music n.d., 3 copies

f.14 “My Little Baby Boy”, 1961, different version, 15 copies

f.15 “My Particular Man”, n.d., fragile, 2 copies; correspondence, 1937-1938, 1956

f.16 “No Man”, music, n.d., 2 copies

f.17 “One Day”, lyric and music, n.d., 8 copies

f.18 “One Night Three Stars Ago”, music, n.d., 2 copies

f.19 “Oriental Tango”, music, n.d., 1 copy

f.20 “Papa Don’t You Mean Your Mama No Good”, lyric and music, 1923, fragile, 2 copies;

correspondence, 1923, 1950, 1964

f.21 “Papa I Don’ Need You Now”, lyric and music, n.d., fragile,2 copies

f.22 “Papa it’s Too Big”, lyric and music, n.d., 3 copies

f.23 “Papa You Too Slow”, lyric and music, 1927, fragile, 2 copies; correspondence, 1928

f.24 “Pawn Shop Blues”, lyric and music n.d., 4 copies, 2 copies, typed & handwritten, fragile

f.25 “Percolatin”, lyric and music, n.d., 4 copies

Box 14

Personal-Works-Compositions

Music-Songs by J. C. Johnson Section 1: Sub-Section 3

Arrange by Titles (Peculiar -Toatin’)

f.1 “Peculiar Rhythm”, music, 1 copy

f.2 “Pity Little People”, lyric and music, 1961, different version, 13 copies

f.3 “Red Bean and Rice”, lyric and music, n.d., fragile, 2 copies

f.4 “Red Hot Hottentot”, music, n.d., 3 copies

f.5 “Religion in My Feet”, lyric and music, n.d., 4 copies

f.6 “Revival”, music, n.d., 1 copy

f.7 “Revival Day”, music n.d., 1 copy

f.8 “Rock Pile Blues”, music, n.d., 1 copy

f.9 “Scram Sam” (Take It on the Lam), lyric and music, n.d., 3 copies

f.10 “Singin’ My Cares Away”, lyric and music, n.d., different version, 3 copies

f.11 “Slow and Easy Man”, lyric and music n.d., fragile, 4 copies

f.12 “Some Day I Will See Paris”, n.d., lyric and music, 4 copies

f.13 “Somewhere Along the Way”, lyric and music, n.d., 4 copies

f.14 “Song of Despair”, lyric and music, n.d., different format, 11 copies, 2 fragile

f.15 “Songwriters”, lyric, n.d., 1 copy

f.16 “Southland”, music only, n.d., 1 copy

f.17 “Special Honey”, lyric, n.d., 7 copies, 1 fragile

f.18 “Strangest Feeling”, n.d., lyric, 1 copy

f.19 “Sun-Down”, n.d., 2 copies

f.20 “Sun-Down Vagabond Cadets”, lyric, 1 copy

f.21 “Sunshine for Sale”, music, n.d., 1 copy

f.22 “Suzi Where’s You Get the Money? “, lyric and music, n.d., 6 copies

f.23 “Sweet Man Blues”, music, n.d., 1 copy; correspondence, 1923

f.24 “Sweet Misery Blues”, lyric and music, 3 copies, fragile

f.25 “Sweet Young Lad”, lyric n.d.,

f.26 “Take A Walk”, lyric and music, 2 copies

f.27 “‘Take What You Want”, lyric and music, 4 copies, fragile

f.28 “Tell the South”, lyric and music, n.d., 9 copies, 3 fragile

f.29 “That Was My Heart”, music, n.d., 1 copy

f.30 “That How I feel” (Without You), lyric and music, n.d., different version,

format, 15 copies

f.31 “That the Way I like It” (I Like It That Way), music, n.d., 1 copy

f.32 “That’s What I’m Afraid Of”, lyric and music, n.d., 3 copies ,1 fragile

f.33 “That Why They Call Her Baby”, music, n.d., 1 copy

f.34 “The Man Ain’t Born”, 1961, different format, 3 copies

f.35 “The Man I Love Ain’t The Man for Me”, lyric and music, 3 copies

f.36 “The Meanest Gal in Town”, n.d. 1 copy; correspondence, 1934

f.37 “There’ll Be No Blues in Heave’n”, n.d., lyric ,2 copies, 1 fragile

f.38 “There’s Only One U.S.A.”, lyric and music, different version,

5 copies

f.39 “Three Little Stars Ago”, lyric and music, n.d., 2 copies,

f.40 “Toatin’ My Load”, lyric, n.d., 1 copy, fragile

Box 15

Personal-Works-Compositions

Music-Songs-Section 1: Sub-Section 3

Arrange by Titles (Trav’lin – Wild)

f.1 “Trav’lin’ All Alone”, 1930, (for) different instrument, lyric and music, 23 copies

f.2 “Trav’lin All Alone”, correspondence, 1928-1944

f.3 “Trav’lin All Alone”, correspondence, 1957-1968

f.4 “Two Days Ago To-Day”, music ,1 copy

f.5 “Wash That Thing”, lyric, 1947, 1 copy

f.6 “Wasn’t That You My Lord”, lyric and music, 1968, 4 copies

f.7 “Way Up Yonder in Glory”, lyric and music, 6 copies

f.8 “We Don’t Need Each Other Anymore”, lyrics and music, different version, 12 copies, 3 fragile

f.9 “Weary Waters”, lyric and music, n.d., 2 copies

f.10 “Weed, music, n.d., 1 copy

f.11 “What Ever You Do”, lyric and music, 19615 copies

f.12 “What Have I Done”, 1 handwritten, different instrument, 24 copies, 1 fragile; correspondence,

1934

f.13 “What Have You to Say”, music, n.d., 1 copy

f.14 “Whatcha’ Call It”, lyric and music, n.d. ,3 copies

f.15 “Where Has All the Black Men Gone”, 1955, 7 copies, fragile: correspondence, n.d.

f.16 “Wicked Rhythm”, music, n.d.

f.17 “Wild Geese Blues”, 5 copies, fragile; correspondence, 1928

Box 16

Personal-Works-Compositions

Music-Songs-Section 1: Sub-Section 3:

Arrange by Titles (Y-Z)

f.1 “You Can’t Do What My Last Man Did”, music, 1923, 4 copies: correspondence,1957

f.2 “You Can’t Sleep in My Bed”, lyric and music, n.d., 3 copies, fragile

f.3 “You Must Be Wrong”, lyric, n.d.

f.4 “You Should Know”, music, 1930, 1 copy

f.5 “You Sweet Black Dog”, lyric, n.d., 3 copies, 2 fragile

f.6 “You’ll Come Back to Me”, music, 1929, 3 copies: correspondence, 1955

f.7 “You’ll Need Somebody Who Won’t Need You”, lyric and music, 1924, 3 copies,

1 fragile

f.8 “You’ll Regret”, n.d., 5 copies, 1 fragile

f.9 “You’ve Got to Finish What You Started with Me”, lyric and music, 1946, 1961, different

versions, different copyright date, 10 copies

f.10 “Ziggidy Zag”, lyric and music, n.d., 4 copies

f.11 Music by J. C. Johnson, written for orchestra special instruments, songs, such as “That How

Rhythm Was Born”, “Believe It Beloved”, “Love and Kisses”

f.12 Miscellaneous, Songs, lyrics and others, fragile

f.13 Miscellaneous, Songs, music. fragile

f.14 Miscellaneous, Songs, Music, fragile

Box 17 (Tall)

Personal-Works-Compositions 1923-1964

Music-Songs-by J. C. Johnson and Other Composers-Section 1: Sub-Section 3

Arranged by Composer (Burleigh-Jefferson) and Title

f.1 Harry T. Burleigh, Music--“Lawd’ Whatcha’ Gonna Do Wid Me?” 1947.

correspondence, 1947

f.2 Nat, Burton, Jack Milford, Lyric--“This Little Piggie Had Rhythm”, 1 fragile

f.3 Charles Cook, Lyric--“All Mighty One”; --“There ‘ll Be No Blues in Heaven”; -

“Totin’ My Load”; - “Wasn’t That You My Love”

f.4 Mercer Cook, Music)- “Whatcha Got Good for Me”, 1 copy

f.5 Allan Flynn, lyric & Music--“Wandermania”, n. d, different renditions, 9

copies,

f.6 Fletcher Henderson, lyric and music--“My Basin Street Lover”, 4 copied; -

- “End of My Train”, 6 copies; --“Get a Rhythm Ticket”, 1 copy, n.d.; --

“It’s Wearin’ Me Down”, 3 copies, 1932; -- “Minstrel Man”, 2 copies, n.d.

; -“Our Love Has Turned out Wrong”; - “Superstitions”, 5 copies, 1950; -

“Then You Need Love,” n.d., 1 copy; correspondence, 1937

f.7 Alex Hill, Lyric and Music--“New Mind About Me”, 1931-32, 5 copies;

Correspondence, n.d.

f.8 Claude Hopkins, Lyric and Music--“Cryin’n My Heart Out For You”, -- 1936, 4

copies; -- “Deep Dawn”, 1936, 1 copy, note, song in cover, inside cover song,

“Beale Street Blues”, by W.C. Handy “(You Left Me), Holding the Bag”, n.d.,

copies, fragile,

f.9 Claude Hopkins, Lyric and Music- “I’d Believe You”, 3 copies; -“Is It So”?, 1946,

4 copies; -- “Woozie ‘N Wacky”, n.d., 2 copies, very fragile; - “Thru With Love

Affairs”, 1936, 5 copies, Folder 2

f.10 Claude Hopkins, Lyric and Music-- “That Particular Friend of Mine”, Fox

Trot, 1936, 5 copies; - “Vamping A Co-ed”, 1936, 4 copies;

correspondence, 1946-1964

f.11 Langston Hughes, Lyric and Music--1943, Rationing Blues, 4 copies

f.12 Roland Irving, “From Now on Blues”, 1923; - “I Know What You Want Me To

Do-But I Won’t”, n.d. 2 copies; - “2 A.M. Blues”, 1923, 3 copies;

correspondence, 1949-1964

f.13 Maceo Jefferson, “That’ What I’m Afraid Of”, lyric, 1 copy

Box 18

Personal-Works-Compositions 1927-1955

Music-Songs-by J. C. Johnson and Other Composers-Section 1: Sub-Section 3

Arranged by Composer (Jelly-Razaf)

f.1 Jelly, ‘Love Wasn’t Meant for Me”, n.d.

f.2 Clarence Jones & Ross Haymes, “Countin’ at the Bird Cage”, 1940, 3 copies

f.3 Hart Jones, “Let’s Dance to The Waltz of Love”, 1 copy, lyric, n.d.

f.4 Jimmy Lunceford, “Up Town Blues”, n.d., 1 copy

f.5 Attwell May, “I Had to Live and Learn”, 1947, 10 copies, 2 very fragile;

correspondence, 1939

f.6 Ernestine May & Maceo Jefferson, “Lady with a Past”, n.d., 2 copies

f.7 Doris Mayer, “You’re What the Blues are Made Of”, n.d., 1 copy

f.8 Allie Moore, “You Can’t Do What My Last Man Did”, 1929, 1 copy

f.9 Andy Razaf, “A Beautiful Girl”, 1928, 1 copy, correspondence, 1955; - “A

Jibin Man”, 1 copy, fragile; - “Yankee Doodle Tan”, 4 copies; correspondence, 1942,

f.10 Andy Razaf, “Adam and Eve Blues”, 3 copies, fragile, n. d.; “All Aboard”, n.d., 3 copies, fragile;

- “All the World is Lonely”, (For A Little Black Bird)”, 1927, 2 copies; correspondence,

f.11 Andy Razaf, “Been Some Changes Made” (“Since You Been Gone”), 2 copies; -

“Black Dog Blues”, n.d., 4 copies; - “Black Man Blues”, 1 copy, 1956;

correspondence, Folder 3

f.12 Andy Razaf, “Black Maria”, 1927, (New Lyrics) 2 copies; -- “Brown Bombers”,

n.d., 2 copies; --“Brown Gal”, n.d., 2 copies; correspondence; --

“Brown Skin Model Girl”, n.d., 2 copies, Folder 4

f.13 Andy Razaf, “Changes”, n.d., 1 copy; Corns and Bunions Blues”, n.d., 3 copies, 2 fragile;

correspondence, 1954; -- “Couldn’t I”, 2 copies; correspondence, 1955, Folder 5

f.14 Andy Razaf, “Cow Boy Girls”, n.d., 2 copies, fragile, -- “Desire”, 1 copy, fragile; -

“Dip Your Brush in The Sunshine”, n.d., 3 copies., instruments; correspondence, folder 6

f.15 Andy Razaf, “Dixie”, n.d., 1 copy; -- “Dixie Walk”, n.d. 3 copy, fragile; - “Do

What You Did Last Night”, n.d., 9 copies, different versions, 3 fragile; - “Dusky

Stevedore”, 1928, 4 copies; correspondence, 1955, Folder 7

f.16 Andy Razaf, “Exclusively with You”, n.d., 1 copy; “Explaining”, n.d., 8

copies, 3 fragile, different arrangements; correspondence, 1955, Folder 8

f.17 Andy Razaf, “Futuristic” Novelty Fox Trot), 1928, 3 copies; correspondence, 1955; --Genesis

Blues, n.d., 4 copies, 2, fragile

f.18 Andy Razaf, “Get My Old Sweetheart Back Again”, 2 copies, fragile; -- “Get Up

and Follow Feet”, 2 copies; --“Good Things Come to Those Who Wait”, n.d., 2

copies; correspondence, 1955, Folder 10

f.19 Andy Razaf, “Guess Who in Town”, 1928 (“No Body But That Man Of Mine”), 5

copies; correspondence, 1955 Folder 11

Box 19

Personal-Works-Compositions

Music-Songs by J. C. Johnson and Other Composers-Section 1: Sub-Section 3

Arranged by Composer

f.1 Andy Razaf, “Honey, Do”, 1932, 1 copy; correspondence; -- “I Got

Sugar’ Plenty Sugar”, 1942,1 copy; - “I’d Rather Lose”, n.d., 1 copy, Folder 1

f.2 Andy Razaf, “If I Only Could Believe in You”, n.d., 3 copies; “Is It to Be or Not

To Be”, n.d., 1 copy; - “It’s A Great World After All”, n.d., 1 copy, fragile;

correspondence, 1932, Folder 2

f.3 Andy Razaf, “Jazzmania Opening”, n.d.; - “Just Over the Hill”, 1942, 5 copies

(chorus), 2 copies with instruments, Folder 3

f.4 Andy Razaf, “Just to Always Be Remembered”, 2 copies, fragile, “Lie to

Me”, n.d., 12 copies, 10 copies for instruments, fragile; Folder 4

f.5 Andy Razaf, “Lonesome Swallow”, (“Gonna Follow You Home”), 14 copies, 3

copies, fragile, 1928, different arrangements, Folder 5

f.6 Andy Razaf, Bob Schafer, “Look on My Heart”, n.d., 1 copy; - “Louisiana”,

1928, 9 copies, different arrangements, including Fox Trot; correspondence,

1954- 1973, Folder 6

f.7 Andy Razaf, Bob Schafer, “Love, I’m Calling”, (Sweet Southern Songs) 1932, 4 copies, 1 cover

is a cover; correspondence, 1932; -- “Lovers”, n.d., 4 copies, Folder 7

f.8 Andy Razaf, “Magnolia Rose”, n.d., 1 copy; --“Mister Mammy Man”, n.d., 12 copies, 7 copies

for instruments; “My Baby Sure Knows How Love”, 1929, 7 copies, 1 copy set includes

instruments; correspondence, 1956, Folder 8

f.9 Andy Razaf, “My Baby’s in Again Now”, n.d., 6 copies; - “My Love Will Never

Grow Old”, (Fox Trot), 1933, 7 copies, 2 covers, correspondence, 1930, Folder 9

f.10 Andy Razaf, Bob Schafer, “My Special Friend is Back in Town, Fox Trot”, 1927, 2 copies,

correspondence, 1927-1954; -- “My Sweet Bundle of Dreams”, n.d., 4 copies, 1 fragile, Folder 10

Box 20

Personal-Works-Compositions

Music-Songs by J. C. Johnson and Other Composers-Section 1: Sub-Section 3

Arranged by Composer

f.1 Andy Razaf, “North of Central Park”, n.d., 1 copy fragile; -- “Old Jim

Crow”, Fox Trot, 1929, 3 copies; correspondence, n.d.,

f.2 Andy Razaf, Schafer, Fats Waller, “Our Love Has Turned Out Wrong,” 5

copies; -“Papa You Done It Before”, (Why Can’t You Do It Now), n.d., 2

copy, fragile; -“Patty Cake, Patty Cake Baker Man” (Fox Trot), 1938, 3

copies, 1 cover, -“Poor Ole Sour”, 1 copy Folder 2

f.3 Andy Razaf, “Red Hot Hottentot”, n.d., 1 copy; - “Revival Day”, n.d., 1

copy; - “Silent Sphinx”, n.d., 1 copy, fragile; - “Slow and Easy

Gal”, n.d., 1 copy fragile, Folder 3

f.4 Andy Razaf, “Super Piano Man”, n.d., 2 copies; correspondence, 1942;

“Swanee Jubilee”, 1929, 2 copies, fragile, I set for instruments;

correspondence, 1955, Folder 4

f.5 Andy Razaf “Swanee ‘Medley”, 1928, 2 copies, fragile; “Sweet Magnolia

Rose”; “Sweet Virginia Blues”, 1926, 2 copies, fragile, correspondence,1927; -

“Take Your Tomorrow (And Me Today), Fox Trot, 7 copies, 4 copies, fragile;

correspondence, 1955, Folder 5

f.6 Andy Razaf, “Texas Man”, n. d., 3 copies; correspondence, 1926; --“That Ought’a Get It”, n.d., 1

copy, fragile; -- “The Jitterbug Tree”, covers, 1927, 2 copies; -- “The Joint is Jumpin’”, 1938, 5

copies; correspondence, 1937-1954; -“There’re Been Some Changes Made Since You Been

Gone”, Folder 6

f.7 Andy Razaf, Fats Waller, “The Spider and the Fly”,1938, 5 copies, 2 copies of

“The Spider and the Fly” (“Poor Flt Bye-Bye”), Fox Trot, 1938;

correspondence, 1938-1973, Folder 7

f.8 Andy Razaf, “There’s A Little Bit of Scotch in Me”, n.d., 1 copy; “Two

Taxi Driver”, n.d., 3 copies, 1 set with instruments, - “Wasting Away”,

n.d., 7 copies, different versions, 2 fragile, 1 set for instruments, Folder 8; -We’ve Just Found

Happiness, n.d., 1 copy

f.9 Andy Razaf, Bob Schafer, “What Your Price” 1932, 2 copies;

correspondence, 1955; - “When”, 2 copies, 2 copies (Fox Trot) with

instruments, 1928, 3 copies; correspondence, 1953-55, Folder 9

f.10 Andy Razaf, “Who Do I Blame” (“Nobody But You”), n.d., 2 copies; -

“You’ll Come Back To Me”, n.d., 9 copies, different versions, - “You’re

The One” (“Who I’ve Been Waiting For”), n.d., 1 copy

Box 21

Personal-Works-Compositions 1923-1978

Music-Songs by J. C. Johnson and Other Composers-Section 1: Sub-Section 3:

Arranged by Composer (Redman-Waller)

f.1 Don Redman, “How Ya’ Feelin’”, 3 copies, fragile; - “Lookout”, 1 copy; -

“You Don’ Hafta’ Go Home” (“But You Got to’ Leave Here”), 4), fragile

f.2 Lucky Roberts, “Lost in the Midnight Blue, 1942, 6 copies, 1 set Fox Trot;

correspondence, 1942

f.3 Lew Rosser, “Empty Arms”, 1927 (Inside Reads, “Try This on Your Piano,

Big Ben”, On Back of music (“Havana Nights”, by Andy Razaf and Hal

Ohlman, 1927, “Empty Arms”, 1927, 5 copies, correspondence, 1954

f.4 Bob Schafer, “The Gal Ain’t Born Who Can Treat Me Like You Do”, 2 copies, 1923;

correspondence, 1950-1978

f.5 Nat Schwartz, “Southland (I’m Lost Without), n.d., 2, copies; “Two

Seats in the Balcony”, 1935, 6 copies, 1 set; correspondence, 1934, 1964

f.6 Chris Smith, Bob Schafer, “I Calls Myself Big Stuff I Does, n.d. ,1 copy,

fragile

f.7 Earl Sweeting, “New Day Dawning, 1944, 1 copy

f.8 Thomas “Fats” Waller, J. Herman Autry, “Yacht Club Swing”, n.d., 2 copies;

correspondence, 1950, 1964

f.9 Thomas “Fats” Waller, -- “How Can I With You in My Heart”, 1938, 6

copies; -- “What Will I Do in the Morning”, n.d., 4 copies, 1 fragile; -

“What’s Your Name”, 1938, 6 copies, Folder 1

f.10 Thomas “Fats” Waller, “Hold My Hand”, 1938,3 copies, 1 set Fox Trot; -

“How Ya’ Baby”, 1938, 5 copies, very fragile; -- “How Ya’ Babe?”, n.d., 3

copies, Folder 2

f.11 Thomas “Fats” Waller, “Don’t Be Shy, n.d., 2 copies; - Give Up, n.d., 5

copies; - “I Can’t Forgive You”, 1938, 5 copies; --“I Need You Now”, n.d.,

1 copy, Folder 3

f.12 Thomas “Fats” Waller, “If I Meant Something to You”, n.d., 1 copy, “Inside This Heart of Mine”,

1938, 3 copies; “Meet Me on The Corner”, n.d., 3 copies, fragile; “Moonlight Mood”, 1938, 3

copies, Folder 4

f.13 Thomas “Fats” Waller, Andy Razaf, Rock My Soul, n.d., 1 copy; “Say

Yes, 1939, 2 copies; - Solid Eclipse, 1938, 5 copies; “That Gets It Mr.

Joe” n.d., 3 copies

Box 22

Personal-Works-Compositions 1924-1972

Music-Songs by J. C. Johnson and Other Composers-Section 1: Sub-Section 3:

Arranged by Composer (Webb-Whiting)

f.1 Chick Webb, Ella Fitzgerald, “Spinnin’ The Webb”, 1937, 3 copies

correspondence, 1939 -1972; -- “That Was My Heart’", n.d., 2 copies,

fragile; correspondence, 1940-1941

f.2 Chick Webb, Ella Fitzgerald, “You Can’t Be Mine (And Someone Else’s To), Fox

Trot, 1938, 4 sets, 5 copies, difference arrangements, formats, 1937

f.3 Sally Webb, “Maybe I’m Wrong”, n.d., 2 copies; correspondence, 1941

f.4 Carl White, “I’m Going to Ease on Back to My Mammy”, (Way Back in

Alabama) 1924, 7 copies

f.5 George Whiting, “A Little Bit of Loving Goes a Long Way”, 1 copy; - After

My Love Has Gone”, 2 copies; - “Am I Your Secret”, 2 copies fragile,

f.6 George Whiting, Nat Schwartz, “Believe It Beloved”, 1934, 7 copies,

“Believe It Beloved Its True”, 2 copies: correspondence, 1932 - 1972, Folder 2

f.7 George Whiting, Nat Schwartz, “Braggin’ Again”, 1 copy, fragile; - “Bring

Back our Buddy, Budwiser” (We aint Beer), n.d., 4 copies; - “Day

Dreams”, n.d., 3 copies, - “Delightfully, Different, n.d., 1 copy fragile, Folder 3

f.8 George Whiting, Nat Schwartz “Disgustingly-Healthy-Delightfully-Poor”,

n.d., 4 copies; - “Do I Love You, n.d., 1 copy; --“Don’t Let Your Love Go

Wrong” (A Rhumba Fox Trot), 1934, 6 copies; correspondence, 1934, Folder 4

f.9 George Whiting, Nat Schwartz, “Give Little’ Take A Little Love”, 3 sets, Fox

Trot, 1933, 5 copies, 3 fragile- “Glade to Have Seem You Again”, 1 copy,

fragile, Folder 5

f.10 George Whiting,” Hello Sweet!” n.d., 1 copy, very fragile; -- “Honey Take

the Key to My Door”, 3 copies, fragile; --“Hookin’ And Ropin’ Em’ In”, 3

copies, fragile, Folder 6

f.11 George Whiting, “I Blew Out the Light When You Blew In”, 1 copy, fragile;

- “I See You Ever where” (In Still You Far Away)’, 1932, 2 copies; -- “Laughing

My Tears Away”, 4 copies, Folder 7

f.12 George Whiting, “Little Black Boy”, 1934, 4 copies; correspondence, 1934; -

“Lock Me Up And Take Me Home”, 2 copies, fragile; - “Love and Kisses”, 1935,

2 sets, 1 copy; correspondence, 1933; -“Love Brides for Sale, 1 set for

instruments, 1 copy, fragile; Folder 8

f.13 George Whiting, Nat Schwartz, “Locked in My Heart”, n.d., 1 copy; -

“Love Me”, n. d., 1 copy, Folder 9

f.14 George Whiting, Jack Scholl, “Love Me”, n.d., 1 copy, Folder 10

f.15 George Whiting, Nat Schwartz, “Night Club Mama”, n.d., 2 copies, fragile; -

“Now That My Love Has Gone”, 1 copy, n. d.; - “Painting Long Island Red”, 4

copies, n.d.; - “Powder My Back, n.d. 5 copies, Folder 10

Box 23

Personal-Works-Compositions 1932-1971

Music-Songs-Sheet Music by J. C. Johnson and Other Composers-Section 1: Sub-Section 3

Arranged by Composer (R-T) and Title

f.1 George Whiting, Nat Burton, “Remember Who You ‘ll Promise To”, 1939,

3 copies, 2 sets Fox Trot

f.2 George Whiting, Nat Schwartz, “Rhythm and Romance”, 1962, 3 copies,

sets Fox Trot; correspondence, 1935

f.3 George Whiting, Nat Schwartz, “Right About Face”, 1935, 3 copies;

correspondence, 1935

f.4 George Whiting, Nat Schwatz, “Road”, n.d., 5 copies, fragile

f.5 George Whiting, Nat Schwatz, “Somebody Losing -Somebody Win”, 1932,

1 copy, 2 sets Fox Trot; correspondence, 1957, and 1959

f.6 George Whiting, “Someone Has Stolen My Heart”, n.d., 5 copies, fragile;

- “Sullivan Winchell and Sobel”, n. d., 4 copies, - “Sundown Sinners”,

n.d., 1 copy

f.7 George Whiting & Nat Schwartz, “That How Rhythm Was Born”, 1933, 8

copies, different versions; correspondence, 1933-1971

f.8 George Whiting & Nat Schwartz, “That Music to My Ears”, n.d., 2

copies, fragile, 1 copy

f.9 George Whiting & Eddie Delange, “The Meanest Gal in Town, n.d., 1

copy, fragile

f.10 George Whiting & Nat Burton, “Three Charming People, 1939, 4 copies’

f.11 George Whiting & Bob Schafer, “Three Kisses”, 1932, 5 copies, 3 set Fox

Trot

f.12 George Whiting, “Under the Spell of a Yen”, 1932, 6 copies fragile,

different format; - “Wanna’ Dream of Poppyland,”, n.d., 2 copies,

fragile

f.13 George Whiting & Nat Schwartz, “Way Up North in Southland,”1933, 3

copies, 1 set Fox Trot; correspondence, 1933

f.14 George Whiting, “Wedding Bells”, n.d., 5 copies fragile; - “When You Fall in

Love, n.d., 1 copy, fragile; - “Who’s Playing the Drum”, n.d.,5 copies, fragile;

f.15 George Whiting, Willingly, n.d., 2 copies

f.16 George Whiting & Nat Schwartz, “Without A Shadow of a Doubt,” 1936,

1 copy, 2 sets Fox Trot; correspondence, 1935

f.17 George Whiting, “Won’t You Take It Now from Nursie”, n.d., 4 copies, 3 fragile

f.18 George Whiting & Nat Schwartz, “You Stay Away to Long”, 1935, 4 copies; correspondence,

1935, 1954; - “You’re the Reason Why”, 3 copies, fragile

f.19 George Whiting & S. Williams, “Cotton Town”, n.d., 1 copy

Box 24

Personal-Works-Compositions 1950-1955

Music-Musical Comedy Revue-Jazz Train: Section 1: Sub-Section 4:

f.1 Jazz Train, program, September 1950

f.2 Jazz Train Program, April 1955

f.3 Jazz Train, program, May 1955

f.4 Jazz Train, program, August 1955 (Europe)

f.5 Jazz Train, program, September 1955 (Europe)

f.6 Jazz Train, programs, October 1955, 1962

f.7 Jazz Train, Musical, programs, November,1955

f.8 Jazz Train, Program n.d.

f.9 Jazz Train Reviews, n.d.

f.10 Jazz Train, Miscellaneous

f.11 Jazz Train Conductor Binder

Box 25

Personal-Works-Compositions 1955

Music-Musical Comedy Revue-Jazz Train-Section 1: Sub-Section 4:

Arranged by Title and Folder Number

f.1 “Ballin’s The Jack”; - “Bandana Days”; - “Basin Street Lover”

f.2 “Bessie Smith Blues”; - “Cabin, Cabin in the Sky”; --“Cake Walk You Dandies”

f.3 “Calypso”

f.4 “Chic”; -- “Congo”; -- “Congo Drums”

f.5 “Tat’s Love”; --“End of My Train”; -- “Ev’rything Is Rhythm”; - “Ev’ry time I Feel

the Spirit”

f.6 “Frankie and Johnnie”; - “Georgia Brown”; -Haitian”; - “Harlem Rhythm” -

“Labor Day Parade”

f.7 “Ida”; - “I Got A Train”; - “John Henry”; - “Key to My Door”

Box 26

Personal-Works-Compositions 1955

Music-Musical Comedy Revue-Jazz Train-Section 1: Sub-Section 4:

Arranged by Title and Folder Number

f.1 “Mandy” (“Lady Be Good”); - “Lulu’s Back in Town”; - “Mah; -- Lindy Lou”;

f.2 “Minstrel Man”; - “My Train”; -; “Ol’ Man River”

f.3 “Overture”; - “Parade”; - “Plantation”

f.4 “Porgy and Bessie”; -- “Raid Music “

f.5 “Religion”; - “Rhythm and Romance”; - “Rock”; - “Rock Party”; - “Rocky In Rhythm”

f.6 “Romp, Romp, Romp Your Rompers”; - “St. Louis Blues”; - “St. Louis

Additions”; - “Speed”; - “Stand the Storm”; - “Stormy Weather”

f.7 “Sweet Man”; - “Take What You Want”; - “Tapology”;-- “That How Rhythm Was Born”;--

“They’re No Journey End to My Train”

f.8 “Thief in The Night”; - “Thru’ with Love Affair”; - “Thursday”, - “Tony and Me”

f.9 “Trav’lin”; -- “True to You”; - “Wasting Away”; - Zig Zag”

f.10 Miscellaneous Songs

Box 27 (Custom)

Personal-Works-Compositions 1955

Music-Musical Comedy Revue-Jazz Train-Section 1: Sub-Section 4:

Arranged by Title

“Only Gal”;-- “Happy”; --“Were Here” (Rat Row);-- “Change Your Luck”; -- “Spirit Free”; --“Georgia”

(Fox Trot); -- “Got My Old Sweetheart Back Again”;-- “Love… Come Back”; -- “Raid Music”; --

“Down That Lonesome Road”; -- Religion”;-- “That’s How Rhythm Was Born”; -- “My Kinda Man”;--

“Tell Them About Me”;-- “I Got A Train”; --“Back Again” ; -- “Madam”; -- “We’re Dining At Home

Tonight”; --“My Kinda Woman”; -- “Some How I Just Can’t Keep You Off My Mind”; --“Only Gal ‘; --

“That’s Like It Ought To Be”; --“Wild Geese Blues”; --"Happy That’s All’”; -- “Take A Walle”; “Zig

Zag”; --“Ev’ry Time I Feel de Spirit”;-- “Georgia”;-- “Minstrel Finale”; --“Cuckoo In The Clock”; --

“Baby Won’t You Please Come Home” -- (Fox Trot); --“As Time Goes By” Fox Trot); --“I Ain’t Got

Nobody” (Fox Trot); --“Home Cookin’ Mamma”, (Fox Trot);-- Music, Maestro, “Please!”;-- “Waltz

“Sleep”;-- “Shout, Sister, Shout”; --“Saddle Your Blues To A Wild Mustang”; --“Ol’ Man Mose”; --

“Crazy”; --“I Wasn’t Meant For Love”; --“Way Up North In Southland”; --“You Should Know”

Medley” Songs (sheet music) also located in Piano/Organ Overture

1. “Viel Ernste Gesange”; 2. --“Die Wetterfahne”; 7. -- “Auf dem Flusse”; 13. --“Die Post”; 14. “Der

greise Kopf”; 15. --“Die Krahe”; 17. -- “Rencontre”; “18. --“Der Sturmische Morgen”; No. 22. -- Scene,

“Rezitativ Und Arie”; --“Avant de Quitter Ces Lie”; -- Madamina “Catalogo e Questo “; --"Fl La

Cucaracha” (photo copy); --“Voci Lontane” (photo copy);-- “Com Dal Ciel --Precipita” (photo copy); --

“Ave Maria”; -- “O Sole Mio”; “Just A Gigolo”; --“Chanson triste”; --“Honor and Arms”; -- “Brazil”;

“Mentre Ti “Opera”; -- “Got A Train”; -- “ You Can’t Be Mine And Someone Else Too”; -- “St. Louis

Blues”; --“Basin Street Lover”; --“St Louis Addition”; --“Suppertime”; --“Mandy”; --Blackbird”; --

“Cabin” ;--“Happiness”;-- “Suzi-Q”;-- Truckin”; “Ballin’ The Jack”;-- “Rockin In Rhythm”;-- “Mah

Lindy Lou”; “End Of My Train”; “Georgia Brown”; “John Henry”; --“Darktown Strutters”; --“Bandana

Days”;-- “Romp, Romp, Romp Your Rompers”;-- “Rock Party”; --“Haitian”; -- “Thief In The Night”; --

“Thursday”; Minstrel Days”;-- “Finale” (Organ) "Conga”; -- “Stand” “How Long Can A Lady Be Good”

-- “Do What You Did Last Night” -- “Chant Of Despair” -- “Cameo Falls” -- “Black Men” -- String

Around My Heart” -- Speed” -- “I Once Was Yours” --“Hottentot” -- “Hoppin Roun”

Music Composition, Musical Comedy Revue, Jazz Train “Lascio” (Xerox); --“Themes from Symphony

No. 5”; -- “Ballad of the Black Mother” “Christ Is Risen” (Xerox)

Box 28 (Custom)

Personal-Works-Compositions 1955

Works-Music-Jazz Train-Traveling Music Revue-1: Sub-Section 4:

Arranged by Title

“Night Song”; --“I Need Someone To Teach Me” --; “Parade”; --“Sing You Fool Sing”; “Love Must

Have It’s Day”;--“Here Tis”; --“Watch Out”; --“Piggy”; --“Pity Little People” (photo copy) ;--

“Cuckoo In The Clock”; --“Home Cookin’ Mamma” (Fox Trot); “Sugar Blues” (Fox Trot); --“If I Could

Be With You” (Fox Trot); --“Ain’t Misbehavin’” (Fox Trot); -- “Teasin’ Tessie Brown (Fox Trot)”; --

“Morocco Blues”; --“Baby Won’t You Please Come Home”; --”Memories of You”; --“This Is

Drummers’Day” ; --“S’posin’”; --“King Porter”; --“Way Up North In Southland”; --“Take What You

Want”; --“Saddle Your Blues to A Wild Mustang”; --“I Got A Train”; --“Congo”; “Sit Down Servant”;

“Stand The Storm”; --“Everything Is Rhythm”; --“Black Bird”; “Ida”;-- “Mandy”; “Happiness”; “Cabin”;

--“Bandana Days”; --“Franky & Johny” ; --“Susi Q”; --“Truckin’”; --“Mah Lindy Lou”; “Darktown

Strutters” ; --“Georgia Brown”; --“Rocking In Rhythm”; --“St. Louis Additions”; --“John Henry”; --“End

of My Train”; --“Thursday”; --“Thief in The Night”; --“Haitian”; --“Romp, Romp, Romp Your

Rompes”; “Rock Party”; --“Shout, Sister, Shout”; --“Dog Tracks”; --“Dances Finale”; -- “Minstrel

Finale” --“Sweet Man” --“Basin Street Lover” --“Start With Me”--"

Bass-Cello

“Medley”; --“Raid Music”; --“Parade”; --“Basin Street Lover”; --“Cuckoo In The Clock”; “Baby Wont

You Please Come Home”; --“Home Cookin’ Mama’”;--"Shout, Sister, Shout!”; --“Saddle Your Blues To

A Wild Mustang”; --“Take What You Want”;-- “Way Up North in Southland”; --“Georgia”; --“I Got A

Train”; --“Congo”; --“Black Bird”; --“Bandana Days”; --"Georgia Brown”; --“St Louis Blues”; --“St

Louis Additions”; “Happiness”; --“Cabin”; --“Bessie Smith Blues”; --“Mandy”; --“Ida”, --“Mah Lindy

Lou”; “Darktown Strutters”; --“Rocking In Rhythm”; --“Truckin’”; --“John Henry”; --“End Of My

Train”; --“Thief In The Night”; --“Haitian”; --“Rock Party”;--" Romp, Romp, Romp Your Rompes”; --

“Dances”; --“Dance Finale”; --“Lady Be Good”;-- “Minstrel Finale”; --“Thursday” --“Home Brew”

--"Chant Of Despair” --“Leeilah”; --“ Sepia Baby”;--“Shadrack”;-- “Suzi-Q” ;-- (Overture)

Box 29 (Custom)

Personal-Works-Compositions 1955

Works-Music-Musical Comedy Revue, Jazz Train: Section 1: Sub-Section 4:

Arranged by Title

“Raid Music”; --“Dog Tracks”; --"Sweet Man”; --“You’ll Need Somebody”; --“Ida”; “Sleep”; --

“Minstrel Finale”; --“Cuckoo In The Clock”; --“Baby Won’t You Please Come Home”; --“I Ain’t Got

Nobody”; --“Home Cookin’ Mamma’”; --“Shout, Sister, Shout!”; --“Saddle Your Blues to A Wild

Mustang”; --“Take What You Want”; --“‘Way Up North In Southland”; --“Lonely Soul”; --“Georgia”; --

“Congo”; --“Stand The Storm”; --“Suppertime”; --“Mandy”;-- “Mah Lindy Lou”; -- “Bessie Smith

Blues”; --“Georgia Brown”; --“Bandana Days”; --“St Louis Blues”, --“St. Louis Additions”, --“Basin

Street Lover”; --“Blackbird”; --Happiness”; -- “Cabin”; --“Susi Q”; “Rocking In Rhythm”; --“Darktown

Strutters”; --“End Of My Train”; --“Finale”; --“Play Out”;--“Dances- Play Off”;--“Intermission”; --"Thief

in The Night”;-- “Haitian”; --“Choc’s Vocal and Dance”;-- “Rock Party”;-- “Dances Finale”; --“Romp,

Romp, Romp Your Rompes”; --“Sit Down Servant”; --“I Got A Train”; --“Thursday” --“Home

Brew”; Chant Of Despair”--“Play Ad Lib”

Box 30 (Custom)

Personal-Works-Compositions 1955

Works-Music-Musical Comedy Revue, Jazz Train: Section 1: Sub-Section 4:

Arranged by Title

”Sleep”; --“Minstrel Finale”; --“Saddle Your Blues To A Wild Mustang”; --“We Don’t Need Each Other

Any More”; --“Take What You Want”; --“I Got A Train”; --“Basin Street Lover”; --“Georgia Brown”;

“Bandana Days”; --“St Louis Additions”; --“Darktown Strutters”; --“Dances Finale”; --“End Of My

Train”;-- (Finale Pt. 2)--"Stormy Weather”; --“ “Thief In the Night”; -- “Haitian”; --“Romp, Romp, Romp

Your Rompes”; -- “Dances- Play Off”; -- “Rocking In Rhythm”; --“Frankie & Johnnie”; --St. Louis

Blues”; --"Suzi -Q” -- “Choc’s” (Vocal & Dance)

Tenor Sax

“Cuckoo In the Clock”; --“Baby Won’t You Please Come Home”; --" I Ain’t Got Nobody”; --“Home

Cookin’ Mamma’”; --“Shout, Sister, Shout”; --“Way Up North In Southland”; --“I Got A Train”; --

“Georgia Brown”; --“Darktown Strutters”; -- “St Louis Blues”; --“Bessie Smith Blues”; --“Ida”;-- “End

of My Train”; --“Haitian”; -- “Thief in The Night”; -- “Romp, Romp, Romp”; --(Dances Finale) -

"Bandana Day”;-- “Rocking In Rhythm”; --Suzi Q”; --“Choc’s” (Vocal And Dance) – “St. Louis

Addition”; --“Happy” ;-- “ Get Away”

Box 31 (Custom)

Personal-Works-Compositions 1955

Works-Music-Musical Comedy Revue, Jazz Train-Section 1: Sub-Section 4:

Arranged by Title

“Parade”; -- “St Louis-Play Off”;-- “Sweet”; -- “Happy” ;-- “Sleep” ;-- (Minstrel Finale) --“Cuckoo In

The Clock”;-- “I Ain’t Got Nobody” ;--“Home Cookin’ Mamma’”;-- “Shout, Sister, Shout”; --“Saddle

Your Blues to a Wild Mustang”; -- Intermission)-- “Way Up North in Southland”; --“Choc’s” (Vocal and

Dances)-- ”Bessie Smith Blues” ;-- “Bandana Days”; --“Georgia Brown”;-- “St Louis Blues”;-- “St. Louis

Additions”;-- “Nagasaki”; --(Finale) --“End Of My Train”;-- (Dances Finale)-- “Thief In The Night” ;--

“Haitian”; -- “Romp, Romp, Romps”;--“Darktown Strutters”;-- (Dances-Play Off)-- “Get Away”--“Home

Brew”--“Love Brides For Sale”

Alto Sax

“I Ain’t Got Nobody”;-- “Sleep”; --(Minstrel Finale) --“I Got ATrain”; --“Georgia Brown”; --“Bandana

Days”;-- “St Louis Blues”; --“Bessie Smith Blues”; --“End Of My Train”;-- (Finale)-- “Romp, Romp,

Romps”;-- “Thief In The Night”--“Darktown Stutters”

Box 32 (Custom-Large)

Personal-Works-Photographs 1955

Photographs-Jazz Train-Section 1: Sub-Section 4: 18

Photographs

No. 1 Roy Bartley

No. 2 Eric Connor

No. 3 Isabelle Luca

No. 4 (Group Picture-Dancers)-Lucy Gannel, R.G. MacKenzie, Bosco Holder, Jeff

Williams, Wesley Revelry, Cyril Lacey

No. 5 Randolph MacKenzie

No. 6 Beatrice Reading

No. 7 Jeff Williams

No. 8 Ethyl Waters

No. 9 Dancers-Females, all unidentified ,9a, 9b, 9c, 9d, 9e, 9f, 9g

No.10 Dancers-Female & Male, all unidentified 10a, 10b, 10c, 10d, 10e, 10f, 10g

No.11 Dancers- Female & 2 Males, all unidentified 11a, 11b-c.1 & c.2

No.12 Dancers-Troupe, all unidentified

No.13 Dancers-1 male & 2 females, all unidentified

No.14 Dancers-Troupe, 12 females, all unidentified

No.15 Jazz Train Orch., with dancers and other performers

No.16 Jazz Train Orch., 11 members

No.17 9 male performers, appear to be dancers, all unidentified

No.18 Male, unidentified

Box 33

Personal-Works-Recordings 1955

Works-Recordings-Jazz Train: Musical Comedy Revue, Troupe-Tour-London, 1955 (Record, 45,

R.P.M., by J. C. Johnson- Records)-Section 1: Sub-Section 4

No. 1 “The Jazz Train Girl” Bernice Reading, 45 R. P. M. c.1

No. 2 “The Jazz Train Girl” Bernice Reading, 45 R. P. M. c.2

No. 3 “A Cavalcade of Jazz Music and Lyrics” by J. C. Johnson, with the Original

London Cast & The Peter Knight Singers & Orchestra, 45 r.p.m. extended play, c.1

No. 4 “A Cavalcade of Jazz Music and Lyrics” by J. C. Johnson, with the Original

London Cast &The Peter Knight Singers & Orchestra, 45 r. p.m. extended play, c.2

No. 5 “A Cavalcade of Jazz Music and Lyrics” by J. C. Johnson, with the Original

London Cast & The Peter Knight Singers & Orchestra, 45 r. p.m. extended play, c.3

No. 6 “A Cavalcade of Jazz Music and Lyrics” by J. C. Johnson, with the Original

London Cast & The Peter Knight Singers & Orchestra, 45 r. p.m. extended play, c.4

No. 7 “A Cavalcade of Jazz Music and Lyrics’ by J. C. Johnson, with the Original

London Cast & The Peter Knight Singers & Orchestra, 45 r. p.m. extended play, c.5

No. 8 “A Cavalcade of Jazz Music and Lyrics,” by J. C. Johnson, with the Original

London Cast & The Peter Knight Singers & Orchestra, 45 r. p.m. extended play, c.6

No. 9 “Holly Roller Car”, Edric Connor & Chorus

No.10 “John Henry”, Edric Connor & Chorus

No.11 “Ev’rything Is Rhythm”, Beatrice Reading, n.d., damaged

No. 12 “I Got A Train”, Jeff Williams and Chorus

Box 34

Personal-Works-Musical Albums

Works-Songs-Albums by, J. C. Johnson and Other Composers-Section 1: Sub Section 5

Arranged by Title

No.1 “Believe It Beloved”: Side 1 & 2 --Side 1 with (Earl Hines); --Side 2 with (Johnnie Guarnier).

n.d., c. 1

No.2 “Believe It Beloved”: Side 1 & 2 --Side 1 with (Earl Hines); -- Side 2 with (Johnnie Guarnier).

n.d., c. 2

No.3 “Believe It Beloved”: Side 1, J. C. Johnson, G. Whiting, Nat Schwartz),

Connie Boswell; -- Side 2, “Begin the Beguine”, (Cole Porter), Connie Boswell, c.1

No.4 “Believe It Beloved”: --Side 1, (J.C. Johnson, G. Whiting, N. Schwartz), Connie Boswell; --Side

2, “Begin the Beguine”, (Cole Porter) Connie Boswell, c.2

No.5 “Believe It Beloved”: --Side 1, (J.C. Johnson, G. Whiting, N. Schwartz), Connie Boswell; -- Side

2, “Begin the Beguine”, (Cole Porter) Connie Boswell, c.3

No.6 “Believe It Beloved”: -- Side 1, (J.C. Johnson, G. Whiting, N. Schwartz), Connie Boswell; --Side

2, “Begin the Beguine”, (Cole Porter) Connie Boswell, c.4

No.7 “Believe It Beloved”: --Side 1& 2 “Crying My Heart Out for You”

No. 8 “Believe It Beloved”: (Whiting, Schwartz, Johnson); -- Side 2, “Flying Home”, (Gordon,

Hampton, Robin, Johnnie Guarnieri), c.1

No. 9 “Believe It Beloved”: (Whiting, Schwartz, Johnson; -- Side 2, “Flying Home” Gordon, Hampton,

Robin, Johnnie Guarnieri, c. 2

No.10 “Believe It Beloved”: (Whiting, Schwartz, Johnson); --Side 2, “Please”, (Robins, Rainger, Al

Hibbler), c.1

No.11 “Believe It Beloved: (Whiting, Schwartz, Johnson); --Side 2 , “Please”, (Robins, Rainger, Al

Hibbler), c.2

No.12 “Believe It Beloved: (Whiting, Schwartz, Johnson); --Side 2, “Please”, (Robins, Rainger, Al

Hibbler), c.3

No.13 “Believe It Beloved”: (Whiting, Schwartz, Johnson); -- Side 2 , “Please”, (Robins, Rainger, Al

Hibbler), c. 4

No.14 “Believe It Beloved”: (J. C. Johnson, Piano vocal), Fats Waller); --Side 2,

“Travlin’ All Alone”, (J. C. Johnson), vocal, Boswell Sisters

No.15 “Daddy You Got Ev’rything ‘: (J. C. Johnson), vocal, Mary Dixon; -- Side 2, “You Can’t Sleep in

My Bed, Rose”, vocalist, Mary Dixon

No.16 “Explaining”: (Johnson, Razaf); -- Side 2 “Good Things Come to Those Who Wait”, (Johnson &

Razaf)-Damaged

No.17 “Frankie & Johnnie”: (J. C. Johnson), vocal, Bertice Reading, Peter Knight Orch.; --Side 2, “My

One Sin in Life”, (Mellin, Mascheroni), (vocal Bernice Reading), Peter Knight Orch., c.1

No.18 “Frankie & Johnnie”: (J. C. Johnson), vocal, Bernice Reading, Peter Knight Orch.; --Side 2 “My

One Sin in Life”, (Mellin, Mascheroni), (vocal Bernice Reading), Peter Knight Orch., c.2

No.19 “Haunted House Blues”: (J. C. Johnson), vocal, Bessie Smith, --Side 2,

“Eavesdropper’s Blues”, (J. C. Johnson), Bessie Smith, vocalist

No.20 “If You Really Love Your Baby”: (Razaf, Johnson); --Side 2 “I Want A Good Man”, and “I Want

Him Bad”, (Magidson, Cleary, Williams, and Violence Coy)

No.21 “I Wasn’t Meant for Love” (And Love Wasn’t Meant for Me): ( J. C.

Johnson), Ink Spots; --Side 2 “I Want to Thank Your Folks”, (B. Benjamin, G. Weiss), Ink Spots,

damaged

No.22 “Its Too Big, Poppa”: (Hopkins, Johnson), vocal, Rena Collins; --

Side 2, “Low Gravy”, (Hopkins, Thomas, Rena Collins), Claude Hopkins Quartet, damaged

No.23 ‘Little Black Boy”: (Johnson, Whiting) --Side 2 “Happiness Is A Thing Called Joe”, Ethel

Waters, Damaged

No.24 “Lonesome Swallow”: (Razaf, Johnson), Ethyl Waters); -- Side 2,

“My Baby Sure Knows How to Love” (Crawford, Rafe), Ethyl Waters

No.25 “Lost in The Midnight Blues”: (L. Roberts, J. C. Johnson), vocal, Maxine and the Boys; -- Side 2,

“No Use Now”, (Jackson, Noel), Instrumental by Maxine & the Boys, c.1

No.26 “Lost in The Midnight Blues”: (L. Roberts, J. C. Johnson), vocal, Maxine and the Boys; --Side 2,

“No Use Now”, (Jackson, Noel), Instrumental by Maxine & the Boys, c.2

No.27 “Lost in The Midnight Blues”: (L. Roberts, J. C. Johnson), vocal, Maxine and the Boys; -- Side 2,

“No Use Now”, (Jackson, Noel), Instrumental by Maxine & the Boys, c.3

No.28 “Lost in The Midnight Blues”: (L. Roberts, J. C. Johnson), vocal, Maxine and the Boys; --Side 2,

“No Use Now”, (Jackson, Noel), Instrumental by Maxine & the Boys, c.4

No.29 “Low Land Moan (Blues)”: (J. C. Johnson, Johnny Moon), vocal; -- Side 2,“You’ll Come Back to

Me”, (J. C. Johnson), vocal, Johnny Moon, c.1

No.30 “Low Land Moan (Blues)”: (J. C. Johnson, Johnny Moon), vocal; --Side 2, “You’ll Come Back to

Me”, (J. C. Johnson), vocal, Johnny Moon, c.2

No.31 “Low Land Moan (Blues)”: (J. C. Johnson, Johnny Moon), vocal; -- Side 2, “You’ll Come Back

to Me”, (J. C. Johnson), vocal, Johnny Moon, c3

Box 35

Works-Songs-Albums by J. C. Johnson and Other Composers-Section 1: Sub -Section 5

Arranged by Title

No.1 “That Was My Heart”: (Johnson) -- Side 2, “My Special Friend `Is Back in Town”,

(Razaf, Johnson)

No.2 “My Special Friend Is Back in Town”: (J. C. Johnson) vocal Ethyl Waters-- Side 2, “My

Baby Sure Knows How to Love” (J. C. Johnson), vocal, Ethyl Waters

No. 3 “Rhythm and Romance”: (J. C. Johnson), vocal Ella Fitzgerald, Chick Webb Orch. --Side

2,” You Can’t Be Mine and Someone Else’s To” (J. c. Johnson), vocal, Billie Holiday

No. 4 “You Stayed Away Too Long”: -- Side 2, “Rhythm and Romance”

No. 5 “That Was My Heart” (J. C. Johnson), vocal, Ella Fitzgerald-- Side 2,” Don’t Let Your

Love Go Wrong” (J. C. Johnson), vocal Kay Starr

No. 6 Record, “That Was My Heart”: -- Side 2, “I Had to Live and Learn”

No. 7 “That Was My Heart”: (C. Webb, C. J. Johnson), C. Webb Orch.-- Side 2, “Sugar Pie, C.

Beal”, (C. Webb), C. Webb Orch.

No. 8 “Trav’lin All Alone”: (J. C. Johnson), vocal, Billie Holiday & Orch.-- Side 2, “I Got A

Man, Crazy for Me He’s Funny That Way” G. Whiting), vocal, Billie Holiday

No. 9 “Trav’lin All Alone”: (J. C. Johnson)- Side 2, “Lonesome Swallow”

No.10 “Trav’lin All Alone”: (Breen, Johnson) vocal, The Boswell Sisters-- Side 2, “St. Louis

Blues”, (W. C. Handy), Boswell Sisters

No. 11 “Trav’lin All Alone”: (Johnson), vocal, Ethyl Waters, 1933 -- Side 2, “Waiting at the

End of the Road”, (Berlin), Ethel Waters, vocal

No.12 “Trav’lin All Alone”: (Johnson, McKinney ’s Cotton Pickers)- Side 2, “Words “Cannot

Express”-Fox Trot, (So Much Happiness)

No.13 “Two Watermelon Seeds”: Part 1 & 2 (Razaf Johnson), Comedy

Dialogue, c.1

No.14 “Two Watermelon Seeds”: Part 1 & 2 (Razaf, Johnson), Comedy

No15 “Two Watermelon Seeds”: Part 1 & 2 (Razaf, Johnson), Comedy Dialogue, c.3,

No.16 “You Can’t Be Mine”: (And Someone Else’s Too) (Johnson, Webb), vocal, Billie

Holiday--Side 2, “I Got a Date with a Dream, from My Lucky ‘Star”, Gordon, Revel,

vocal, Billie Holiday Orchestra

No.17 “What Have I Done”: (J. C. Johnson, Bill Brown), vocal, Brown Skin Model’s Trio--

Side 2, “Sing! That’s the Thing to Do” (J. C. Johnson, Bill Brown), vocal, Brown Skin

Model’s Trio

No.18 “What Have I Done”: (J. C. Johnson, Bill Brown), vocal, Brown Skin Model’s Trio-- Side

2 “Sing! That’s The Thing To Do”, J. C. Johnson, Bill Brown,Trio, c.2

No.19 “What Have I Done”: (J. C. Johnson, Bill Brown), vocal, Brown Skin Model’s

Trio-- Side 2 “Sing! That’s the Thing to Do” (J. C. Johnson, Bill Brown), vocal,

Brown Skin Model’s Trio, c.3

No.20 “What Have I Done”: (J. C. Johnson, Bill Brown), vocal, Brown Skin Model’s Trio--

Side 2 “Sing! That’s the Thing to Do”, J. C. Johnson, Bill Brown, vocal, Brown Skin

Model’s Trio, c.4

No.21“What Have I Done”: (J. C. Johnson, Bill Brown), vocal, Brown Skin

Model’s Trio; Side 2 “Sing! That’s the Thing to Do”, (J. C. Johnson, Bill Brown),

Vocal, Brown Skin Model’s Trio, c.5

No.22 “You Stayed Away Too Long”: (Whiting, Schwartz, Johnson), “Fats” Waller Rhythm,

vocal, “Fats” Waller-- Side 2 “There’ll Be Some Changes Made”, (B. Higgins, W. B.

Overstreet), “Fats” Waller, vocal

No.23 “You Can’t Be Mine”:, (And Someone Else’s Too) (Johnson), Ella Fitzgerald and Her

Savoy Eight-- Side 2 “This Time It Real” (W. Shivers,B. Bernier, B. Emmerich),

vocal, Ella Fitzgerald

Box 36 (Small Custom)

Personal-Works-Slides

Works-Slides (132)-Section 1: Sub Section 6

Group 1 Jazz Train 20 Slides appear to be of Jazz Train Troup

Group 2 Jazz Train Slides? 13 Slides appear to be of Jazz Train Troupe

Group 3 Sheet music, may be from Jazz Train, 18 slides

Group 4 Slides- Groups, of organizations? & newspapers headlines, 11 slides

Group 5 Males - unidentified, 20 slides, different races

Group 6 Males - unidentified, 19 slides, different races

Group 7 20 other slides, unidentified, including male and females

Group 8 Males - unidentified, Fisk connection, 1983, 7 slides

Box 37

Personal-Works-Writings

Works-Writings, Plays-Section 1: Sub Section 7

Arranged by Title

f.1 “Dawn of A New Day”, 1968

f.2 “Demeter”, (The Year Round), n.d.

f.3 “Domestic Frivolity”, n.d.,

f.4 “Domestic Frivolity”, n.d.,

f.5 “Domestic Frivolity”, n.d.,

f.6 “Down Wall Street”. n.d.

f.7 “Escape”, by Earl Sweeting, n.d.

f.8 “Floors Below”, by Max Cassvan & Earl R. Sweeting, music by J.C. Johnson

f.9 “Hard Work: n.d., fragile

f.10 “Here T’is’”

f.11 “I Know Harlem”

f.12 “Mr. Egotism”, A Comedy Drama in Four Acts

f.13 “I Rather Know the Mayor than Know the Law”, n.d.

f.14 “Libretto of Salome”, n.d.

f.15 “Life Lines”, n.d.

f.16 “New Nation” by Sweeting and Johnson, n.d.

f.17 “No Good Money or Flying Dogs”, n.d.

f.18 “Poor Old Soul” by Razaf and Johnson, n.d.

f.19 “Reaping What You Sow”, By Deas and Johnson, n.d.

Box 38

Personal-Works-Writings

Works-Writings-Plays/Poetry-Section 1: Sub Section 7-8

Arranged by Title (Note-Sub-Section 7-Plays) Folders 1-6- (S-W)

f.1 “Satan’s Waitin’” A Modern Ballet Fantasy, By Herbert Harper, n.d.; --Some with Cast of

Characters, n.d.; --“Sun Down Sinner”, n.d.

f.2 “The Good Heart Players”, n.d.; --“The Jazz Ship”, n.d.; --“The Legend of Lou”, n.d.

f.3 “The Year Round”, n.d.; --“Travelin”, Johnson and Friends, n. d.; --“Two Dark Boys in

Politics”, Razaf and Johnson, n.d.

f.4 “Two Dark Secrets in Bad Feet”, “Two Dark Secrets in Jail”, “Two Dark Secrets in Letter-

Writing”, “Two Dark Secrets in On the Farm”, “Two Dark Secrets In Two Small Men”, Two

Dark Secrets on Childhood Stories” (2), “Two Dark Secrets on Marriage”, “Two Dark Secrets in

The Prize Fight”, by Razaf and Johnson, 1927

f.5 “Want to Know Something? Get Lucky”, n.d.

f.6 “Untitled”; --“Untitled”; --“Untitled”

Poems

f.7 “Beginners” also Travelins, n.d.; -- “Blind Alley Dreams”, n.d.; --“Blues Round My Door”, n.d.

f.8 “Colorphobia”, by Razaf, n.d.; -- “Could We”, n.d.; --“Don’t Be Shy”, n.d., Devotion of

Gratitude”, n.d., by Johnson

f.9 “Flowers” by Johnson, n.d.; -- “He’ll Answer Your Call”, n.d. by Johnson; --“Sermon”

f.10 “Here Comes the Bride”, n.d.; -- “Homewood Bound”, n.d.; --“How Do I Stand with You”, n.d.

f.11 “I Cried”, n.d.; -- “May I?” n.d.; --“Moving to The Sunny Side of Town”, n.d. “Not Now I’ll Tell

You When”, n.d.; --“Our Family Doctor”; --“Our Tur’pertine”

f.13 “Out of The Fire”, n.d.; --“Riding the Rails on The Old Jazz Train”; -- “Pharaoh

f.14 “Shake Your Shaker”, n.d.; -- "Thinly “Spread”; --“Slow Down”

f.15 “Talk Me A Stream”, n. d.; --“The Ballard of Margie Polite”, n. d.; --

“The Happy Lieutenant”, n.d.

f.16 “The Helping Hand”, n.d.; -- “The Joy of Tears”, by Johnson, n.d.; --

“The Undertakers Went on Strike Last Night”, by Johnson, n.d.

f.17 “Thinking Out Loud”, n.d.; --“Thos. (Fats) Waller” …” Meditations” by Johnson,

n.d.; --“Together We Fall”, n.d.

f.18 “Western Lover”, n.d.; --“What Shall I Call You”, n.d.; --“Who Got Love”, n.d.

f.19 “Woman”, n.d.; --“Would’nt That Make You Mad”, n.d.; --“Years Gone”, n.d.; -- “You”, n.d.

f.20 “You’re Wrecken’ Poor Me”, n.d.; -- “Miscellaneous Poems: n.d.; --, 7-” Untitled Poetry”

Box 39- (Extra Tall Document Box)

Personal-Works-Writings

Works-Writings-Poetry, Stories, Protests-Section 1: Sub Section 8-9

Arranged by Title

f.1 “Lifting the Fog”, typed manuscript, 129 pages, n.d.

f.2 “Black Grass and Grits”, by Johnson, (1971, typed manuscript poem, 120

pages, c.1

f.3 “Black Grass and Grits”, by Johnson, 1971, typed manuscript poem, 120,

pages, c.2

f.4 “Black Grass and Grits”, by Johnson, 1971, typed manuscript poem, 120

pages, c.3

f.5 The Harlemite Magazine, correspondence, organization, members,

1936-1939

f.6 The Harlemite Magazine publication, n.d.

f.7 The Harlemite Magazine drafts, n.d.

Box 40 (Large Custom)

Personal-Photographs

Photo Albums-Section 1: Sub Section 10

No. 1 Photograph Album of Family and Friends, some with J. C. Johnson at Piano, 34 colors, 3 x 8, in

N.Y., n.d.

No. 2 Photographs located in loose leaf binder consisting of 91 pages, with 293

photographs of J.C. Johnson, parents, grandparent, from infant to adulthood;

photos of different sizes, some identified, such as friends and relatives

No. 3 Photographs (2), J. C. Johnson b/w, n.d.

No. 4 Photographs (14), J. C. Johnson, b/w, 1930, with negatives

No. 5 Photograph (25), J. C. Johnson, the composer at work, with negatives, n.d.

No. 6 Photographs (7), J. C. Johnson, Young Man, b/w, n.d./folders 1 & 2

No. 7 Photographs (6), J. C. Johnson, Older Man, 1950’s, n.d.

No. 8 Photographs (5), J. C. Johnson, 1950’s n.d.

Box 41 (Large Custom)

Personal-Photographs

Photo Albums-Section 1: Sub Section 10

No. 1 Photographs, included in album, 107 photographs. Compiled by J.C.

Johnson “Once Upon A Time”, A few friends, a few memories, some

resting impatiently, in the Land of Make Believe”

No. 2 Photographs of 16, males, unidentified, one may be of JC. b/w photos

No. 3 Photographs of J.C. Johnson at piano (2), b/w, and n.d.

No. 4 Photograph of the Good Hearts Club, b/w, n.d.

No. 5 Photograph of Claude Hopkins and His Orchestra, n.d.

No. 6 Photograph J.C. Johnson with Count Basie, n.d.

Box 42 (Large Custom)

Personal-Photographs

Photo Albums-Section 1:Sub Section 10

No. 1 Photograph, J.C. Johnson with friends at dinner, n.d.

No. 2 Photograph, J.C. Johnson with family member, n.d.

No. 3 Photograph, J.C. Johnson with female performers, n.d.

No. 4 Photograph, J.C. Johnson with male performers, sitting on stool, n.d.

No. 5 Photograph, J.C. Johnson with unknown male, n.d.

No. 6 Photograph, J.C. Johnson with unknown male, n.d.

No. 7 Photograph, J.C. Johnson with some Crescendo Club Members, list of

members attached n.d.

No. 8 Photograph, J.C. Johnson, older at desk, August 1978; in color

No. 9 Photograph, Group of 11 males, unknown orchestra, n.d.

No. 10 Photograph, J.C. with 5 unknown male performers, n.d.

No. 11 Photograph, J.C. with wife, n.d.

Box 43

Personal-Correspondence 1935-1969

Correspondence-Organizations-Section 2: Sub-Section 1

f.1 African Cultural Society, Inc. History, program,

Miscellaneous items, 19612 African Educational Assistance Society, Inc., 1928-1934

f.3 African Educational Assistance Society, Inc.,1935, 1938

f.4 African Educational Assistance Society, Inc., 1940-1948

f.5 African Educational Assistance Society, Inc., 1952- 1959

f.6 African Educational Assistance Society, Inc., 1960 (Jan.-Feb.)

f.7 African Educational Assistance Society, Inc., 1960 (Mar.-Apr.)

f.8 African Educational Assistance Society, Inc., 1960, (May-Aug.)

f.9 African Educational Assistance Society, Inc., 1960, (Aug.-Oct.)

f.10 African Educational Assistance Society, Inc., 1960 (Nov.-Dec.)

f.11 African Educational Assistance Society, Inc., 1961 (Jan.-Feb.)

f.12 African Educational Assistance Society, Inc., 1961 (March)

f.13 African Educational Assistance Society, Inc., 1961 (April)

f.14 African Educational Assistance Society, Inc., 1961 (May)

f.15 African Educational Assistance Society, Inc., 1961 (June)

f.16 African Educational Assistance Society, Inc., 1961 (July, Nov., Sept.)

f.17 African Educational Assistance Society, Inc., 1962, 1963, 1965,1969

f.18 African Educational Assistance Society, Inc., Miscellaneous, 1959-60, n.d.

Box 44

Personal-Correspondence 1928-1973

Correspondence-Organizations-Section 2: Sub-Section 1

f.1 Afro Arts Cultural Center, N.Y., n.d.

f.2 Afro American Cultural & Historical Society, Cleveland, OH, 1960-61

f.3 Afro-American Heritage Association, Chicago, IL, 1960; Alpha

Kappa Alpha Sorority (Tau Omega Chapter, N. Y., 1961

f.4 American Guild of Authors and Composers, 1959-1961

f.5 American Guild of Authors and Composers, 1962-1963

f.6 American Guild of Authors and Composers, 1964-1969, 1973

f.7 American Red Cross, n.d.

f.8 American Society of Authors and Composers, Publishers, 1928-1939

f.9 American Society of Authors and Composers, Publishers,1940-1947

f.10 American Society of Authors and Composers, Publishers,1950-1959

f.11 American Society of Authors and Composers, Publishers,1960-1963

f.12 American Society of Authors and Composers, Publishers,1964-1965

f.13 American Society of Authors and Composers, Publishers,1966

f.14 American Society of Composers, Authors, and Publishers,1967-1968

f.15 American Society of Composers, Authors, and Publishers,1973-1977

f.16 Economic Educational Assistance Society, n.d.; -- Educational Heritage Inc., 1965

f.17 Good Hearts Welfare Association, Correspondence, 1944-1947

Box 45

Collected Materials-Organization Archives

Association, Clubs, Churches, Societies-Section 2: Sub-Section 1

f.1 Good Hearts Welfare Association, Members, 1943 ((Jan.-Sept.), ledger

f.2 Good Hearts Welfare Association, Members, 1944-1949, leger

f.3 Good Hearts Welfare Association, Finances, 1945 (Oct.), 1946 (January)

f.4 Good Hearts Welfare Association, Finances,1943-1950’s, leger

f.5 Good Hearts Welfare Association, Finances,1944-1950’s, leger

f.6 Good Hearts Welfare Association, Finances, 1953-1955, leger

f.7 Good Hearts Welfare Association, Finances & Members, 1944-1954, leger

Box 46

Collected Materials-Organization Archives

Association, Clubs, Churches, Societies-Section 2: -Sub-Section 2

f.1 Half and Half Club, Members, 1947-1952, ledger

f.2 Harlem Big Brother Association, 1941-1942

f.3 J. A. Rogers Historical Research Society, “Negro Girl Saved George Washington’s

Life”, n.d.-- International Cultural Center for Youth in Jerusalem

f.4 International Player Roll Company, 1926; -- International School of Performing Arts, 1960

f.5 Mutual Benefit Health and Accident Association, n.d.; --National

Association for the Advancement of Colored People, 1938, 1951; -- National

Association of Broadcaster, 1941

f.6 National Council of American Soviet Friendship, Inc., 1943; Negro Actors Guild

of America, Inc., 1942, 1944, 1953, 1961; -- National Recreation Association, n.d.

f.7 Negro Athlete Hall of Fame, 1953; --New Jazz Club, Zurich Switzerland,

1964-1965

f.8 Songwriter Protective Association, Correspondence, 1933-1963

f.9 The African and Afro-American Heritage Program South Bronx Multi –

Purpose Educational Center, n.d.

f.10 The Catholic Charities, Correspondence, 1962; -- The Metropolitan

Opera Guild, n.d.; --United Negro College Fund, 1960

f.11 The Crescendo, Correspondence, 1930’s

f.12 The Crescendo, Correspondence, 1940’s

f.13 The Crescendo, Correspondence, 1960- 1964, n.d.

f.14 The Crescendo Club, History, Charter

f.15 The Crescendo Club, Membership, n.d.

Box 47

Collected Materials-Organization Archives

Clubs, History, Members: Section 2: Sub-Section 2

f.1 The Friends, History, 1942

f.2 The Friends, Members, 1941-1942, Located in ledger

f.3 The Friends, Members, 1943-1946

f.4 The Good Hearts, History, 1944

f.5 The Good Hearts, Minutes, 1943

f.6 The Good Hearts, Minutes, 1944

f.7 The Good Hearts, Minutes, 1945

f.8 The Nevele Country Club, Correspondence, n.d.

f.9 Miscellaneous

Box 48

Collected Materials-Multi-Media-Oversize Newspapers

Organization Photographs-Section 2: Sub-Section 3

No.1 Photograph, American Society of Composers, Authors and Publishers,

1935, 1937

No.2 Photograph, American Society of Composers, Authors and Publishers,

1940, 1941

No.3 Photographs, Songwriters Protective Association, 1942, n.d.

No. 4 Touchdown Club of New York, 1952

SECTION 3, COLLECTED MATERIALS

Box 49

Collected Materials-Miscellaneous Articles

Announcements, Magazines, Press Releases-Section 3: Sub Section 1

f.1 Announcements, Musical Events, 1920’s-1960’

f.2 Miscellaneous, Announcements, n.d.

Articles

f.3 Africa, Ebony magazine, n.d.

f.4 Black Authors, Entertainers-Ebony Magazine, n.d.

f.5 Black Education, Ebony Magazine, n.d.

f.6 Black Music, Ebony Magazine, & Others, n.d.

f.7 Harlem Remembered, n.d.

f.8 Negro, Ebony Magazine and Others, n.d.

f.9 C. Lucky Roberts, “Leonard Bernstein And Jazz

f.10 Politics, Ebony Magazine and Others, n.d.

f.11 Race Issues, Ebony Magazine and Others, n.d.

f.12 Miscellaneous, fl.1, 1954-1961

f.13 Miscellaneous, n.d., fl. 2

Press Releases

f.14 1940-1961

f.15 1963-n.d.

Box 50

Collected Materials-Newspapers-Art Collections

Art Work-Section 3: Sub Section 2

No. 1 2 Egypt Prints, 9-1/2” by 12”, n.d.

No. 2 2 Prints, Pencil, Drawings, n.d.

No. 3 1 Damaged card “Harriet Truman. n.d.

No. 4 Water Color Art Piece, Scene from play “Ol’ Man Satan”, act 3, scene 2,3, n.d.

No. 5 Water Color Art Piece, Scene from play “Ol’ Man Satan”, act 1, scene 7. n.d.

No. 6 Water Color Art Piece, Scene from play “Ol’ Man Satan”, act 2, scene 4. n.d.

No. 7 Water Color Painting, Mountain, blue sky, yellow moon, brown tree,

size, 19 ½” L x 14 7/8 “W, n.d.

No. 8 Water Color Painting, outdoor scene, house, yard, clothes hanging, size, 19 ½” L x 15 “W, n.d.

No. 9 Water Color Painting, outdoor scene, house, water pump, trees, size, 19 ½ L x 14 7/8 W, n.d.

No. 10 Print, in color Christian scene, Mary, Joseph, baby Jesus, three wise men, scene, n.d.

No. 11 Raphael’s Drawings by Ulrich Middeldorf

No. 12 French Art Reprints, n.d., 21 pages

No. 13 Miscellaneous reproduction from magazine, Cotton Club

Box 51

Collected Materials-Biographical Materials

Profiles-Section 3, Sub Section 3

Arranged by Name and Folder Number

f.1 Adams, Wilhelmina F.; Ammons, Alice Ramsey; Agnes Anderson; Jackson, Naomie, n.d.

f.2 Bessie V. Bailey; Charles F. Barlowe; Sameul McClain Battle; Phil Black, n.d.

f.3 Bertha E. Brathwaite; Mrs. (Bonnie) Delores Britt; Lillyn Brown, n.d.

f.4 Geulah Cottingham; G. C. Davidson; J. J. Davidson, n.d.

f.5 Lawrence Deas; Sara Writt Dunston; Alice Forster; Julie Gardner n.d.

f.6 Bea Glenn; Charles Glenn; Porter Grainger; Jes Tyne Green

f.7 Bessie E. Gunter; Louis R. Happ; Lillian G. Harris; Dorothy Van Engle Hollon, n.d.

f.8 Millie Holmes; Linda Hopkins; Georgia Horne; Eddie Hunter; n.d.

f.9 Elveta -Hunter; Lukie (Tune) Johnson; Ether (Happy) Jones, n.d.

f.10 Helene S. Jones; Richard W. Joseph; King Oliver; Sam Langford; Odessa W. Marse, n.d.

f.11 Douglas M martin; Edgar Martin; Altonell Matthews; Edward Matthews, n.d.

f.12 Verdell Mitchell; Julia N. Morin; Ruth Morrison; Sara N. Neal, n.d.

f.13 Milton (Jot) Nelson; Nora Newkirk; Mable N. Nomils; Phyllis R. Oliver

f.14 Mattie E. Orndorff; Maude Osborne; Robert S. Pious; Fritz Pollard, n.d.

f.15 Andy Razaf; Tom Ruch; Otio E. Ruff; Thelma Seale; Virgina Scott, n.d.

f.16 Emma S. Sheffard; Bessie Smith; Lillian C. Smith; Ray Stakes, n.d.

f.17 Earl P. Sweeting; Clyde Thomas; Emery J. H. Thomas, Sr. n.d.

f.18 William A. Thrill; Percy Verwayen; Thomas (Fats) Waller; Laura Wharton; Josh

White; Smokey J. Williams, n.d.

f.19 Ethel Williams Willis; Rita Youngblood; Jack Yellen, n.d.

f.20 Miscellaneous Biographies

Box 52

Collected Materials-Music

Catalog of Musical Compositions-Section 3: Sub Section 4

f.1 400 Songs to Remember, vol. 1, no. 7, n.d.

f.2 A Discography, The Music of Thomas” Fats” Waller, Revised

f.3 Beatlemania, 1963-1966, Vol. 1; Black Swan Records, 1933; Blackwell’s “Africana”, n.d.;

Bluebird Popular Records, 1939, 1941

f.4 Broadway Book No. 14 (Let’s Sing All Latest Song Hits of Radio, Stage &

Screen Broadway Song Hits, n. d.; Broadway Songs, Tune Favorites,

America’s Singing from Coast to Coast

f.5 Century Records, Catalog, n. d.; Checker Songs Book, no. 1, n. d.; Columbia New Process

Records, New Blues, n.d.

f.6 Continental Songster, n.d.

f.7 Dorsey’s Songs with a Message, No. 1, n.d.

f.8 Flash Song Hits, n.d. very fragile, n. d.; Folk Music of the U. S., Library of Congress, n.d.

f.9 Henry Purcell Choral Music, Supplement to the Catalogs’ of E. C. Schirmer

Music Co., 1960; Hollywood Song Herald, n.d. very fragile, n.d.

f.10 Jack Snyder’s March Folio, for Piano, for the Theatre School and Home, n.d.

f.11 Joe Davis Folio of Paul Whiteman’s Favorite Modern Rhythmic Spirituals as

featured by Mildred Bailey, 3 copies, words and music; Joe Davis Publication,

Art Gillham, The Whispering Pianist, Folio of SOB Songs, 1928

f.12 Larry Shay, Music by Larry Shay All Time Hit Standards; Latest Popular Songs,

Top Tunes, Movie Features, Band Music, n.d.; London Record, n.d.

f.13 Leo Feist, Perfection Edition Orchestra Albums, n.d.; Mary Howard

Recordings (,1947; J. Rosamond Johnson Library of Negro Music, for Mixed

Voices, n.d.; Mills Music Catalog, n.d.; Ray Avery’s Rare Records, 1963; RCA

Victor, Great Jazz

f.14 Sacred Songs, Two Fine Collections of Exciting New Music for Church Soloist, n.d.;

Songland, The Witmark Black and White Section, n.d.; Stanford Songs & Yells, A

Collection of Cardinal Favorites, 1930

f.15 The James A. Bland Album of Outstanding Songs, n.d.; Vintage Jazz Music

Society Records, n.d.

f.16 Miscellaneous Catalogs: Literature, No. 12, 1947; Catalog of Home Movies, Castle

Films, 1964-1965

Box 53

Collected Materials-Music

Compositions-Various Composers-Section 3: Sub Section 5: Sub- Sub-Section 1

Arranged by Composer (A-J), Title and Folder Number

f.1 Leslie Adams, “Blake”

f.2 Reginald Beane, “He’s with Me (Each Step of the Way”, 1963

f.3 Gladys Bentley, “Worried Blues”, n. d.; --“Ground Hog Blues”, n.d.

f.4 Irving Berlin, “Because I Love You”, 1926; --“Begging for Love”, 1931

” Heat Wave”, 1933;--"How About Me” 1928; --“I Can’t Do Without

You”,1928;-- “I Never Had a Chance, 1934; --“I’m Playing With

Fire”,1932; “Isn’t This A Lovey (To Be Caught In The Rain), 1935; --“I Got

My Love To Keep Me Warm”, 1937; “Let Yourself Go”, 1936; “Let’s Face

The Music and Dance”, 1936;-- “Lonely Heart”, 1933; --“Marie”, 1928; --

“Maybe I Love Too Much”, 1933,-- ”Me” , 1931;-- “No Strings (I Fancy

Free)”, 1935; “Saying Isn’t So”, 1932;-- “The Little Things in Life”, 1930

f.5 Mabel Besthoff, “Dream A-Way”, 1923

f.6 Georges Bizet, “Toreabor Song”, 1925

f.7 Joe Block, “He-She Blues”, n.d.

f.8 Bill Brooks, “Fallen Arch Blues, n.d.”; -- “Prison Gang Blues”, n.d.

f.9 Ben Brown, “Rocking Chair Mary”, n.d.; -- “She Shakes, A Mean Ash Can, n.d., fragile

f.10 Joe Brown “Take A Little Bit”, n.d.; -- “Stop Layin’ That Stuff on Me”, n.d.

f.11 H. T. Burleigh, “O Didn’t It Rain”, 1919; --“Stan’ Still Jordan”, 1926; Negro Spirituals, 1917

(Arranged for Solo Voice)

f.12 Harry Burke, “Arkansas Gal Blues”, n.d.

f.13 Hoagy Carmichael, “New Orleans”, 1932; --“Rockin’ Chair”, 1930

f.14 Michael Carr, “Dinner, Please James”, 1935

f.15 Jay Clifford, “Kiss Me Like You Love Me”, 1945

f.16 Henry Cole, “All Around Mama”, n.d.; -- “Can You Do That Too Me; n.d.; “Fire

and Thunder Blues, n.d., --“Where Can’t You Do It Now” n.d.; “You Can’t Stay

Here No More”, n.d., some fragile

f.17 Sam Cole, “All Around Papa”, n.d.

f.18 Jamye H. Coleman, “Whisper a Pray for Me”, 1976

f.19 Charles L. Cooke, “Bound in Blue”, 1939

f.20 Noel Coward, “We Were Dancing”, 1935

f.21 A. Craig, “You Gave Me a Rose”, 1948

f.22 James Crawford, “Black Mountain Blues”, n.d.; -- “Can I Get Some of That”;

“Uncle Joe Blues”, n.d.

f.23 Joe Davis, “Won’tcha”, 1929; Magnolia Rose, 1928

f.24 William L. Dawson, “Soon AH Will Be Done”, 1934, 1949

f.25 Tom Delaney, “Down That Lonesome Road”, n.d.

f.26 B. G. De Sylva, “Wishing (Will Make It So)”, 1939

f.27 Walter Donaldson, “You Driving Me Crazing (What Did I Do)”, 1930 (damaged)

f.28 Thomas Dorsey, “There Will Peace in the Valley for Me”; -- “Take My Hand Precious Lord”,

1950; “I Will Trust in the Lord”, 1951

f.29 Evans, “New Born”

f.30 Bob Fuller, “Early Morning Blues”, n.d.

f.31 Ben Garrison, “Raindrop”, n.d.; “Wow, Wow Blues”, n.d.

f.32 Harold Gray, “Lets Gets Loose”, n.d.

f.33 Eddie Green, “Love I’m Puttin’ Down”, n.d.

f.34 Franz Gruber, “Silent Night”, 1948

f.35 J. Hall, “Why It You”, n.d.

f.36 Eugene W. Hancock, -Absalom, 1977

f.37 George Frederic Handel, “Leave Me, Lonesome Light”-xerox copy

f.38 Pinky Herman, “Neve Leave a Lady When She Loves You”, 1963

f.39 Alexander Hill, “A Song” (How the First Song Was Born), 1934

f.40 Billy Hill, “The Last Round-Up”, 1933 (Revised Edition)

f.41 Fredrich Hollander, “Falling in Love Again (Can’t Help It)”, 1930

f.42 Burt Houston, “Early Morning Blues”, n.d.; --“Papa You Too Slow (Mama Has

No Time to Lose)”, n.d.

f.43 Langston Hughes, “How Far Sergeant”, n.d.; -- “Could Be Blues”, n.d.

f.44 Herman Hupfeld, “Let Put Out the Light (& God to Sleep)”, 1932; -- “Savage

Serenade”, 1933

f.45 Hall Johnson, “Let Have a Union”, 1964; -- “Witness”, 1940

f.46 J. Rosamond. Johnson, “Go Chain De Lion Down”, 1935

f.47 Johnnie Johnson, “If Papa Have Out-Side Loving (Mama Have Out Side Loving

Too)”, n.d., fragile

f.48 Arthur Jones, “Big Trunk Blues”, n.d., fragile

f.49 Harry Jones, “My Friend John”, n.d.; --“Turpentine Farm”, n.d.

f.50 Joe Jones, “You Is My Friend”, n.d.;” -- Honey You Done Gone Too Far”, n.d., very fragile

f.51 Stan Jones, “Riders in The Sky”, 1949

f.52 Vick Knight, “Savin’ My Self for Bill”, 1942

f.53 Emma P. La Freniere, “The Rocking Horse Parade”, 1934

f.54 Lora Lee, “Nearest and Dearest”, n.d.; “There’s Love on My Mind”; “Don’t Wait

Too Long”, n.d.

f.55 Charles Lloyd, Jr., “Ballard of The Black Mother”, 1977

f.56 Frank, Loesser, “Papa Don’t Preach to Me”

f.57 Fred W. Longshaw, “T. B. Blues”, n.d.

f.58 Johnny Louis, “Mama I Don’t Need You Now”, n.d.; -- “Moanful Wailin

Blues (2 version)”, n.d.;” -- Papa I Don’t Need You Now”, n.d.; --

“Unhappy Blues”, n.d.; --“You Can’t That to Me” n.d.; -- “Wile Geese

Blues”, n.d.; --Folder contains 1955 correspondence, copyright renewal

notice for --“Wild Geese Blues”)

Box 54

Collected Materials-Music

Compositions-Section 3: Sub Section 5: Sub- Sub- Section 1

Arranged by Composer (Matthews-Works), Title and Folder Number

f.1 Altonell Matthews, Along the Walk”, n.d.

f.2 E. Attwell May, “Who’s Who in Your Heart”, 1938

f.3 Johnny Mercer, “Santa Claus Came in The Spring”, 1935

f.4 Harold Mooney, “Swamp Fire”, 1935; -- “Rigamarole”, 1935

f.5 Clarence Muse, “I Go Congo”, 1933

f.6 John Jacob Niles, “Black Is the Color of My True Love’s Hair”, n.d.

f.7 Johnny Noble, “I Want to Learn To speak Haiwaain”, 1935

f.8 Ray Noble, “Love Is the Sweetest Thing”, 1932

f.9 Sam Parker, “On My Mind”, n. d.; --“Watchin’ And Waitin’ Blues”, n.d.

f.10 Cole Porter, “He’s A Right Guy”, 1942; --“Night and Day”, 1932; -- “Fresh as a Daisy”, 1940;

“Do I Love You”, 1939

f.11 Henry Purcell, “Thou Knowest’ Lord”, 1925

f.12 Andy Razaf, “Black Man Blues”, n.d.; --“My Handy Man”, 1928; -- “On Revival

f.13 Andy Razaf, “The Man I Love”, n.d; “Her Blue Heaven”, n.d.; -- “Turn

Back The Clock”, n.d.; -- “We’ve Just Found Happiness”, fragile, n.d.; --

“Wish I Was Home”, n. d., fragile; --“You’re Poor Ole Soul”, n.d.

f.14 Kaiser Red, “Double Track Blues”

f.15 Slim Red, “Slow and Easy Man”, n.d.; -- “Wash (Wipe) That Thing”, n.d.

f.16 Harry Roberts, “Old Forsaken Blues”, n.d.

f.17 “Lucky” Roberts, “Excluvely With You”, n.d.

f.18 Eugene Roland, “Ever’ytine Time I Think of You”, n.d.; -- “Let Me Be Your

Valentine” n.d.

f.19 Bob Rose, “Low-Land Moan”, 1927

f.20 Harry Rose, “Why Can’t You Do It Now”, n.d.

f.21 Jack Rose, “Wobble It A Little”, n.d.

f.22 John Rose, “You Can’t Sleep in My Bed”, n.d.

f.23 Noah F. Ryder, “Great Day”, 1938

f.24 Benny Samberg, “Sweet Violets”, 1932

f.25 Joe Simms, “If the World is Round (Its Crooked Just the Same)”, 1952

f.25A Smith, Harrison, “The Gambler’s Blues, 1953”, “Sammy”, 1965

f.26 Leslie Stuart, “Tell Me Pretty Maiden”, 1929?

f.27 Hon. Alex Sullivan, “I Never Forget You as Long I Live (and I Hope That You Won’t Forget

Me”, n.d., fragile

f.28 Dan. J. Sullivan, “You’re as Welcome as The Flowers in May”, n.d.

f.29 Marion Sunshine, “The Swing Murder Case”, 1940

f.30 Joe Thomas, “Window Light Blues”, n.d.

f.31 Pyotr Tschaikowsky, “None but the Lonely Heart”, 1948

f.32 Will H. Vodery, “N.A.G.A. (Marching Chorus)”, 1941

f.33 Rev. R. H. Walker, Jr, “Working for Jesus”, 1918

f.34 Helen Wallace, “What Am I Expected Too Do”, n.d.; --“Count on Me”, n.d.

f.35 Thomas Waller, “A Darkie’s Lament”, 1927

f.36 Bill Watters, “Fighting’ songs of the Navy Blue”, 1942

f.37 Joe West, “Missin’ Pleasure Blues”. n.d.

f.38 Arthur Weston, “County Road Blues”, “Piker Blues”, n.d.

f.39 Charles M. Widor, “The Sigh”, n.d.

f.40 Bert Williams, “Hard Times”, n.d.

f.41 Joe Williams, “Sore Head Blues”, n.d.

f.42 Wesley Wilson, “Don’t Take’sm For Your Friend--It’s a Fishy Little Thing”; - “Old

Age is Creeping (Creeping?) Upon You”; -- “Our Family Doctor”; -- “She My Friend”; -

- “Take It on Out of Here”, n. d.; --Throat Cutting Blue”

f.43 Harry Woods, “We Just Couldn’t’s Say Goodbye”, 1932

f.44 John W. Works, “The Little Light O’ Mine”, 1935

Box 55

Collected Materials-Music

Compositions-Various Composers-Section 3: Sub Section 5: Sub-Sub Section 2

Arranged by Title, Composer and Folder Number

f.1 “A Beautiful Lady in Blue”, Sam H. Lewis, & J. Fred Coots, 1935, 1 copy

f.2 “A Hopeless Love Affair”, Andy Razaf, Thomas (Fats) Waller, n.d.

f.3 “A Lover’s Lullaby” (Fox Trot), Franke Carle, Larry Wagner, Andy Razaf,

Larry Wagner, 1940, 1 copy

f.4 “A Touch of Texas” (from “Seven Days Leave”), Frank Loesser, Jimmy Hugh, 1 copy

f.5 “After You Learn to Cry”, Arthur Goldberg, Jack Cascio, n.d.

f.6 “Ain’t Misbehavin’ (I’m Savin’ My Love for You), Fox Trot), Andy Razaf,

Thomas Waller, Harry Brooks, arr. By George Bassman, 5 copies, one copy in

pencil, also on this copy, song, “Honeysuckle Rose”, by Razaf and Waller, n.d.

f.7 “All That Meat and No Potatoes”, Thomas (Fats) Waller, Ed Kirkeby, 1941, 1 copy

f.8 “Alone” (featured in “A Night at The Opera”), Arthur Freed, Nacio Herb Brown,

Frank Skinner, 1935, 1 copy

f.9 “And the Angels Sing”, Johnny Mercer, Ziggie Elman, 1939, 1 copy

f.10 “As Long as I Live” (from 24th edition of Cotton Club Parade), Ted Koehler,

Harold Arlen, 1934, 1 copy

f.11 “At Last”, Manny Kurtz, Kaye Parker, n.d., 1 copy

f.12 “Baby Wont You Please Come Home”, Clarence Williams, George Warfield, 1923, 5 copies

f.13 “Ballin’ The Jack”, Jim Bussie, Chris Smith, 1913, 1 copy-fragile

f.14 “Beale Street Blues (Melrose Syncopation Section), a new modern dance

arrangement of the original, by W. C. Handy, arranger Jimmy Dale, 1933, 1 copy`

f.15 “Because Of Once Upon A Time”, Joe Young, Harry Stride, Bernard Maltin,1934 ,1 copy

f.16 “Blue Moon”, Lorenz Hart, Richard Rogers, 1934, 1 copy

f.17 “Bob White” (Whatcha Gonna Swing Tonight)”, Johnny Mercer, Bernie Hanighen, 1937,

1 copy,fragile

f.18 “By the Sycamore Tree”, Haven Gillespie, Pete Wendling, 1934, 1 copy

f.19 “Can’t We Talk It Over”, Ned Washington, Victor Young, 1931, 1 copy

f.20 “Chattanooga Choo”, (from Sun Valley Serenade), Sung by Glenn Miller & His

Orchestra & The Modernaires Mack Cordon, Harry Warren, 1941, 1 copy

f.21 “Cheerful Little Earful (from Sweet and Low)”, Ira Gershwin, Billy Rose, Warren, 1930, 1 copy

f.22 “Chloe” (Song of the Swamp), Gus Kahn, Neil Moret, 1927, 1 copy

f.23 “Christopher Columbus” (A Rhythm Cocktail), Leon Berry, Fletcher Henderson,

1936, 1 copy

f.24 “Come After Breakfast” (Green, Long), Your Lunch and leave for Suppertime, Brymn,

Smith, Burros, 1909, 1 copy

f.25 “Compensation”, Paul Laurence Dunbar, Charles Lloyd, Jr., n. d., 1 copy

f.26 “Cuckoo in The Clock”, R. Freed & Erell Reads, Arr. by S. Myers & Charlie Kisco, n.d.,

6 copies

f.27 “Curfew Time In’ Harlin’ “, (Novelty Song), Willie (The Lion) Smith, Neil Laurence, 1938, 1

copy

f.28 “Daddy-O” (I’m Gonna’ Teach Some Blues), Donraye & Gene DePaul, 1948, 1 copy

f.29 “Don’t Get Around Much Any More”, Bob Russell, Duke Ellington, 1942, 1 copy

f.30 “Don’t Mention Love to Me”, Dorothy Fields, Oscar Levent, 1935, 1 copy

f.31 “Don’t Tell You Monkey Man”, Lukie Johnson, (arr.) Dave Peyton, 1920, 1 set

f.32 “Don’t Wait Till’ The Night Before Christmas”, Sam M. Lewis, Abel Baer, 1938,

f.33 “Don’t Worry Bout’ Me”, Ted Koehler, Rube Bloom, 1939, 1 copy

f.34 “Dream of Little Dream of Me”, Gus Kahn, W. Schwandt, F. Andree, 1931

f.35 “Eeny Meeny Miney Mo”, Johnny Mercer, Mac Malneck, 1935

f.36 “Enchantment”, Arthur Goldberg, Jack Cascio, n.d.

f.37 “Forty Second Street”, Al Dubin, Harry Warren, 1932

f.38 “Genius Child”, (from the song “Cycle Mortal Storm”), Langston Hughes, Robert

Owens, 1947

f.39 “Get on Out of Here”, Wilson & Grant, n.d.

f.40 “Go and Get the Enemy Blues”, Langston Hughes, W. C. Handy, C. M. Jones, 1952

f.41 “Goodbye, Good Luck, Get Lost”, Abel Baer & Paul Cunningham, Chick Foss, 1947

f.42 “Goody-Goody”, Johnny Mercer & Matt Malneck (arr.) Charles Hathaway, 1936

f.43 “Good Evenin’ Good Lookin’”, George Whiting, James Carvanaugh Frank Weldon, 1938

f.44 “Got the South in My Soul”, Ned Washington, Victor Young, L. Wiley 1932

f.45 “Hail, Hail America”, Jamye Coleman (arr.) Dr. Clifford Watkins, 19

f.46 “Hallelujah Things Looks Rosy Now”, Eugene West, L. Flatow, Frank Magee, 1936

f.47 “Harlem Rhythm Dance”, A. Razaf, Clarence Williams,1933

f.48 “He Raised Everybody Rent but Katie’s “, Creamer, Layton, 1920

f.49 “He’s My Guy”, Don Raye, Gene DePaul, 1942

f.50 “Hide Away “, Frank & Jim McCrady, 1932

f.51 “High Rhythm and Low Moanin’ “, Sweet, J. Russell Robinson, 1936

f.52 “Home Cookin’ Mama” With the Fruom’-Pan), Fox Trot, Walter Bishop, Hazel Scott, E.P.

LaFreniere, 1938

f.53 “Hot Foot Shuffle”, Benny Goodman, Fred Norman & Joe Thomas, 1939

f.54 “How About You”, Ralph Freed, Burton Lane, 1941

f.55 How Jazz Was Born”, A. Razaf, Thomas Waller, 1928

Box 56

Collected Materials-Music

Compositions-Various Composers-Section 3: Sub Section 5: Sub- Sub Section 2

Arranged by Title, Composer and Folder Number

f.1 “I Am Still in Love with You, Cherie”, Maceo Jefferson, P. Ruhstrat, n.d.

f.2 “I Ain’t Got No Body (And No Body Cares for Me)”, Roger Graham, S.

Williams, (arr.) Elmer Schoebel, 1925

f.3 “I Believe”, Ervin Drake, Irvin Grahram, Jimmy Shirl and Al Stillman, 1952, 1953

f.4 “I Can’t Believe Its True”, Charles Newman, Ben Bernie, & Isham Jones, 1932

f.5 “I Couldn’t Believe My Eyes”, Walter G. Samuels, Leonard Whitcup, & Teddy Powell, 1935

f.6 “I Couldn’t Tell Them What to Do”, R. Turk, Vee Lawnhurst, 1933

f.7 “I Don’t Love Nobody but You”, Billy DeMont, Lillyn Brown, n.d.

f.8 “I Don’t Want to Walk Without You”, Frank Loesser, J. Styne,1941

f.9 “I Get the Neck of the Chicken”, F. Loesser, J. McHugh, 1942

f.10 “I Got the Fever, A Camp Meeting, Fox Trot” for Orchestra, Joe Grey, Leo Wood, A

Harrington Gibbs, 1923

f.11 “I Guess I’ll Have to Change My Plan”, H. Dietz, A. Schwartz, 1932

f.12 “I Just Could’t Take It Baby”, Mann Holiner, Alberta Nichols, 1933

f.13 “I Just Roll Along”, Jo’ Trent, Peter DeRoss, 1927

f.14 “I Let A Song Go Out of My Heart”, I Mills, Henry Nemo, Duke Ellington, 1938

f.15 “I Like You”, Eddie Crawford, Freddy Jonson, n.d.

f.16 “I Only Found You for Somebody Else”, C. Newman, Isham Jones, 1932

f.17 “I See God”, Jayme H. Coleman, (arr.) James Hendrix, 1967

f.18 “I Wish I Were Twins”, E. DeLange, Frank Loesser, J. Meyer, 1934

f.19 “I Wonder (If You Can Be Happy Without Me)”, Louise Bansom Barrett,

Luckey Roberts, 1936

f.20 “I’d Do Anything for You “, C. Friend, L. Pollack, 1929

f.21 “If I Could Be with You (One Hour Tonight)”, H. Creamer & Jimmy Johnson, (arr.)

Wm. C. Schoenfeld, 1926

f.22 “If I Should Lose You”, Leo Robin, Ralph Rainer, arr. Jack Mason, 1935

f.23 “If It’s the Last Thing I Do”, Sammy Cahn, Saul Chaplin, 1937

f.24 “If You Were Mine” (from the RKO Radio Picture “To Beat the Band”,

Johnny Mercer, Mat Malneck, 1935

f.25 “I’ll Get By (As Long as I Have You)”, R. Turk, Fred E. Ahlert, 1928

f.26 “I’ll Never Be the Same”, Gus Kahn, Matt Malneck, Frank Signorelli, 1932

f.27 “I’ll Never Forget You” (As Long as I Live”), Bob Schafer, Alex Sullivan,

Beward Maltin, n.d., fragile

f.28 “Ill Wind (You’re Blowin’ Me No Good)”, T. Koehler, H. Arlen, 1934

f.29 I’m A Little Blackbird Looking for A Bluebird”, Grant Clark, Roy Turk,

George Meyer, Arthur Johnston, 1926

f.30 I’m Doin’ That Thing”, Dorothy Fields, J. McHugh, 1930

f.31 “I Gonna’ Sit Right Down & Write My Self a Letter”, Joe Young, Fred E.

Ahlert, 1935

f.32 “I’m Learning a Lot from You”, D. Field, J. McHugh, 1930

f.33 “In the Mood”, A. Razaf & Joe Garland, 1939

f.34 “It Had to Be You”, Gus Kahn, I. Jones, 1924

f.35 “It Was So Beautiful”, A. Freed, Harry Barris, 1932

f.36 “It’s All Because of You”, John Parsons, Jack Cascio, 1942

f.37 “It’s A Great Life (If You Don’t Weaken)”, Leo Robin, Richard A. Whiting

Newell Chase, 1930

f.38 “It’s Easy to Remember”, Lorenz Hart, Richard Rogers, 1935

f.39 “Jealous of Me”, A. Razaf, Thomas Waller, n.d.

f.40 “Jeremiah”, Henry Nemo & Bob Musel, 1943

f.41 “Judy”, Hoagy Carmichael, Sammy Lerner, 1934

f.42 “Junk man”, Frank Loesser, Joseph Meyers, 1934

f.43 “Just One More Chance”, Sam Coslow, A. Johnston, 1931

f.44 “La Corrida”, (“El Toro”, “EL Matador”, “Sol Y Sombra”), Robert Hayden,

Bob Holmes`, n.d.

f.45 “Lazy Bones”, Johnny Mercer, Hoagy Carmichael, 1933

f.46 “Leave Us Face It (We’re in Love)”, “Archie” of Duffy’s Tavern, Abe

Burrows & Frank Loesser, 1944

f.47 “Let My People Go Now!”, Langston Hughes, Chappie Willet, 1944

f.48 “Let’s Fall in Love”, Ted Kohler, H. Arlen, 1933

f.49 “Little Brown Betty”, Alex Hill & Fats Waller, 1931

f.50 “Little Joe”, Ned Miller, Jules Kay Stein, 1931

f.51 “Long About Midnight”, Irving Mills & Alex Hill, 1934

f.52 “Lost”, Phil Ohman, J. Mercer, Macy O Peeter, 1936

f.53 “Love in Bloom”, Leo Robins & R. Rainger, 1934

f.54 “Lovely Lady”, T. Koehler, J. McHugh, 1935

f.55 “Lover”, Lorenz Hart, Richard Rodgers, 1933

f.56 “Lovely Melody”, Fox Trot, Jimmy Matchette, Max Bouquet, Jay Whidden, 1932

f.57 “Loving You the Way I Do”, Jack Scholl, Will Morrissey, Eubie Blake 1930

f.58 “Lovin’ Up A Solid Breeze”, Mike Jackson, Ken Macomber, 1942

f.59 “Lullaby of Broadway”, A. Dubin, H. Warren, 1935

f.60 “I Got Myself in Bad”, Sam M. Lewis, Sammy Fain, 1932

Box 57

Collected Materials-Music

Compositions-Various Composers-Section 3: Sub Section 5: Sub- Sub- Section 2

Arranged by Title (M-S), Composer and Folder Number

f.1 “Mack The Knife”, Marc Blitvstein, Kurt Wuill, 1928

f.2 “Mairzy Doats”, Milton Drake, Al Hoffman & Jerry Livinston, 1943

f.3 “Make Believe Ball Room (Let Dance)” Fox Trot, A. Razaf, Paul Denniker, R. Gordon, 1936

f.4 “Mardi Gras”, John Mercer, Alfred Opler, 1931

f.5 “Marie Cahill’s Congo Love Song”, J. W. Johnson, Rosamond Johnson, 1903

f.6 “Meet Me at No Special Place (And I Be There At No Particular Time)”

A. Turker, H. Pyle, J. Russell Robertson, 1946

f.7 “Memories of You”, Fox Trot, A. Razaf & E. Blake, 1938

f.8 “Miss Georgia”, Alex Rogers, B. A. Williams, fragile

f.9 “Moonglow”, Will Hudson, E. De Lange, & Ervin Mills, 1934

f.10 “Moonlight Cocktail”, Kim Gannon, Lucky Roberts, 1941

f.11 “Moonlight Mood”, H. Adamson, Peter DeRose, 1942

f.12 “Music, Music, Elsewhere, (But Not A Song in My Heart)” Ted Kohler, Harold Arlen, 1932

f.13 “Music! Music! Music! “, Stephan Weiss & Bernie Baum, 1950

f.14 “My Baby Just Cares for Me”, Gus Kahn, Walter Donaldson, (arr.) W. Schoenberger, 1930

f.15 “My Heart at Ease”, Joe Young, Thomas Waller, 1932

f.16 “My Heart to Night in Tennessee”, Rene Bronner, H. W. Petrie, 1905

f.17 “Never Fall in Love”, A. Goldbery, J. Cascio, n.d.

f.18 “Oh! Lawdy, (Something Done Got Between Ezebezer and Me)” Creamer & Layton, 1919

f.19 “O What A Day That Will Be, (The White Man Spiritual)” I. Caesar & J. Marks, 1938

f.20 “Ol’ Man Mose”, Fox Trot, L. Armstrong, Zilner Trenton Randolph, 1936

f.21 “Old Fashion Love”, from the musical comedy “Runnin’ Wild”, C. Mack, J. Johnson, 1923

f.22 “One Little Word Led to Another”, Charles Newman, Isham Jones, 1932, fragile

f.23 “Out of Sight, Out of Mind”, D. Field, O. Levant, n.d.

f.24 “Our Summer Romance”, A. Goldberg, J. Cascio, n.d.

f.25 “Pardon My Southern Accent”, J. Mercer, Matt Malneck, 1934

f.26 “Please Believe Me”, Larry Yoell, L. Jacobs, 1935

f.27 “Please Go” Way and Let Me Sleep”, James T. Brymn, R. C. McPherson, 1930

f.28 “Push De Button”, E. Y. Harburg, H. Arlen, 1957

f.29 “Rainbow Land”, A. Razaf, L. Roberts, 1942

f.30 “Red Sails in The Sunset”, J. Kennedy, H. Williams, (arr.) Jack Mason, 1935

f.31 “Rhythm Save The World”, Fox Trot, Sammy Cahn, S. Chaplin (arr.) L Clinton, 1936

f.32 “River, Stay ‘Way from My Door”, Mort Dixon, Harry Woods, 1931

f.33 “Rock Around the Clock, Max C. Freedman, Jimmy De Knight, 1953

f.34 “Saddle Your Blues to A Wild Mustang”, Fox Trot, G. Whiting, Buddy

Bernier, Billy Y. Haid, (arr.) Graham Prince, 1936

f.35 “Sharp as a Tack”, J. Mercer, H. Arlen, 1942

f.36 “She Fell in The Fall of The Year”, Ione Sweet, Madeline Hyde, 1935

f.37 “She’s A Latin From Manhattan”, A. Dudin, H. Warren, 1935

f.38 “Sheltered by the Stars Cradled by the Moon”, Joe Young, Thomas

Waller, 1932

f.39 “Shout, Sister, Shout”, C. Williams, Tim. Brymn, A. Hill (arr.) Paul

Weirick, n.d.

f.40 “Showboat Melody”, O. Hammerstein, J. Kern, 1927

f.41 “Since I Met Jesus”, Jamye H. Coleman, (arr.) W. M. Jackson, 1976

f.42 “Sing Another Chorus Please”, B. Grantham & Earl Burtnett (arr.) G.

Prince, 1929

f.43 “Sing for Your Supper”, Lorenzo Hart, R. Rogers, 1938

f.44 “Sing, My Heart”, Ted Koehler, H. Arlen, 1939

f.45 “Sittin’ Up Waitin’ For You”, A. Razaf, T. Waller, 1933

f.46 “Sleep” (Waltz), Earl Lebieg, (arr.) Harry A. Powell, n.d.

f.47 “Smiles”, J. Will Callaham, Lee. S. Roberts, 1917

f.48 “Smoke Gets in Your Eyes (When Your Heart on Fire)”, Atto Harbach, Jerome Kern, 1933

f.49 “So Glad”, Joe Grey, A. Gibbs, n.d.

f.50 “Soft-Hearted”, Lewis & Young, Donald Heywood, 1929

f.51 “Solitude”, Duke Ellington E. DeLange & I. Mills, 1934

f.52 “Someday We’ll Met Again”, Con Conrad, Herb. Magidson, 1936

f.53 “Somebody Else Has Fallen in Love with Me”, T. Mahoney & F. Johnson, n.d.

f.54 “Song to The Dark Virgin”, Langston Hughes, Florence Price, 1926

f.55 “Soon”, L. Hart, R. Rogers, 1935

f.56 “Sorry You Said Good Bye”, W. R. De Coulode, B. Kenny, 1948

f.57 “Sophisticated Lady”, I. Mills and M. Parish, D. Ellington, 1933

f.58 “Stairway to The Stars”, Mitchell Parish, Matt Malneck, Frank Signorolli, 1935, 1939

f.59 “Stay as Sweet as You Are”, M. Gordon, H. Revel, 1934

f.60 “Sweet Georgia Brown”, B. Bernie, M. Pinkard, K. Casey, 1925

f.61 “Swingy Little Things”, Bud Green, Sam H. Stept, 1933

Box 58

Collected Materials-Music

Compositions-Various Composers-Section 3: Sub Section 5: Sub- Sub Section 2

Arranged by Title (T-Z), Composer and Folder Number

f.1 “Take Me Back to My Boots and Saddle”; Walter G. Samuels, Leonard

Whitcup, T. Powell, 1935

f.2 “Taking A Chance on Love”, J. Latouche, T. Fetter, V. Duke, 1940

f.3 “Talking It Over with Baby”, G. Whiting, N. Schwartz, n. d.

f.4 “The Apple of My Eye”, Joe Young, T. Waller, 1932

f.5 “The Call of Christ”, (dedicated to the Children of the World), J. H.

Coleman, (arr.) W. L. Jamison, n. d.

f.6 “The Day You Came Alone”, A. Johnston, S. Coslow, 1933

f.7 “The Doll Dance”, Novelty Fox Trot, Nacio Herb Brown, (arr.) F. Henri

Klickmann, 1927

f.8 “The Flat Foot Floogee”, S. Gaillard & Slam Stewart, Bud Green, 1938

f.9 “The Flight to Heaven”, J. Coleman, (arr.) Anolda P. Cliffin, 1967

f.10 “The King of Love My Shepard Is”, H. W. Baker, Harry Rowe Shelley, n.d.

f.11 “The Lady I Love”, Joe Young, Bernice Petkere, 1932

f.12 “The Milk Men’s Matinee”, P. Denniker, J. Davis, A. Razaf, 1936

f.13 “The Morning After the Night Before”, B. Rose, Lew Pollack, 1927

f.14 “The Music Goes ‘Round and Around”, (Red) Hodgson, E. Farley, M. Riley, 1935

f.15 “The Penalty of Love”, Heba Jannath, D. Heywood, 1930

f.16 “The Shortest Day of The Year”, L. Hart, R. Rogers, 1938

f.17 “The Wedding in The Ark”, B. Wallace, S. Myers, 1929

f.18 “The Wedding of the Painted Doll”, Arthur Freed, Nacio Herb Brown,

“Introduced in the Metro Goldwyn Mayer Picture” Broadway Melody, n.d.

f.19 “There’s No Two Ways About Love”, T. Koehler, James P. Johnson, I.

Mills, 1943

f.20 “These Foolish Things Remind Me of You”, Holt Marvell, Jack Strachey,

Harry Link, 1935

f.21 “They Didn’t Believe Me”, Herbert Reynolds, Jerome D. Kern, 1914

f.22 “This Can’t Be Love”, L. Hart, R. Rogers, 1938

f.23 “This Love of Mine”, Frank Sinatra, Sol Parker, Henry Sanicola, 1941

f.24 “Time on My Hands (You in My Arms)”, Harold Adamson, M. Gordon, V.

Youmans, 1930

f.25 “Toot Toot Dixie Bound (In the Morning)”, Chris Smith and Tim Brymn, 1930

f.26 “Truckin’”, Fox Trot, Ted Koehler, Rube Bloom, 1935

f.27 “Tuxedo Junction”, Buddy Feyne, E. Hawkins, W. Johnson, J. Dash, 1940

f.28 “Two Sleepy People”, F. Loesser, H. Carmichael, 1938

f.29 “Underneath the Harlem Moon”, M. Gordon, H. Revel, 1932

f.30 “Wabash Moon”, D. Dreyer and M. Downey, 1931

f.31 “Wagon Wheels”, Billy Hill, Peter De Rose, 1934

f.32 “Weary River”, Grant Clarke, Louis Silvers, 1929

f.33 “What Do the Animals Do”, A. Silverman, B. Bernie, A. Goering, 1934

f.34 “What Price Love”, B. Davis & Harry Akst, 1931``

f.35 “When A Woman Loves a Man”, John Mercer, Bernard Hanighen,

Gordon Jenkins, 1934

f.36 “When Gabriel Blows His Horn”, A. Razaf, T. Waller, 1932

f.37 “Then I Grow Too Old To Dream”, O. Hammerstein II, Sigmund Romberg, 1935

f.38 “When It’s Sleepy Time Down South”, Leon Otis Rene, Clarence Muse, 1931

f.39 “When the Roses Bloom Again”, Nat Burton, Walter Kent, 1942

f.40 “When the Saints Go Marching Home”, Frank and Jim McCravy, 1932

f.41 “When We’re Alone”, Will Jason, Val Burton, 1931

f.42 “When You’re with Somebody Else”, L. Wolfe Gilbert, Ruth Etting, Abel

Baer ,1927

f.43 “Where the Blue of the Night Meet the Gold of the Day”, Roy Turk, Bing

Crosby, Fred E. Ahlert,1931

f.44 “Wide Open Spaces”, Byron Gay, Richard A. Whiting, Paul Whiteman, 1927

f.45 “When We Made Love in Spain, With the Help of The Moon”, A Spanish

Fox Trot, C. Tobias, A. Terker, V. Ross, 1931

f.46 “Wrap Your Troubles in Dreams (And Dream Your Troubles Away)”, T.

Koehler and Billy Moll, Harry Barris, 1931

f.47 “You Gave Me Everything but Love”, Ted Koehler, Harold Arlen, 1932

f.48 “You Gotta Give Credit to Love!”, Maurice Sigler, Al Goodhart, Al Hoffman, 1934

f.49 “You Threw Me Down for Somebody Else (But You Can’t Pick Me Up

Again)” R. Hawling, Bert Engle, n.d.

f.50 “You Try Somebody Else”, B. G. DeSylva, Lew Brown, Ray Henderson, 1931

f.51 “You’re A Sweetheart”, Harold Adamson, J. McHugh, 1937

f.52 “You’re Ev’rything Sweet”, A. Razaf, Paul Denniker, C. Bayha, 1936

Box 59

Collected Materials-Music

Sheet Music-Section 3: Sub Section 5: Sub-Sub Section 3 (Several Titles in Each Folder)

Arranged by Title and Folder Number

f.1 “A New Day Dawning”; --“After All I After All of You”; --“All Is Well That’s Fine

With Me”; --“Ain’t Done Nothin’ But Pray”; --“Ain’t Puttin Out Nothin”; --

“Animando”; --“Apre’s Stormy Weather”; -- “Beer”; --““Amberol Song”

f.2 “An There Was I (Falling in Love with You)”; -- “Atta Boy Girls”; “Aunt Lucy”; --

“Automatic Hostess”

f.3 “Bedelia”; --“Big Praide”; --“Bill Bailey”; -

f.4 “Blackbirds”; --“Black Man Blues”; -- “Black Bottom”; --Black Mountain

Blues”; --“Blow Wind Blow Sail Boat Sail”; --“Blow The Man Down”; -- “Blue

Dawn”

f.5 “Blue Blood Blues”; --“Blue Valley”; -- “Chic”

f.6 “Blues in The Night”; --“Blues Round My Door”; --“Bonne Nuit”; -- “Booze

Blues, Blues, Blues”; -- Brown Baby Boy”

f.7 “But Ain’t It A Shame”; --“Button, Button”; --“Cabin”; --“Cake Walk in With

Lucindy”; --“Call ‘em by Name”; -- “Can’t Be Brother Now”;--“Can’t Change

My Mind About You”

f.8 “Cellophane Sue”; --“Change Your Luck”; -- “Chant of Despair”” Cheek to

Cheek”; -- “Choc’s Farfare Out”; --“Cloud Never Seem to Lift”; --“Boy

Girl”; -- Coke- Down”

f.9 “Coke-Town”; -- “Corns & Bunion Blues”; -- “County Road Blues”; --

“Cow Boy Girls”; -- ‘Crab Man”; -- “Crazy Baby; --

f.10 “ Daddy Stay Away”;--“Daddy You Got Ev’every”; --“Daddy You’re Low Down Man”;--

“Dances”;--“Darktown Strutters”;--“Dat’s Love”;--” Der My Little Girls “;--“Dog Tracks”;--“ Do

Don’t Touch -A My Garment”;-- “Good Lord”;-- Do It Right”; “Do Lord”;--“Do Tell”;--“Do

What You Did Last Night”

f.11 “Done Set My Po’ Spirit”; --“Don’t Tell Me”; --“Double Track

Blues”; --” Down by the River”; -- “Dream Street”; -- “Diamante Joe”

f.12 “Early Dawn”; --“Easy +Daddy”; --“Explaining”; -- “Fallen Arch Blues”; --

“Fallen in Love (With My Wife)”; --“Fire and Thunder Blues”; -- “Florida

Flood Blues”

f.13 “Fly Away Jack and Jill”; -- “For the One I Love”; -- “Frog Hollow Blues”; --

“Get A Rhythm Ticket”

f.14 “Get That Goal”; -- “Georgia’ Land”; --“Gimme A Little Bit”; -- “Givin’ The Devil

His Due”; --“Got My Religion On”; --“Green Leaves”

f.15 “Hail To”; --“Happy That’s All”; -- “Harlem Isn’t Singin’ The Blues”; -- “Here

Comes the Bridge”; -- “Hiding in Your Smiling Eyes”; -- “How Do I Stand with You”

f.16 “How Much Am I Offered”; --“How Much Blues”; --“How Much Is That Stuff”; --

“I Could Be’ lieve My Eyes”; -- “I Love His Bolona The Best”

f.17 “I Calls My Self Big Stuff I Does”; --“I Have Built A Wall Around My Heart”; --“I

Must Be Crazy”; --“I shall Not Be Surprise”; -- “I’d Like To”; -- “If April Com

f.18 “If Papa Have Out-Side Lovin’” (Mama Has Out-side Lovin’ Too)””; -- “I’am

Gonna to take Somthin’ From You”;-- “I’ Not the One You Love”; --“In The

Twinkling Of An Eye”;-- “Isn’t She Beautiful”;-- “It Sure is Nice”

f.19 “I’d An Extra Beat in My Heart”; -- “I’d Got a Sweeter Man Now”; --“I’ve Grown

Tell The World”; -- “Jim Town Rhythm”; --“Join the Militia (Of Sunshine)”; --

“Just Wantin’ Lovers Watch the Moon”

f.20 “Lady with A Past’”; -- “Let’s Get Away from Here”; -- “Let’s Get Together”;

--“Lightening Blues”

Box 60

Collected Materials-Music

Sheet Music-Section 3: Sub Section 5: Sub- Sub Section 3: (Several Titles in Each Folder)

Arranged by Title and Folder Number

f.1 “Little Puppet”; -- “Long Time Man”; --“Look Me Up and Take Me Home”; ---

- “Look Like Gonna Love”; -- “Lost”;

f.2 “Lotta Lovin”; --“Love Friend in Heaven”; --“Love Me Alone”; -- “Lovers; --

“Make Room for a Fool”

f.3 “Mama I Don’t Need You Now”; -- “Maybe I’m Wrong”; -- “Mean Type

Mama Blues”; --“Mem’ryville”; --“Millie; --“Mister Mammy Man”; --“Molly, Molly Be Gone”

f.4 “My America Beauty Rose”; --“My Baby Sure Knows to Love”; --“My

Castle on The Nice”; --"My Kinda’ Man”; --“My Imagination and Me”; --“My Speed”

f.5 “My Tears”; -- “New Brown”; -- “Night Club Mama (Teach Us How to Do Us

Stuff)”; -- No Wonder I Love Him So”; -- Old Age Creeping Upon You”; -- “Old

Forsaken Blues”

f.6 “On the Level”; --“On Our Turpintine Farm”; --“O I Could Love You to Pieces”; --“Our

Big Parade”; --“Papa- Papa Be on Your Merry Way”; --“Peg. Crip. Jessie James” --

“Pennsylvania”; --“Please Answer”; --“Pretty Boy”

f.7 “Reaching for An Angel”; -- “Red Hot Fireman”; -- “Reprise (Everything Is

Rhythm In This World Today) “; -- “Rock Pile Blues”; -- “St. James…”; -- “Sepia Baby of “

f.8 “She My Friend”; -- “Should I”; --“Sing You Fool Sing” -- “Someone Has

Stolen My Heart”

f.9 “Some How I Just Can’t Keep”; --“Song of Life”; -- “Stars Over Heaven”; --“Sun-

down Vaga Bound Parade”; --“Song Writers”

f.10 “Super Piano Man”; -- “Sure as You Born”; -- “Swannee Melody”; -- “Sweet

Virginia” --“Swing I Here to Stay”

f.11 “Sing Out” (reprints), Volume 1-11

f.12 “Take What You Want for All That You Need (I’m Going to Give Away)”; --

“Talkin’ To Me (With You Mind on Somebody Else)”; --“Tall Timber

Blues”; --“Thankful”

f.13 “That Hotcha Honey of Mine”; --“That How Rhythm Was Born”; --“The Freak With a

Trick Mustache”; --“The Gin Done- Done It”; --“The He-She Blues”

f.14 “The One Man on My Mine”; --“The Only Gal for Me”; --“The Song of

Friendship”; -- “They Can’t Put a Ceilin’ On Love”; -- “They’re Screwy I Tell You (They’re

Screwy)”

f.15 “Thinking Out Loud”; --“Three in A Bed”; -- “Three Kisses” --; “Too Much

No Good-Plenty Alright”; --” Trouble Will soon Be Over”; -- “True to You”

f.16 “Uncle Joe Blues”; -- “Vaga bound Rhythm”; -- “Watchin’ and Waitin’

Blues”; --While I Been Away?”; “Way Up Yonder in Glory”

f.17 “Weary Waters”; --“We’re Marvelous Together”; --“What A Wonderful Day; --

“What Ever You Do”

f.18 “What Fools Ye Mortals Be”; -- “--Whatha’s Gonna’ Do Wit Me”; -- Whatcha Call

It”; -- ‘‘Whatcha Doin’ --What You Doin’t Boy” --“What Your Price”; --“What Wrong”

f.19 “When Autumn Pays A Call”; -- “When The Feelin’ Strikes Me, And The Motion Comes (That

The Time I Want Some Love)”;-- “Where Is That Man of Mine”;-- “Who Do I Blame(Nobody

But You)’ (Nobody But Your)”

f.20 “Who Started Trouble between Us”; --“Who’s Playing the Drum”; -- “Whose Who Are You”; --

“Why the Hurry” --Win Lose or Draw”

f.21 “Wings Over Heaven”; --“Wise Ole Owl”; --" Woman”; --“Woman to Woman Blues”

f.22 “Wonder What You’ll Do”; -- “Wonderville” – “Wont You Take It Now From

Music”--“Write A Letter Ev’ry day”;-- “You Can Sell Me”;--“You Can’t Mend A

Heart”

f.23 “You Come On Like Faust”; --”; --“You Don’t Have To Say You Love Me”;-- “You Must Be

Wrong”; --“You Ougtha Know”; --‘You Should Know”;--“You Sweet Black Dog”; --“You’ll Be

The One”

f.24 “You’ll Come Back To Me”; -- “You’ll Regret”; -- “You’re Off The Beam”; --

“You’re Sharp and Solid”; “You’re The Reason Why”;--“You Won’t Have To Say

You Love Me”

Box 61

Collected Material-Music

Sheet Music-Section 3: Sub Section 5: Sub-Sub Section 4 (Several Titles in Each Folder)

Arranged by Title (F-O) and Folder Number

f.1 “Fanatic About”;-- “Finale”;-- “Finish What You Started With Me”; --“Fire

and Thunder Blues”;-- “Full Of The Devil (But Still On The Level with You”;-- “Georgia”;

--“Georgia Brown”;-- “Get Away”; --“Get Up And Follow Your Feet”; --“Georgia

Bound”;-- “Got My Ole Sweetheart Back Again”

f.2 “Happiness”; -- “Happy”; --“Happy New Year”; -- “Hard Times”; --“Harry”; --

“Heart”; --“Hello Friends”; --“Here Comes the Brides”; --“Honest”

f.3 “Hiding in Your Smiling Eyes”; -- “Home Brew”; -- “Hot Dogs”; --“How

Many Friends”

f.4 “I All Ways Think Of You”; -- “I Ain’t Worth Two Cents”; --“I Ain’t Puttin Out Nothing”; -- “I

Calls My Self Big Stuff I Does “; --” I Wanna See Georgia”

f.5 “I Got A Mind of My Own”; --“I Need You Now”; --“I’m Gonna Swing”; --“I

No Body Pal”; --“I Not the One You Love”; --“Isn’t She Beautiful”

f.6 “Jet Black Blues”; -- “Jim Town”; -- “John Henry”; -- “Joshua Fit The Battle Of “; --

“Josephine “; --“Kinda Man”; -- “Lady Be Good”; -- “Laughlin’ At The

Moon”; -- “Lightening Blues”; --“Little Bit O’ Nothin’”; -- “Lock Me Up”

f.7 “Lie to Me”; --“Lonely Soul”; -- “Lost”; --“Love I’m Calling”

f.8 “Madame “; --“Mah Lindy Lou”; -- “Malinda “; -- “May I Bring You Flowers

Mademoiselle”; -- “Meanst Gal in Town”; -- “Melancholy”; -- “Medley”

f.9 “Minstrel Finale”; -- “Mister Mammy Man”; -- “Moon Over Spain”; -- “Music

Too My Ears”; --“My Baby Sure Knows How to Love”; --“My Mind”; -- “Me

Regular Man Is Back In Town”

f.10 “Night Club Mamma”; -- “No Body Knows the Trouble I See”; --“No Wonder I Love Him So”; -

-“Off the Beam”

f.11 “Old Forsaken Blues”; --“Old Jim Crow”; -- “Only Gal”; --“Open That Door”; --

“Our Love Have Turn Out Wrong”; --“Our Parade”

Box 62

Collected Materials-Music

Sheet Music-Section 3: Sub Section 5: Sub-Sub Section 4 (Several Titles in Each Folder)

Arranged by Title (P-Z) and Folder Number

f.1 “Parade”; --“Piggie”; --“Please Answer”; --“Perculatin”; -- Poppy

f.2 “Rhapsody”; -- “Right from The Oven”; -- “Rocking in Rhythm”; --“Say Brother

Will You Meet Me”; --“St. James Infirmary”; --“Screwy”; -- “She My Friend”; --

“Sing That the Thing to Do”

f.3 “Sit Down Servant”; -- “Southland”; -- “St. Louis Addition”; --“Sunshine

Sweety of Mine”; --“Sweet Little Baby”; -- “Sun-Down”; --“Suppertime”; --

“Sweet Lil’ Baby O’ Mine”

f.4 “Take A Walk”; -- “The Creation”; -- “The Queen”; -- “They Can’s (Can’t?) Put a

Ceiling on Love”; -- ‘Three Kisses”; -- “Three Lucky Guys”; -- “Texas

Man”; --“Then You Came into My Heart”

f.5 “Tired of the Way You Do”; -- Travellin”; --““True To You”; --“Unhappy Blues”; --

Under The Spell For You”; -- “Uncle That Thing” --” What Have I Done” “

Box 63

Collected Materials-Music

Music-Miscellaneous Music and Lyrics: Section 3: Sub Section 5: Sub-Sub-Section 5

Box 64

Collected Materials-Music

Theatre Production-Section 3: Sub-Section, 5: Sub-Sub Section 6

Arranged by Title (A-M) and Folder Number

f.1 “A Wand’ring Minstrel, I” (Featured in Michael Todd’s (Hot Mikado), words by W. S. Gilbert,

by Sir Arthur Sullivan, modern rhythm adaptation by Charles L. Cooke, 1939

f.2 “A-Tisket A- Tasket”, by Ella Fitzgerald and Al Feldman, featured, 1938

f.3 “Aladdin’s Lamp”, by Dorothy Carter, John Nagy and Bill Kenny, (featuring the Ink Spot), 1947;

Back Cover “Wasn’t Meant for Love”, (Love Wasn’t Meant for Me), by J. C. Johnson, 1947

f.4 “Any Resemblance to Love”, (Is Purely Co-incidental), by Waller Bishop & Lou

Shelly, 1948

f.5 “Aint cha Got Music?” (A Rhythmic Spiritual) by A. Razaf, James P. Johnson

featured by Don Redman & Connie’s Inn Orchestra, 1932; cover reads Harlem Hotel, Connie’s

Inn New, 1932

f.6 “Brother, Can You Spare A Dime”? (Lee Shubert, America, musical

Revue) by E. Y. Harburg, Jay Gorney, 1932; (Two Hearts)”, by W. Reiser & A.

Robison, Robert Stolz, arranged by Joe Young, 1930

f.7 “Flying Down to Rio”, Carioca”, present’s, words by Gus Kahn and Edward

Eliscu, music by Vincent Youmans, 1933

f.8 “Charmaine”, - Theme Song from, “What Price Glory”, by Drno Rapee and Lew

Pollack, included in cover, inside cover “The Winding Trail “, words by George

Hayden, music by George P. Howard, adapted from “The Old Refrain”, 1927 –

back of cover “If I Should Lose You”, by Earl Burtnett & Robert Stowell, 1927

f.9 “Caravan”, lyrics by Irving Mills, music by Duke Ellington & Juan Tizol, 1937

f.10 “C.O.D. (Cash on Delivery)”, included in cover 1924 - (Character Song) -, words

& music by Sidney Easton, – Sung by “Ham Tree Harrington on Brunswick

Record), inside cover-31st Street Blues, by Wendell Hall and Harry Geise, 1924

f.11 “Clorinda”, words and music by Donald Heywood, 1927-cover reads, Earl

Dancer present Ethel Waters, “Africana, Something New in A Colored Revue,

words and music by Donald Heywood, Dancers Staged, Louis Douglas, Entrie

Production, Earl Danner)

f.12 Cow-Cow-Boogie- (Cuma-Ti-Yi-AY)”, from the Walt Lantz Swing Symphony, by

Don Raye and Gene de Paul, 1941

f.13 “Crazy Rhythm” (Danny and Cora), words by Irving Caesar, music by Joseph

Meyer and Roger Wolfe Kahn, 1928 (copy located inside cover); also inside

cover-song-“Was It A Dream” by Sam Coslow, Larry Spier and Andy Britt, 1928)

and “2 Ballard of Rare Beauty”- “Little Log Cabin Of Dreams”, words and music

by James F. Handy & Eddie Dowling”, 1927; “My Treasures”, words by Rube

Goldberg, music by Lew E. Gensler, 1927

f.14 “Digga-Digga-Do”, (cover read Lew Leslie’s Blackbird of 1928, lyrics by Dorothy Fields, music

by Jimmy McHugh, song insert in cover, 1928, - (song located inside cover “Remember I Love

You “, 1928; and others

f.15 “Dinah”, by Sam M. Lewis, Joe Young, & Harry Akst, 1925-also on cover

featured with great success by Rudy Valle, picture

f.16 “Don’t Be Sorry”, words and music by Adeline Hewett & Bill Kenny, 1948 - (on front cover

picture Ink Spots) – (Back of Cover – Aladdin’s Lamp, by Dorothy Carter, John Nagy & Bill

Kenny, 1947, correspondence included in folder, 1948

f.17 “Don’t the New Low- Down”, Lew Leslie’s Blackbird of 1928, lyrics by Dorothy

Fields, music by Jimmy McHugh, 1928

f.18 “East of The Sun (Land West of the Moon)”, words and music by Brooks

Bowman, 1935, (on front cover - Princeton University Triangle Club’s

Production “Stages at Bay”

f.19 “Every Time I Pick A Sweetie”, by Phil Worde, Allie Moore & Andrea Razaf, with

Ukulele arrangement, 1927

f.20 “Gee! I’m Glad That I’m From Dixie (So I Can Get a Dixie Welcome Home)”-

song), by Noble Sissle & Eubie Blake, 1919 – (back of cover – “Dear Little Boy Of

Mine”)

f.21 “Get Happy”, by Harold Arlen & Ten Koehler, 1930 (on front cover song with

Ukulele accompaniment, successfully introduced by Ruth Etting) - (back of

cover “Cryin’ for the Carolines, lyrics by Lewis & Young, Harry Warren, 1930

f.22 “Give Me The Sunshine”, words by Con Conrad & Henry Creamer, music by Jimmy Johnson,

1928; (on front cover – Give Me The Sunshine, Con Conrad, Inc. present Miller and Lyles, Keep

Shufflin’, inside front cover “Little Log Cabin Of Dreams”, James F. Hanley & Eddie Dowling,

1927 inside back cover “Forevermore”, by Alan Lewis, music by Manfred Gotthelf & Helen

Burnett, 1927 songs from musical comedies

f.23 “Got Everything” (“Don’t Want Any Thing But You”), words by Andy Razaf,

music by Jack Palmer, Uklulele arrangement by M. Kalua, inserted in cover; –

(on front cover picture of Abe Lyman and His Ambassador Orchestra, Los

Angeles); inside from cover “If You Can’t Tell the World She’s A Good Little Girl

Just Say Nothing At All”, nd;

f.24 “Got Myself Another Jockey Now”, by Henry Creamer & Andy Razaf, music by

Jimmy Johnson, Thomas Waller, additional music Clarence Todd, Dances,

Leonard Harper, The lay Stage, Flournoy Miller, Nat Phillips, 1928 (on front

cover, Conrad present, Miller and Lyles, “Keep Shufflih’- (inside front cover ‘Little Log

Cabin of Dreams”, & Inside back cover “Forevermore”

f.25 “Hiding in the Corner of Your Smile”, by Lew Pollack, George Whiting, 1928 – (cover –

featured by Horace Heidt)

f.26 “How Jazz Was Born”, by Henry Creamer & Andy Razaf, music by Jimmy Johnson,

Thomas Waller, additional music Clarence Todd, Dances, Leonard Harper, the play Stage,

Flournoy Miller, Nat Phillips, 1928 (on front cover, Conrad present, Miller and Lyles, “Keep

Shufflih’, (inside front cover ‘Little Log Cabin of Dreams”, & Inside back cover “Forevermore”

f.27 “I Gotta Right to Sing the Blues” (America’s Greatest Revue, Earl Carroll, 1932

f.28 “I,” The Living “I”, W. S. Gilbert, Sir Arthur Sullivan, Charles L. Cooke, Featured in

Michael Todd Production, “Hot Mikado”, 1939

f.29 “If I Loved You”, Oscar Hammerstein, Richard Rogers, 1955; - front cover reads,

“If I Loved You” –The Theatre Guild, presents Carousel) (back cover “Song from)

Oklahoma

f.30 “If You Go Away” (Ne Me Quitte Pas), English lyric Rod McKuen, music and

French lyrics by Jacques Brel, 1959 – cover reads “recorded by Glen Campbell on

Capital, picture of Campbell on cover-French lyric on back of cover

f.31 I’m Getting’ Sentimental Over You”, Jonny Dorsey and his Orchestra, 1939

f.32 “I’m in Heaven When I See You Smile, Diane” from William Fox’s Production 7

Heaven”, Erno Rapee, Lew Pollack,

f.33 “Information Please”, by Doc Wheeler Morin & Bill Kenny, 1947; (front cover picture of Ink

Spots)- (back cover “I Wasn’t Meant for Love”

f.34 “It Shouldn’t Happen to A Dream”, by don George, Duke Ellington & Johnny

Hodges, 1946; (front cover –picture of Duke Ellington

f.35 “It’s Only A Paper Moon”, by Billy Rose & E.Y. Harburg, music by Harold

Arlen, 1932; (front cover reads from the picture Take A Chance)

f.36 “I’ve An Evening for Sale”, by Herbie Kay and Ross Metzger, 1933 (front picture

Dorothy? back cover “A Song in The Air”

f.37 “Lazy Moon”, by Bob Cole, Rosamond Johnson, 1903; cover reads; “Lazy Moon” as great a hit

as “Bamboo Tree”, picture of Rosamond Johnson; song insert in cover “Me

Heart’s To-Night in Tennessee”

f.38 “Let the Punishment Fit the Crime”, by W. S. Gilbert, Sir Arthur Sullivan,

modern rhythm adaption by Charles L. Cooke, - (figured in. Todd’s production,

“Hot Mikado”, 1939

f.39 “Li’l Gal”, (on cover;” Fine Arts Section”, by Paul Laurence Dunbar, J. Rosamond

Johnson, 1917

f.40 “Mammy”, by Lester A. Walton, Will Marion Cook, 1917 (copy of music placed

in the cover), inside of front cover, “Oh! You Don’t Know What You’re Missin’”,

by Edward Laska, Albert Yete, 1917; inside back cover “Water Of Venice

Floating Down The Sleepy Lagoon” (The Vocal Edition of the Haunting Waltz

Theme), by Neville Fleeson, Albert Von Tilzer, 1918; located on back of cover,

“Forever” Is A Long, Long Time, words by Darl Mac Boyle, by Albert Von Tilzer,

1916

f.41 “Mammy O’ Mine”, by Wm. Tracey, Maceo Pinkard, 1919

f.42 “Manha De Carnaval”, (from the motion picture “Black Orpheus), by Antonio

Maria, Luiz Bonfa, 1959

f.43 “Massachusetts by Andy Razaf, Lucky Roberts, 1942, (on cover picture of

Andrews Sisters), 1942

f.44 “Moan, You Moaners!”, (A Rhythmic Spiritual, Fox-Trot Spiritual), words &

music by Spencer Williams, 1931

f.45 “Moonlight Cocktail”, (music located as insert in cover), by Kim Gannon, Lucky

Roberts, 1941, (picture of Glenn Miller on cover); located on inside cover,

“Falling Leaves”, by Mack David, by Frankie Carle, 1940; located; back of cover,

Sunrise Serenade”, 1938 and “Shadows”, 1939

f.46 “My Headache” (Harlem Hotgal, ‘Connie’s Inn New Revue, Conceived and

presented by Connie Imerman), by Andy Razaf, James P. Johnson, staged by

Teddy Blackman, featured by Don Redman, (song located inside cover); Song

inside front cover “I Was So Weak” (Love Was So Strong), by A. Razaf, c by J. P.

Johnson, 1932; song on back of cover “Way Down South Where the Blues

Began”, 1932)

f.47 “My Reverie”, (song located in cover), by Larry Clinton (melody based on

Claude Debussy’s “Reverie” French lyric by Yvette Baruch), 1938

f.48 “My Sweetie Went Away”, (She Didn’t Say Where, When or Why), by Roy Turk

and Lou Handman, 1923

Box 65

Collected Materials-Music

Theatre Productions-Section 3: Sub Section 5: Sub-Sub Section 6

Arranged by Title (N-Z) and Folder Number

f.1 “No Greater Love”, Theme from Tchaikovsky’s Piano Concerto No. 1, lyrics by

John Digges, by Peter Tchaikovsky, 1941

f.2 “Ol’ Man River” (Joe and Male Chorus), by Oscar Hammerstein, 2nd, Jerome

Kern, 1927; cover reads Florenz Ziegfeld, present Show Boat, Adapted from

Edna Ferber’s novel of the same Name, ensemble & Dances by Sammy Lee)

inside front cover excepts from Jerome Kern’s “Roberta” When Your Heart’s On

Fire, others, 1933; song on back of cover “Why Do I Love You?”, 1927

f.3 “On Repentin’ Day ‘’ (modern spiritual), by Andy Razaf and Joe Davis, 1940

f.4 “One of The Boys”, Creamer and Layton, 1920; Cover reads Mr. & Mrs. Coburn’s

production “3, Showers A Comedy with Music)

f.5 “People Will Say We’re in Love”,1953, from, Oklahoma, A Musical Play,

Richard Rogers, Oscar Hammerstein 2

, 1943

f.6 “Rose Room Song” (Fox Trot); In Sunny Roseland), by Harry Williams, Art

Hickman, 1918, (Inside cover reads “If I Should Lose You”, by Earl Burtnett &

Robert Stowell, 1927

f.7 “Rum and Coca-Cola”, by Morey Amsterdam, Jeri Sullivan and Paul Baron;

picture of Andrews Sisters on cover (note clipping on copyright issue included)

f.8 “St. Louis Blues” (A New Modern Dance Arrangement of the

Original), composer, W. C. Handy, arranger Fletcher Henderson, (Melrose

Syncopation Section), 1914

f.9 “Soft Lights and Sweet Music”, 1932, Sam H. Harris, presents “Faces The Music, a musical

Comedy Revue, lyrics and music by Irving Berlin, back of cover “All Of Me”, 1931, by Irving

Berlin

f.10 “Star Dust”, by Hoagy Carmichael, 1929, c.1- (also published as a song)

f.11 “Star Dust” (Etoile D’Amour). by Mitchell Parish (French translation by Yvette

Baruch), by Hoagy Carmichael, 1929

f.12 “Stompin’ at the Savoy”, by Aady Razaf, Benny Goodman, Chick Webb, Edgar Sampson, 1936;

cover reads A Modern Piano Solo

f.13 “Slumming on Park Avenue”, 1937, Irving Berlin’s Greatest Score “On the

Avenue”

f.14 “Take Your Time”, words by Harrison Steward, by Joe Jordan1917; cover reads, Take You

Time, Dats De Best Way to Do You Will Find, picture Earnest Hogan

f.15 “Tea for Two” by Irving Caesar, Vincent Youmans, 924, cover reads H. H.

Frazer presents The Musical Cedy “No, No Nanette”, lyric by Otto Harback

and Irving Caesar, music by Vincent Youmans

f.16 “Thanks for The Memory”, by Leo Robin and Ralph Rainger, 1938-cover reads

Featured by Shir’ey Ross in the Paramount Picture “Big Broadcast of 1938”

f.17 “The Banjo’s Back in Town”, by Earl Shuman, Alden Shuman, Marshall Brown,

1945 or 1955 cover reads, featured Broadcast and Recorded by Billie Anthony

f.18 “The Big Stick Blues March”, (March song) by W. C. Handy, writer of “St. Louis

Blues” and Charles L. Cooke, 1951- note back of cover, “Lincoln’s Gettysburg

Address, by Jean Story and W. C. Handy

f.19 “The Flowers That Bloom in The Spring”, by W. S. Gilbert, Sir Arthur Sullivan,

modern Rhythm Adaptation by Charles L. Cook, 1939, cover reads featured in

Michael Todd’s Production, “Hot Mikado”

f.20 “The Girl on The Police Gazette”, 1937, Irving Berlin Greatest Musical Score,

“On the Avenue”

f.21 “The Island of By and by”, by Alex Rogers, Bert A. Williams, 1906 cover reads -as;

sung by Miss Aida Overton-Walker in Abyssina

f.22 “The Joint Is Really Jumpin’ In Carnegie Hall”, from the M. M. picture

“Thousand Cheer”, by Roger Edens, Ralph Blane, Hugh Martin, 1943

f.23 “The White Cliffs of Dover”, by Nat Burton, Walter Kent; cover reads

There’ll Be Blue Birds Over the White Cliffs of Dover, year?

f.24 “There’s A Small Hotel”, by Lorenz Hart, Richard rogers, 1936; cover reads,

Dwight Deere Wiman presents “On Your Toes”, by Hart and Rogers

f.25 “There’ll Be Some Changes Made”, by Billy Higgins, W. Benton Overstreet,

1923, picture of Benny Goodman on cover

f.26 “This Can’t Be Love”, (located within cover), by Lorenz Hart, Richard Roger,

1935; cover reads, George Abbott, presents a musical comedy, “The Boys From

Syracuse”, song on inside cover “I Heard a Forest Praying”, words by Sam M.

Lewis, music by Peter De Ross, 1937

f.27 “Three Little Maids from School Are We”, by W. S. Gilbert, Sir Arthur Sullivan,

modern rhythm adapted by Charles L. Cooke,1939, cover reads, featured in

Michael Todd’s production “Hot Mikado”

f.28 “Tit – Willow”, by W. S. Gilbert, Sir Arthur Sullivan, modern rhythm adapted by

Charles L. Cooke, 1939; cover reads, featured in Michael Todd’s production

“Hot Mikado”

f.29 “Tom boy Sue”, by Andy Razaf and Paul Denniker, Ukulele arr. By May Singhi

Breen, “the Ukulele Lady”, 1926

f.30 “Wanting You”, words and music by Dotty Riley and Bill Kenny, 1948, picture of Ink Spots on

front; cover, song on back of cover “Aladdin’s Lamp”, by Dorothy Carter, John Nagy, & Bill

Kenney, 1947

f.31 “We Are Americans Too”, by Andy Razaf, Eubie Blake & Chas. L. Cooke, 1941, song inserted in

cover; song inside of front cover “Tradition”, by Andrews, arranged by Hall Johnson, Dance

interpreted by Emilia Caesar, 1935

f.32 “When I Grow Too Old To Dream”, favorite concert songs; by Oscar

Hammerstein, II, Sigmund Romberg, song missing; inside, front cover, title of

three songs, “Alone”, “Dusty Road”, “The Night Is Young”; inside back cover,

Lawrence Tibbett’s favorite concert songs, “The Dogue Song”, When I’m

Looking At You”, “Tramps At Sea” songs listed on back of cover, new songs by

Jacques Wolfe, “Darky Lullaby”, Who’s Gonna Mourn For Me”, “Swing Along”

f.33 “When I March in April With May”, by Gerald “Corky” Williams, & Spencer

Williams, 1927; cover reads. Clarence Williams presents a musical comedy

“Bottomland”

f.34 “When Sunny Gets Blue”, by Jack Segal, Marvin Fisher, 1956, located inside,

front cover- title of six songs, picture of Johnny Mathis on front cover

f.35 “Willow Tree”, by Andy Razaf and Thomas Waller, 1928; front cover reads, Con

Conrad, Inc. presents Miller and Lyles, “Keep Shufflin”; song on inside cover

“Little Log Cabin O Dreams”; song on inside of back cover “Forevermore”;

songs on back of cover, “Play Gypsies – Dance Gypsies” “Cross Your Heart”,

“That Certain Feeling”, “Here In My Arms”

Box 66

Collected Materials-Music

Recorded Albums-LPs-Section 3: Sub-Section 5: Sub-Sub Section 7

Arranged by Composer, Title (A-W) and Number

No. 1 Herb Alpert, and The Tijuana Brass, Side 1, “Taste of Honey”; Side 2, “3rd

Man Theme”

No. 2 Harry Belafonte, Side 1, “Corodelia Brown” & Judy Drownded”; Side 2,

“Lead Man Holler” & “Angelique-o”

No. 3 Jenkins Band, Side 1, “The Jenkins Band”; - Side 2, “Parade”

No.4 Savannah Churchill, Side 1, “The Gypsy Was Wrong”; Side 2, “Just Whisper”

No. 5 Bobby Darin Side 1, “Mack The Knife”, Side 2 “Was There A Call for Me”

No. 6 Bobby Darin, Side 1, “Christmas Auld Lang Syne”; Side 2, “Child of God”

No. 7 Eddie Fisher, Side 1, “Milk and Honey” “Shalom”

No. 8 Mister Freddy & His Band, Side 1, “Mister Freddy Blues”, “You Take the Cake”

No. 9 Steve Lawrence, Side 1, “Go Away Little Girl”, “If You Love Her Tell Her So”

No.10 The Embers with Mister Freddy Band, Side 1, “Sweet Lips”; Side 2, “There’ll Be

No One Else but You”

No.11 Peggy Lee, Side “Bucket of Tears” “I Love Being Here with You”

No.12 Peggy Lee and George Shearing, Side 1, “I Lost My Sugar In Salt Lake City”; Side

2, “You Came A Long Way from St. Louis”

No.13 Eileen Hamilton with Mister Freddy and His Band, Side 1, “LOVE. O. LOVE”; Side

2, “Heaven Knows”

No.14 Johnny Horton, Side 1, “The Battle of New Orleans”; Side 2, “All for The Love

of a Girl”

No.15 Joni James, Side 1, “Still Get a Thrill”; Side 2, “Perhaps”

No.16 Al Melli, Side 1, “Never Mind”; Side 2, “I’m Going Single”

No.17 Glenn Miller and his Band, Sides 1 & 2 “It’s Make Believe Ball Room”, “Guess

I’ll Have to Dream the Rest”, Frank Sinatra with Tommy Dorsey Orch.)

No.18 Jaye P. Morgan, Side 1, “Somebody Else I Am Taking My Place”; Side 2,

Somebody Loses, Somebody Wins”

No.19 Paul Peek, Side 1, “Gee but I Miss That Girl”; Side 2, “Waikiki Beach”

No.20 Riff Ruffin, Side 1, “Peepin’ And Hidin’”; Side 2, “Thunder and Lightnin’”

No.21 Gene Sedric Orchestra, Side 1, “Clarinet Blues”; Side 2, “Blues For ‘Fats’ Waller”

No.22 The Nutty Squirrels, Sides 1 & 2 “UH! OH!”

No.23 The Wallers, Side 1 “Stop the Clock”; Side 2 “Hot Love”

No.24 Classic Jazz Masters “King Oliver” 1928-1929, Sides 1 &

Box 67

Collected Materials-Music

Recorded Albums-LPs-Section 3: Sub-Section, 5: Sub-Sub Section 7

Arranged by Title (A-D) and Number

No.1 “A Basket of Blues”, Buddy Tate, vocal, V. Spivey, L. Hegamin, H. Sylvester,

Sides 1 & 2, 6 titles

No.2 “A Tribute to Bessie Smith”, Sides 1 & 2, 5 titles on each side, c. 1

No.3 ‘A Tribute to Bessie Smith”, Sides 1 & 2, 5 titles on each side, c. 2

No. 4 “Aladdin’s Lamp”, D. Carter, J. Nagy, B. Kenny; Side 2, – “My Baby

Didn’t Even Say Goodbye”, J. Fulton, J. Hilliard, Ink Spots, damaged, c.1

No.5 “Aladdin’s Lamp”, (D. Carter, J. Nagy, B. Kenny; Side 2, “My Baby Didn’t Even

Say Goodbye”, (J. Fulton, J. Hilliard, Ink Spots, damaged, c.2

No.6 “Amazing Grace”, Side 2, “I’m Going to Heaven If It Takes MY Life”, Rev. J.

M. Gates & His Congregation) -damaged

No. 7 “Any Woman’ Blues”, Lovie Austin, Comedienne; Side 2, “Cemetery Blues”, Sid

Lacey, Comedienne, Bessie Smith, Jimmy Jones at the Piano

No.8 “Are You Havin’ Any Fun”; Side 2 “Something I Dreamed Last Night”, vocal, Ella

Logan, c.1

No. 9 “Are You Havin’ Any Fun”; Side 2, “Something I Dreamed Last Night”, vocal,

Ella Logan. 2 copies

No.10 “Baby Is What She Calls Me”, Kay Butler, -Peggy Lee with Dave Barbour’s

Orchestra; Side 2, “Tain’t Like That” Rex Stewart, “Rex Stewart’s Big Fight”

No.11 “Baby, Baby, All The time”, B. Troup); Side 2, “Shadow Woman”, A. Hamilton,

Julie London with Russ Garcia Orchestra

No.12 “Believe It Beloved”, Johnnie G, Fats Wallerian, Sides 1 & 2

No. 13 “Back to The Blues”, Dinah Washington, Sides 1 & 2, with 6 titles on each side

No.14 “Be My Love”; Side 2, ‘I’ll Never Love You”, Nicholas Brodszky, Mario Lanza,

Tenor, damaged

No.15 “Bless You”, E. Lane, D. Baker; Side 2, “I Don’t Want Sympathy I Want Love”, J.

Lawrence, Ink Spots, damaged

No.16 “Blue Serge”, Fox Trot, Ellington; Side 2, “Jumpin’, Punkies”, Fox Trot, Duke

Ellington Orchestra

No.17 “Blue Skies”, I. Berlin; Side 2, “Stuff Like That There ‘Livingston”, Evans, Betty

Hutton, Paul Weston Orchestra, slightly damaged

No.18 “Bubbles”, (John W. That is …) Side 1 & 2, Long playing, 6 titles on each side No.19 “Bug in

A Rug”; Side 2, “I Apologize”, -completely damaged

Box 68

Collected Materials-Music

Recorded Albums-LPs-Section 3: Sub-Section 5: Sub-Sub Section 7

Arranged by Title (C-D) and Number

No.1 “Careless Love”, W. C. Handy; Big Joe Turner with Willie “The Lion”, Smith at

Piano; Side 2, “Jumpin’ Down Blues”, Turner, Big Joe Turner with Willie “The

Lion” Smith at Piano

No.2 “Carmen McRae”, By Special Request, Side 1 & 2, with 6 titles on each side

No.3 “Carryin’ On!”, Lou Rawls, Side 1 & 2, 6 titles on each side

No.4 “Close to You”, Hoffman, Livingston, Lampl; Side 2, “You’re Never Know “,

Frank Sinatra

No.5 “Cuddle Up A Little Closer”, Harbach, Hoschna; Side 2, “The Trolley Song”,

Martin, Blane, The Pied Pipers, Weston Orchestra

No.6 “Crying My Heart Out for You”, Hopkins; Side 2, “Down Home Rag”, Chick

Webb Orchestra

No.7 “Daddy” & “Sleepy Serenade”, Andrew Sisters

No.8 “Deep Water Blues”, R. Brown; Side 2, “I Couldn’t Help It-Blue”, W. Gillum, Jazz

Gillum

No.9 “Did You Mean It?” (From a Night in Spain), Baker, Slivers, Lyman), Marion

Harris, Comedienne with Violin; Side 2, ‘The Man I Love ‘(from Strike Up

The Band) (Ira & George Gershwin), Mario Harris

No.10 “Don’t Never Tell Nobody”, Jimmy Johnson, (Comedienne); Side 2, “Waitin For

The Evenin’ Mail”, “Billy Baskette, Comedienne)

No.11 “Don’t Take Your Love from Me”, FoxTrot; Side 2, “It Had to Be You”, Fox Trot,

Artie Shaw Orchestra,), Damaged

No.12 “Do You Feel That Way Too”, P. Flynn, B. Kenny; Side 2 “Information Please”, W. Morin, Ink

Spots

Box 69

Collected Materials-Music

Recorded Albums-LPs-Section 3: Sub-Section, 5: Music-Sub-Sub Section 7

Arranged by Title (E-F) and Number

No.1 “Easy Listenin’ Blues”, N. Robinson; Side 2, “It’s Only A Paper Moon”,Arlen,

Rose, Harburg, The King Cole Trio

No.2 “Easy Living”; Side 2, “Foolin’ Myself”, vocal by Billie Holiday, Teddy Wilson

Orchestra-damaged

No.3 “Empty Bed Blues”, Rosetta, Harlem Hamfats; Side 2, “We Gonna Pitch A Boogie

Woogie”, Mc Coy, Harlem Hamfats

No.4 “Empty Bed Blues”, Pt.1, Oscar Pettiford and His Orch.; Side 2, “Worried Life

Blues”, Merriweather, Oscar Pettiford Orch., c.1

No.5 “Empty Bed Blues”, Pt.1, Oscar Pettiford and His Orch.; Side 2, “Worried Life

Blues”, Merriweather, Oscar, Pettiford Orch., c.2 (in original jacket)

No.6 “Empty Bed Blues”, Monte Easter, and His Orch.’ Side 2, “Aint’Cha Glad”,

Monte Easter Orch. c.1

No.7 “Empty Bed Blues”, Monte Easter, and His Orch.; Side 2, “Aint’Cha Glad’, Monte Easter Orch.

c.2

No.8 “Empty Bed Blues”, S. King, Saunders King and His Orch.; Side 2, “Imagination”, Saunders

King and His Orch.

No. 9 “Fatha”, The New Earl Hines Trio, Side 1 & 2, 6 titles on each side, long playing, c. 1

No.10 “Fatha”, The New Earl Hines Trio, Side 1 & 2, 6 titles on each side, long playing, c. 2

No.11 “Fatha”, The New Earl Hines Trio, Side 1 & 2, 6 titles on each side, long playing, c. 3

No.12 “Fatha”, The New Earl Hines Trio, Side 1 & 2, 6 titles on each side, long playing, c. 4

No.13 “Fatha”, The New Earl Hines Trio, Side 1 & 2, 6 titles on each side, long playing, c. 5

No.14 “Fatha”, The New Earl Hines Trio, Side 1 & 2, 6 titles on each side, long playing, c. 6

No.15 “Fatha”, The New Earl Hines Trio, Side 1 & 2, 6 titles on each side, long playing, c. 7

No.16 “For Men Only”, Side 1 & 2, -Side I, (6 titles); Side, 2-6 titles) Featuring Faye

Richmonde, long playing

No.17 “For You”-Fox Trot (J. Burke, A. Dubin), / Side 2 – “Swing Low Sweet Chariot” (D.

Kincaide), Tommy Dorsey Orchestra

Box 70

Collected Material-Music

Recorded Albums-LPs-Section 3: Sub-Section, 5: Sub-Sub Section 7

Arranged by Title (G-L) and Number

No.1 “Golden Earrings”, Livingston, Evans, Young; Side 2, “Tenderly”, Lawrence, Gross, Charlie

Spivak Orchestra

No.2 “Grandma What Great Songs You Sing”, Brenda Lee; Side 1 & 2, with 6 titles

on each side

No.3 “Happy Go Lucky- Ragman Lucky Roberts Plays A HONKY Tonk Piano”, Side 1, 5

titles; Side 2, 6 titles, long playing

No.4 “Hey Man! Hey Man!”, Reese, Stiles; Side 2, C. O. D. Mayes, Williams, Skeets

Tolbert & His Gentlemen of Swing

No.5 “I Ain’t En Got No Time to Have the Blues”, Fox Trot Louisiana Five Jazz

Orchestra; Side 2, “Slide, Kelly, Slide” by Wilbor Sweat man’s Original Jazz Band

No.6 “I Ain’t Got Nothin’ but the Blues” (D. George, K. Ellington; Side 2, “As Long as

I Live”, T. Koehler, H. Arlen, vocal, Lena Horne, Horace Henderson Orchestra, damaged

No.7 “I’II Abner”, An Original Musical Comedy, Side 1 & 2, 7 titles on each side, long playing

No.8 “I’ll Get By (As Long as I Have You)”, Fox Trot; Side 2, “Mean to Me “, Fox Trot,

vocal, Billie Holliday, Teddy Wilson Orchestra

No.9 “I Let a Tear Fall in the River”, Webb, Livingston, David; Side 2, “MacPherson Is

Rehearsin”, Chick Webb Orchestra

No.10 “Intimate” Jazz in Hi-Fi, Willie the Lion Smith, Side 1, and 2, 5 titles on each

side

No.11 “I Only Have Eyes for You”, Dubin, Warren; Side 2, “Consternation “, Shering,

The George Shearing Trio

No.12 “I Told Ya I Love Ya Now Get Out”, (Friga, Carter, Ellis; Side 2, “They’re Mine

They’re Mine, They’re Mine”, Pleis, Kone, The Soft Wings

No.13 “It Takes Me to Remind You”; Side 2, “She’s So Big and Heavy “, Rivera,

Jefferson, Ray Rivera & The Four Pals

No.14 “Jumpin Keyboard”, Eddie Heywood, Side 1 & 2, with 5 titles on each side

No.15 “Kind Lovin’ Blues”, Mitchell, Hende, Comediennes; Side 2, “Down South

Blues”, Waters, Hendersen, Comediemme

No.16 “Lady Sings the Blues”, Billie Holiday, Side 1 & 2, with 6 titles on each side

No.17 “Let the Good Times Roll”, Fox Trot, (Spoo-de ode-Fleecie; Side 2, “Ain’t Nobody

Here but Us Chickens”, J. Whitney, A. Kramer, Fox Trot, vocal, Louis Jourdan,

Louis Jourdan & His Sympany Five Orchestra

No.18 “Lonely Night”; Side 2, “WEE the Heart”, vocal Saunders, Al Sears Orchestra

Box 71

Collected Materials-Music

Recorded Albums-LPs-Section 3: Sub-Section, 5: Sub-Sub Section 7

Arranged by Title (M-P) and Number

No.1 “Make Believe Ballroom Time”, Side 1, 9 titles; Side 4, 8 Titles; Side 2, 7 titles also titles “Music

of the 20’s”, c. 1

No.2 “Make Believe Ballroom Time”; Side 1, 9 titles; Side 4, 8 titles; Side 2, 7 titles;

Side 3, 10 titles, also titles “Music of the 20’s”, c. 2

No.3 “Manhattan Beat”, Eddie Heywood, Side 1 & 2, with 6 titles on each side

No.4 “Melinda The Mousie”, Morrow, Gannon, Irwin; Side 2, “I Got It Bad and That

Ain’t Good”, Ellington, Webster, Ella Fitzgerald and her Famous Orchestra

No.5 “Memories, Sing Along with Mitch”, Mitch Miller and the Gang, Sides 1 & 2, 6

titles one each side, long playing

No.6 “Mignon (Overture)”, Ambroise Thomas Symphony Orchestra, Sides 1 & 2

No.7 “Midnight Special”; Side 2, Annie Laurie, Tiny Grimes Quintet

No.8 “Miles Davis Greatest Hits”, Sides 1 & 2, 4 titles on each side, long playing

No.9 “Moonlight Becomes You”, Van Heusen, Burke; Side 2, “Harlem Butterfly”,

Mercer, Bobby Sherwood Orchestra

No.10 “My Melancholy Baby”, Fox Trot, Norton, Burnett; Side 2, “Wrappin’ It Up”,

Fox Trot, Henderson, Benny Goodman Orchestra

No.11 “New Black Snake Blues”, Pt. 1 & 2, Spivey, Victoria Spivey & Lonnie Johnson

No.12 “Nobody’s Blues but Me”, Bessie Smith, 2 records in albumin, side 1 & 2, with 8

titles on each side of albumin

No.13 “Nothin’ but the Blues”, S. Roberts, Barbecue Bob, B. Smith, C. Smith, H.

Humes, J, Kelly, B. Jackson, C. Williams, Trombone Red, S. Greer, D. Ellington, J.

C. Higginbotham, Sides 1 & 2, 8 titles on each side

No.14 “OL’ Man Mose”, Armstrong, Randolph; Side 2, “Between the Devil and The

Deep Blue Sea” Koehler, Arlen, Eddy Duchin Orcherstra

No.15 “Papa I Don’t Need You Now”, Louis, Side 2, “Tried of the Way You Do”, Jones,

Clara Smith

No.16 “Patches”; Side 2, ‘Johnson Rab ‘, Alvino Rey

No.17 “Piano Man”, Fox Trot, Hines; Side 2,” Father Steps In”, Fox Trot, Dixon,

Rendall, Hines, Earl Hines Orchestra

No.18 “Portrait of Jenny”, J. R. Robinson, G. Burdge; Side 2, “An Old Piano Plays the

Blues”, D. George, S. Allen, The King Cole Trio-Damaged

Box 72

Collected Material-Music

Recorded Albums-LPs-Section 3: Sub-Section, 5: -Sub-Sub Section 7

Arranged by Title (R-P) and Number

No.1 “Ramona”, Gilbert, Wayne; Side 2, “Girl of me Dreams-I Love You”, Clapp,

Gene Austin Orchestra

No.2 “Rare and Hot”, Memphis Jazzers, Cliff Jackson, Blue Rhythm Orchestra, June

Clarke, 7 titles; Side 2, “Te Roy Williams & Cecil Scott And His Bright Boys, 7

titles -long playing

No.3 “Reconversion Blues”, Moore, Graham; Side 2, “Salt Pork, West Virginia”, F. Moore,

B. Tennyson, vocal Louis Jordan and His Sympany Five

No.4 “Red Beans and Rice”; Side 2, “Mean Old Twister”, Arnold, Kokono Arnold

No.5 “Ruth”, Joe Liggins; Side 2, “Louisiana”, Ivy Willis, Ed. Regan, Joe Liggins & His

Honey Drippers

No.6 “Saratoga”, The Original Cast Recording, Howard Keel, Carol Lawrence; Side 1,

7 titles, Side 2, 9 titles, long playing

No.7 “Sixteen Tons”, Travis; Side 2,” You Don’t Have to Be a Baby to Cry “, Merrill,

Shand, Tennessee Ernie Ford

No.8 “Song of the Cotton Field”, -Fox Trot, Side 2, “New Orleans Low-Down”, Fox

Trot, Duke Ellington and His Kentucky Club Orchestra

No.9 “Steppenwolf”, Sides 1 and 2, Side 1, 6 titles, Side 2, 5 titles, long playing

No.10 “Swinging on A Star”, Burke, Van Heusen; Side2, “Ain’t That Just Like A

Man”, Rave, de Paul, Freddie Slack

No.11 “Tabby the Cat, Dickinson, Gibeling; Side 2, “You’re My Everything “, Warren,

Dixon, Young, Vocal Toni Harper

No.12 “The Best Is Yet to Come”, Sylvia De Sayles; Sides 1 and 2, 6 titles on each side

No.13 “The Early Duke Ellington”; Sides 1 & 2, with 5 titles on each side

No.14 “The Empress”, Bessie Smith, Contain 2 recording with a Sides 1 & 2, 8 titles on

each side

No.15 “The Five Pennies”, Louis Armstrong, Danny Kaye; Side 1 & 2, 9 titles on each

side

No.16 “The Man I Love”, Fox Trot, from Lady Be Good; Side 2, “Benny Rides Again”,

Fox Trot, Benny Goodman Orchestra

No.17 “The Most Happy Fella”, Frank Loesser’s Musical; Side 1, 9 titles, Side 2, 10 titles

No.18 “The Music Man”, Original Broad Way Cast, Starring Robert Preston, Sides 1 & 2,

9 tunes on each side-Long playing

No.19 “The Old Sow Song”, Fox Trot, Smith, Vallee, Daniels, Rudy Vallee & His

Connecticut Yankees, vocal Cyril Smith; Side 2, “With Her Head Tucked

Underneath Her Arm”, Fox Trot, Weston, Lee, Weston), Rudy Vallee, vocal Cyril Smith-

damaged

No. 20 “The Patty Cake Man”, R. Jordan; Side 2, “Invitation to The Blues”, Roberts,

Fisher, Gershwin, Ella Mae Morse with Orchestra

No.21 “The Pearl”, Las Perlas; Side 2, “King Porter Stomp” Jelly Roll Morton, Piano

Solo

Box 73

Collected Material- Music

Recorded Albums-LPs-Section 3: Sub-Section, 5: Sub-Sub Section 7

Arranged by Title (T-Y) and Number

No.1 “The Sound of Music”, Richard Rogers, Sides 1 & 2, 5 titles

No.2 “The Story of The Blues”, Della Reese, Sides 1 & 2, Side 1, 6 titles, Side 2, 5 titles, c.1

No.3 “The Story of The Blues”, Della Reese, Sides 1 & 2, Side 1, 6 titles, side 2, 5 titles, c.2

No.4 “The Story of The Blues”, Della Reese, Sides 1 & 2, Side 1, 6 titles, side 2, 5 titles, c.3

No.5 “Things Ain’t What They Used to Be”, Fox Trot, Mercer, Ellington, Side 2, “Squaty Roo”, Fox

Trot, Hodges, Johnny Hodges Orchestra & Ellington Unit

No.6 “This Time the Dream’s on Me”, Side 2, “Blues in The Night”, Arlen, Mercer,

Woody Herman Orchestra - slightly used

No.7 “Three Foot Skipper Jones”, G. Whiting, K. Byron; Side 2, “It’s A Puzzle to Me

(So What!)”, B. Bell, A. Robertson, The Three Peppers

No.8 “Tom Rush”, Sides 1 & 2, Side 1, 7 titles, Side 2 6 titles, long playing

No.9 “Trumpet No End”. Berlin; Side 2, “It Shouldn’t Happen to A Dream”, George,

Hodges, Ellington), Duke Ellington Orchestra

No.10 “Uncle Joe”, Fitzroy Coleman Quintet; Side 2, Emelda, Four Deluces

No.11 “We Go Well Together”, Fox Trot, Side 2,” I See A Million People, Cab Calloway Orchestra

No.12 “Weeping Blues”, Howell Horsey’s Hot Five; Side 2, “Waitin’ For You Blues”, Peters, The

Gennett Records Richmond, and Ind. damaged

No.13 “What’s the Reason”, Poe, Grier, Tomlin, and Hatch; Side 2, “Our Love Was

Meant to Be”, Hill, Davis, Waller, Fats Waller and His Rhythm (broken in two pieces)

No.14 “When I Grow Too Old to Dream”, Hammerstein! Romberg, The Sandmen,

Orchestra; Side 2, “Somebody to Love”, Cook, The Sandmen Orchestra

No.15 “When My Love Say’s Goodby”, G. Weises, J. Heinz, Lonne Satin, Damaged

No.16 “Why Don’t You Do Right?”, Side 2, “Love Me”, J. McCoy, (Lil Green)

No.17 “Without A Song”, Fox Trot, Tommy Dorsey Orchestra; Side 2, “Deep River”, Fox

Trot, Tommy Dorsey Orchestra

No. 18 “Yes Indeed”, Bing Crosby, Damaged; Side 2, Tea for Two”, Bing Crosby,

Damaged

No.19 “You Do”, Gordon, Morrow, (from Mother Wore Tights); Side 2, “My Future

Just Passed”, George Marion, Jr, Richard A. Whiting), (from Safety in Numbers),

Margaret Whiting, Frank DeVol Orchestra

No.20 “You Made Me Love You (I Didn’t Want to Do It)”, McCarthy, Manaco; Side

2,” A Sinner Kissed an Angel (Haymes, Joseph), Harry James Orchestra

Box 74

Collected Material- Music

Recorded Albums-LPs-Section 3: Sub-Section, 5: Sub-Sub Section 7:

Arranged by Number

No.1 6 Records

(1)-“The Jitterbug Waltz “(Fats Waller); Side 2, Abdullah (N. Lawrence, Slick, Jones), “Fats

Waller, his Rhythm & his Orchestra”

(2)-“Until the Real Things Comes Along” (Cohn, Chaplin, Freeman); Side 2, “Buckin’ The Dice”

(C. Wallace, T. Parham), “Fats Waller and his Rhythm Orchestra”

(3) (damaged)- “Gliss Me Again” Side 2, Bowing Singing Slam, Johnny Guarnier Trio

(4)- Got A Penny; Side 2, Let’s Pretend, King Cole Trio

(5)-“Twelfth Street Boogie (Bowman, Summer)” ; Side 2, “Kilroy Boogie” (H. Young), “Albert

Ammons & His Rhythm Kings”

(6) “Mother Fuyer”; Side 2, “Home Last Night,” “Dirty Red with Rhythm”

No.2 9 Records-Spine Damaged

(1)-“My Fate Is In Your Hand” A. Razaf, R. Waller;; Side 2, “Turn On The Heat” (De

Sylvia, Brown, Henderson), Thomas Fats Waller, Piano Solo

(2)-“I Got Worry” ;Side 2, “Rum And Strum” and several other titles

(3)- “Sweet Man” (Turke & Pinkard) ; Side 2, “Dinah”

(4)-Side 1 “Summertime” & Side 2 “Suppertime” (Berlin) Ethel Waters

(5)-“Swanee Blue Jay” (Williams);; Side 2,”Drowsy Moonlight” (Williams),

Frank Wallace

(6)-“The One Rose-That’s Left In My Heart” (Republic Picture “Boots and Saddles”) ; Side 2, “I

Can Always Dream”, “Tempo King & His Kings of Tempo”

(7)-“My Blue Heaven” (Whiting, Donaldson) ; Side 2, “Broken Hearted” (De Sylva, Brown,

Henderson), “Eddie Ryan and His Orchestra”

(8)-“A Jug of Wine”, from “The Day Before Spring” (Loewe, Lerner) ; Side 2, “Seems Like

Old Times” (Lombardo, Loeb),Thelma Carpenter

(9) “Stars Fell On Alabama” ; Side 2 , “Temptation”, Jonnie Guarnieri

No. 3 12 Records-The Sleeves in this album are damaged

(1)-“Deep River”, “Negro Spiritual”, arr. Burleigh, Side 1 ; Side 2, “Dere’s No Hidin

Place Down Dere” ; “Ev’ry Time I Feel De Spirit”, Marian Anderson, damaged

(2)”-Poor Me”, “Melody from Work Brothers’ Folk Songs of Am”. Negro, arr. by R.

Nathaniel Dett,; Side 2, “Hold On, traditional Negro Spiritual”, Marian Anderson

(3)-“My Mother Bids Me Bind My Hair” ; Side 2, “She Never Told Her Love”, words

by W. Shakespeare, Marian Anderson

(4) “Der Tod Und Das Madchen”. Op. 7, No. 3 (Death and the Maiden), words by Claudius; Side

2, Schubert Wohin? (Whitier?), Marion Anderson

(5)” O Mio Favorita”, Part 1 & 2, from “La Favorita”, Marion Anderson

(6) “Heav’n, Heav’n”; Side 2, “Sometimes I Feel Like A Motherless Child”, Marion Anderson

(7) ”Always” ; Side 2, “You Are Love”, Grace Moore, c. 1

(8) “Always”; Side 2, “You Are Love”, Grace Moore, c.2

(9) “Smoke Gets In Your Eyes”, from Roberta, (J. Kern, O. Harback) ; Side 2, “I’ve Told Ev’ry

Little Star”, from “Music In The Air” (J. Kern, O. Hammerstein II), Irene Dunne with V. Young

Orchestra

(10)- “Song My Mother Taugher Me” ; Side 2, “Tes Yeux”, Jeanette MacDonald

(11)- “ICH LIEBE DICH” (I Love Thee), Side 2 “EIN TRAUM” (A Dream), Kirsten Flagstad

(12)- “Old Folks at Home” (Swanee River), Amelita Galli-Curd

Box 75

Collected Materials-Music

Recorded Albums-LPs-Section 3: Sub-Section, 5: Sub-Sub Section 7

Arranged by Number

No. 4 12 Records

(1) “Save A Little Dram for Me” (Skidmore, Walker); Side 2, “Lonesome Alimony

Blues” (Hanley), Bert Williams

(2) “Something You Don’t Expect” (B. Williams); Side 2, “Play That Barber-Shop Chord” (L.

Muir), Bert Williams

(3)- “Somebody” (Hanley); Side 2, “The Moon Shines on The Moonshine” (Bowers), Bert

Williams

(4) “My Land Lady”; Side 2, Nobody, Bert Williams

(5) “O Death, Where Is Thy” (Stout); Side 2, “When I Return” (Vodery), Bert Williams

(6) “You Can’t Trust Nobody” (Creamer, Layton); Side 2, “Not Lately” (Prince), Bert Williams

(7) “The Darktown Poker Club” (Havez, Williams); Side 2, “You Can’t Get Away from It”

(Schwartz), Bert Williams

(8) “Get Up” (Bowers); Side 2, “I Want to Know Where Tosti Went When He Said Goodbye”

(Smith), Bert Williams

(9) “Everybody Wants A Key to My Cellar” (Rose, Baskette, Pollack); Side 2, “It’s Nobody’s

Business but My Own” (Skidmore, Walker), Bert Williams

(10)- “Constantly”; Side 2, “I’ll Lend You Anything” (Henry Von Tilzer), Bert Williams

(11)- “Checkers (It’s Your Move Now)” (Rubens); Side 2, “I’m Sorry I Ain’t Got It You Could

Have It If I Had It Blues” (Snyder), Bert Williams

(12) Side 1- “I’m Gonna Quit Saturday” (Archer); Side 2- “My Last Dollar” (Smith), Bert

Williams

No. 5 9 Records

(1) “Star Dust” (M. Parish, H. Carmichael); Side 2, “Chant of The Groove” (R. Hicks), “Fat

Waller his Rhythm Orchestra”

(2) “What’s the Reason (I’m Not Pleasin You)”; Side 2, “Our Love Was Meant to Be”, Fats

Waller Orchestra

(3) “A Jam Session at Victor”, Sides 1 & 2, Tommy Dorsey Orchestra

(4) “Georgia Rockin’ Chair-Fox Troit” (F. Fisher); Side 2, “Ain’t Misbehavin-Slow Fox Trot”

(Razaf, Waller, Brooks), Fats Waller Orchestra-Damaged

(5)-The Meanest Thing You Ever Did Was Kiss Me (Lewis, Newman, Mencher), Fats Waller

Orchestra; Side 2, “I Used to Love You, But It’s All Over Now” (L. Brown, A. von Tizeer), Fats

Waller Orchestra

(6) “A Hundred Years From Today” (Washington Young) ; Side 2, “Throw The Dirt” (Brooks),

Ethel Waters

(7) “At the New Jump Steady Ball” (Delaney, Easton) ; Side 2, “The New York Glide” (T.

Delaney), Albert’s Blue Jazz Seven

(8) “Old Forsaken Blues” (Roberts); Side 2, “All Around Mama” (Cole), Mary Dixon

(9) “You’re My Thril”l (Journey, S. Clare) ; Side 2, – “Crazy He Calls Me” (c. Sigman, B.

Russell), “Billy Holiday”

No. 6 4 Records

“A Piano Recital” Hazel Scott, “A bit of jazz and classics by America’s Outstanding

Piano Soloist”

Box 76

Collected Material- Music

Recorded Albums-LPs-Section 3: Sub-Section, 5: Sub-Sub Section 7

Arranged by Number

No. 7 5 Records

Memorial Album, George Gershwin, His Best Loved Compositions

(1) GEMS From “Lady Be Good and Tip Toes” (Ira & George Gershwin); 4 titles/ Side 2,

Medley Of Gershwin Tunes-Damaged; 4 titles

(2) Gershwin Medley / Side 2, GEMS From “OH Kay”-Damaged

(3) GEMS From “Of Thee I Sing” ;4 titles/ Side 2, Gershwin From “Girl Crazy”; 3 titles

(4) GEMS From “Porgy And Bess”, Side 1 and 2; 4 titles each

(5) “The Man I Love” From “Strike Up The Band” / Side 2, “Rhapsody In Blue-Middle

Movement” a Tribute-damaged

No. 8 2 Records

Offenbach Gaite Parisienne Ballet EFREMKURTE, Conducting the London

Philharmonic Orchestra

(1) Gaite Parisienne 1

(2) Gaite Parisienne: 2, 3

Box 77

Collected Material-Programs

Theatre and Musical Programs Section 3: Sub-Section 6

Arranged by Title and Folder Number

f.1 Church Program, (Funeral Service, Church Service), 1930, 1969, 1975,

1985, Grace Congregational Church, Memorial West Presbyterian Church, First

Baptist Church, The Epistle, Grace Church, N.Y., St. Mark Methodist Church

“The Messenger”

f.2 Events, Programs, Dinner, Concerts, Recitals, Negro Week America

Common, Benefit program, 1940, 1949, n.d., folder 1 `

f.3 Events, Joe Louis Sou. Program, 1948, Int. Yr. of the Child, 1979, Freedom from

Want Rally, 1941, 1942, Lincoln High School Graduation, 1967

f.4 1922-1930; Doctor Jekyll and Mr. Hyde, Mutt and Jeff; Desires of 1926-1927; Change Your

Luck, Musical, 1922-1930; Shubert Theatre Magazine, 1930-1931

f.5 1932, 1936, 1939-1940, A Photographer’s Troubles (a Comedy); Festival of

American Music, 1932 Frolic; Harlem Branch, YMCA, Activities, 1936; ASCAP,

1939; Pianoforte Recital, George W. Lattimore

f.6 1940-1941, Cavalcade of America Music; Negro Medley Singers; Porgy and Bess;

Harlem Art Center Beaux Arts Ball; Federal Work Study -New York Study

f.7 1941-1942, Lucky Roberts Intern Mental Orch.; Dance Recital, The Yankee Doodle

Pan Review; 1942 Town Hall Programs

f.8 1943, 1945 Hit Parade; Ruth Morrison Recital; Carnegie Hall, 1940-1943; 1947,

Edward Matthews, Baritone, letter attached Mary Bruce Dance Revue, 1943

Roxy Theatre, Stormy Weather, Lena Horne, 1943, copy signed; 1948

Wildwood’s Town Crier, Ink Spots; Boston Tar Baby, Sam Langford 1944

f.9 1929, Carnegie Hall Magazine; 1951, 1952,1953, 54, Strand Theatre Storm

Warning, Josephine Baker; International Piano Teachers Assn. National

Convention; Demeter; Kismet; Wonderful Town; Miss Trudie Fair, 1954 ; The

Teahouse of the August Moon, 1954; Hattie McDaniel

f.10 1955,1956 Romance in Candle Light; Ruth & Richard in Concert; Mr. Wonderful

f.11 1957,1959, 1971,1979 Damn Yankees; Black Art-Black Image; Ain’t Misbehavin’;

Ghana Arts Council, Exhibition, History of Ancient Ghana; Evening with Vereda

Pearson, 1959

f.12 Carmen Jones.; Cotton Club Parade, n.d.

f.13 n.d. Harlem Congressional League Presents, All Star Music and Tea; Here ‘Tis; Jamaica, n.d.

f.14 n.d., Lincoln Theatre Program; Texas Guinan and Her International Gang of Entertainers present

“Louder and Faster”; S. Hurok presents Marian Anderson

f.15 n.d., Me and Bessie; Policy Kings, Musical Comedy; Guen Verdal presents “Redhead”

f.16 n.d. Salute to Fats Waller; Apollo Strip Tease

f.17 n.d., Texas Guinan and Her Famous Gang presents “La Casa”; Jack

Hilton’s Crazy Gang presents “Young in Heart”, n.d.

f.18 n.d. The Year Round, Harlem Musical Theatre; Helen Morgan; Cohan

Theatre, n.d.

Box 78

Collected Materials-Programs

Theatre and Musical Programs-Section 3: Sub-Section 6

Arranged by Title and Folder Number

f.1 Abe Lincoln In Illinois, 1939 (Adelphi Theatre)

f.2 John Henry, Paul Roberson, 1940 (44

St. Theatre)

f.3 Mister Johnson, 1956 (Martin Beck Theatre)

f.4 No Time for Sergeants, 1957 (Alvin Theatre)

f.5 With Regency Style, 1935 (Forrest Theatre)

f.6 Simply Heavenly, n.d.

f.7 Memphis Blues, Paul Roberson, 1945 (The Broadway Theatre)

f.8 The Man Who Came to Dinner, 1941 (The Music Box)

f.9 The Music Box, 1939

f.10 The Tempest, 1945 (The Broadway Theatre)

f.11 The Time of Your Life, 1940 (Guild Theatre); The Triangle Blues, n.d. (The New

Negro Art Theatre)

f.12 The Law of the Land, n.d. (Lafayette Theatre); The Green Pastures, n.d. (44

St.

Theatre) The Dummy, n.d. (Lafayette Theatre), The Bad Seed, 1955 (Alwych

Theatre); The Teahouse August Moon, 1955 (Her Majesty’s Theatre)

f.13 New Faces of 1952, The Playbill for the Royal Theatre

f.14 The Cotton Club presents Dan Healy Cotton Club Parade, n.d.; Cotton Club

Parade, 3

edition

f.15 Ethel Waters with Hall Johnson Singers in Concert, n.d., 2 copies

f.16 Ethel Waters “Cabin in the Sky”, n.d. presented by Albert Lewis and Vinton Freedom

f.17 Liberty Theatre, n.d.

f.18 The Secret Life of Walter Mitty, n.d. (The Players Theater)

f.19 Jules Bledsoe, Baritone, Recital, n.d.

f.20 Maryland Theatre Playgoer Magazine, n.d.

f.21 The Rose McClendon Players “On Strivers Row”, n.d.

f.22 Rutgers Institute of Jazz Studies, 3

Annual Conference on Discographical Research, n.d.

f.23 Hall Johnson Negro Choir, n.d.

f.24 Irvin Parnes Independent concerts and Artists, n.d.

f.25 James P. Johnson, n.d. (Carnegie Hall)

f.26 London Palladium Night Of 100 Stars, n.d.

f.27 New York City Center of Music and Drama, The Program Magazine, n.d.

f.28 Pat Kirkwood, “Wonderful Town”, n.d. (Princes Theatre)

f.29 Roland Hayes, Tenor, Town Hall, 1937

f.30 School for Wives, Theatre Marquee, n.d.

f.31 Casino De Paris, n.d.

f.32 Harlem Night of Stars, Party with the Celebrities

f.33 “The World’s My Oyster”, The Actor’s Playhouse

f.34 “Blackbirds”, Lew Leslie’s, n.d.

f.35 Ziegfeld Theatre Programs, n.d., 2 copies

Box 78A

Collected Material-Multi-Media

Photographs-Section 3: Sub-Section 7

f.1 Eddie Barfield, B/W, information regard band on back of picture

f.2 Eubie Blake, 2 photos, information on back of photographs

f.3 Billy Bowen and the Butterball Quartet

f.4 Perry Bradford, 2 copies

f.5 Charles L. Cooke, 2 copies

f.6 Porter Grainger, 2 copies

f.7 Joseph Gray

f.8 Fletcher Henderson, information on back of photograph

f.9 Rosamond Johnson, 2 copies

f.10 Jimmie Lunceford

f.11 Fred Norman, 2 copies

f.12 Shelton Brooks

f.13 Will M. Cook

f.14 Claude Hopkins

f.15 J. Louis Johnson

f.16 Cecil McPherson

f.17 Ferdinand (Jelly Roll) Morton, 2 copies

f.18 Andy Razaf, 4 copies

f.19 Lucky Roberts

f.20 Chris Smith

f.21 The Sandmen

f.22 Henry Troy

f.23 Thomas “Fats” Waller, 4 photos and an article

f.24 Virginia Capers, 2 photos

f.25 Ink Spots, Bill Kenny and J. C. Johnson, 2 copies

f.26 Ink Spots ft. Bill Kenny, 2 copies

f.27 Ink spots, 3 copies, different views

f.28 Ink spots, 3 copies

f.29 Ink Spots, 3 copies

f.30 Ink Spots, 4 copies, different views

f.31 Freddie and Flo?

f.32 Louise?

f.33 Neeka?

f.34 Birleanna?

f.35 Aurelia?, Valery, Paris

f.36 Unidentified, 2 black males

f.37 Unidentified, event, dinner

f.38 Unidentified, black females

f.39 Unidentified white males (3)

f.40 Ardyth Walker

Box 79

Collected Material- Scrapbook

Newspaper Scraps-Section 3: Sub Section 8

Arranged by Title and Number

f.1 Pittsburgh Courier Feature Section “Your History, 1934

f.2 Pittsburgh Courier Feature Section “Your History, 1934

f.3 Pittsburgh Courier Feature Section “Your History, 1934

f.4 Pittsburgh Courier Feature Section “Your History, 1934

f.5 Pittsburgh Courier Feature Section “Your History, 1934

f.6 Pittsburgh Courier Feature Section “Your History, 1934

f.7 Pittsburgh Courier Feature Section “Your History, 1934

f.8 Pittsburgh Courier Feature Section “Your History, 1934

f.9 Pittsburgh Courier Feature Section “Your History, 1934

f.10 Pittsburgh Courier Feature Section “Your History, 1934

f.11 Pittsburgh Courier Feature Section “Your History, 1934

f.12 Pittsburgh Courier Feature Section “Your History, 1934

f.13 Pittsburgh Courier Feature Section “Your History,1934

f.14 Pittsburgh Courier Feature Section “Your History,1934

f.15 Pittsburgh Courier Feature Section “Your History,1934

f.16 Pittsburgh Courier Feature Section “Your History,1934

f.17 Pittsburgh Courier Feature Section “Your History,1934

f.18 Pittsburgh Courier Feature Section “Your History,1934

f.19 Pittsburgh Courier Feature Section “Your History,1934

f.20 Pittsburgh Courier Feature Section “Your History,1934

f.21 Pittsburgh Courier Feature Section “Your History,1934

f.22 Pittsburgh Courier Feature Section “Your History,1934

f.23 Pittsburgh Courier Feature Section “Your History,1934

f.24 Pittsburgh Courier Feature Section “Your History,1934

f.25 Pittsburgh Courier Feature Section “Your History,1934

f.26 Pittsburgh Courier Feature Section “Your History,1934

f.27 Pittsburgh Courier Feature Section “Your History,1934

f.28 Pittsburgh Courier Feature Section “Your History,1934

f.29 Pittsburgh Courier Feature Section “Your History,1934

f.30 Pittsburgh Courier Feature Section “Your History,1934

f.31 Pittsburgh Courier Feature Section “Your History,1934

f.32 Pittsburgh Courier Feature Section “Your History,1934

f.33 Pittsburgh Courier Feature Section “Your History,1934

f.34 Pittsburgh Courier Feature Section “Your History,1934

f.35 Pittsburgh Courier Feature Section “Your History,1934

f.36 Pittsburgh Courier Feature Section “Your History,1934

f.37 Pittsburgh Courier Feature Section “Your History,1934

f.38 Pittsburgh Courier Feature Section “Your History,1934

f.39 Pittsburgh Courier Feature Section “Your History,1934

f.40 Pittsburgh Courier Feature Section “Your History,1934

f.41 Pittsburgh Courier Feature Section “Your History,1934

f.42 Pittsburgh Courier Feature Section “Your History,1934

f.43 Pittsburgh Courier Feature Section “Your History,1934

f.44 Pittsburgh Courier Feature Section “Your History,1934

f.45 Pittsburgh Courier Feature Section “Your History,1934

f.46 Pittsburgh Courier Feature Section “Your History,1934

f.47 Pittsburgh Courier Feature Section “Your History,1934

f.48 Pittsburgh Courier Feature Section “Your History,1934

f.49 Pittsburgh Courier Feature Section “Your History,1934

f.50 Pittsburgh Courier Feature Section “Your History,1934

f.51 Pittsburgh Courier Feature Section “Your History,1934

f.52 Pittsburgh Courier Feature Section “Your History,1934

f.53 Pittsburgh Courier Feature Section “Your History,1934

f.54 Pittsburgh Courier Feature Section “Your History,1934

f.55 Pittsburgh Courier Feature Section “Your History,1934

Box 80

Collected Materials- Scrapbook

Newspaper Scraps-Section 3: Sub Section 8

Arranged by Title and Number

f.1 Pittsburgh Courier Feature Section “Your History,1934

f.2 Pittsburgh Courier Feature Section “Your History,1934

f.3 Pittsburgh Courier Feature Section “Your History,1934

f.4 Pittsburgh Courier Feature Section “Your History,1934

f.5 Pittsburgh Courier Feature Section “Your History,1934

f.6 Pittsburgh Courier Feature Section “Your History,1934

f.7 Pittsburgh Courier Feature Section “Your History,1934

f.8 Pittsburgh Courier Feature Section “Your History,1934

f.9 Pittsburgh Courier Feature Section “Your History,1934

f.10 Pittsburgh Courier Feature Section “Your History,1934

f.11 Pittsburgh Courier Feature Section “Your History,1934

f.12 Pittsburgh Courier Feature Section “Your History,1934

f.13 Pittsburgh Courier Feature Section “Your History,1934

f.14 Pittsburgh Courier Feature Section “Your History,1934

f.15 Pittsburgh Courier Feature Section “Your History,1934

f.16 Pittsburgh Courier Feature Section “Your History,1934

f.17 Pittsburgh Courier Feature Section “Your History,1934

f.18 Pittsburgh Courier Feature Section “Your History,1934

f.19 Pittsburgh Courier Feature Section “Your History,1934

f.20 Pittsburgh Courier Feature Section “Your History,1934

f.21 Pittsburgh Courier Feature Section “Your History,1934

f.22 Pittsburgh Courier Feature Section “Your History,1934

f.23 Pittsburgh Courier Feature Section “Your History,1934

f.24 Pittsburgh Courier Feature Section “Your History,1934

f.25 Pittsburgh Courier Feature Section “Your History,1934

f.26 Pittsburgh Courier Feature Section “Your History,1934

f.27 Pittsburgh Courier Feature Section “Your History,1934

f.28 Pittsburgh Courier Feature Section “Your History,1934

f.29 Pittsburgh Courier Feature Section “Your History,1934

f.30 Pittsburgh Courier Feature Section “Your History,1934

f.31 Pittsburgh Courier Feature Section “Your History,1934

f.32 Pittsburgh Courier Feature Section “Your History,1934

f.33 Pittsburgh Courier Feature Section “Your History,1934

f.34 Pittsburgh Courier Feature Section “Your History,1934

f.35 Pittsburgh Courier Feature Section “Your History,1934

f.36 Pittsburgh Courier Feature Section “Your History,1934

f.37 Pittsburgh Courier Feature Section “Your History,1934

f.38 Pittsburgh Courier Feature Section “Your History,1934

f.39 Pittsburgh Courier Feature Section “Your History,1934

f.40 Pittsburgh Courier Feature Section “Your History,1934

f.41 Pittsburgh Courier Feature Section “Your History,1934

f.42 Pittsburgh Courier Feature Section “Your History,1934

f.43 Pittsburgh Courier Feature Section “Your History,1934

f.44 Pittsburgh Courier Feature Section “Your History,1934

f.45 Pittsburgh Courier Feature Section “Your History,1934

f.46 Pittsburgh Courier Feature Section “Your History,1934

f.47 Pittsburgh Courier Feature Section “Your History,1934

f.48 Pittsburgh Courier Feature Section “Your History,1934

f.49 Pittsburgh Courier Feature Section “Your History,1934

f.50 Pittsburgh Courier Feature Section “Your History,1934

f.51 Pittsburgh Courier Feature Section “Your History,1934

f.52 Pittsburgh Courier Feature Section “Your History,1934

f.53 Pittsburgh Courier Feature Section “Your History,1934

f.54 Pittsburgh Courier Feature Section “Your History,1934

f.55 Pittsburgh Courier Feature Section “Your History,1934

f.56 Pittsburgh Courier Feature Section “Your History,1934

f.57 Pittsburgh Courier Feature Section “Your History,1934

f.58 Pittsburgh Courier Feature Section “Your History,1934

f.59 Pittsburgh Courier Feature Section “Your History,1934

f.60 Pittsburgh Courier Feature Section “Your History,1934

f.61 Pittsburgh Courier Feature Section “Your History,1934

f.62 Pittsburgh Courier Feature Section “Your History,1934

f.63 Pittsburgh Courier Feature Section “Your History,1934

f.64 Pittsburgh Courier Feature Section “Your History,1934

f.65 Pittsburgh Courier Feature Section “Your History,1934

f.66 Pittsburgh Courier Feature Section “Your History,1934

f.67 Pittsburgh Courier Feature Section “Your History,1934

f.68 Pittsburgh Courier Feature Section “Your History,1934

f.69 Pittsburgh Courier Feature Section “Your History,1934

f.70 Pittsburgh Courier Feature Section “Your History,1934

f.71 Pittsburgh Courier Feature Section “Your History,1934

Box 81

Collected Materials- Scrapbook

Newspaper Scraps-Section 3: Sub Section, 8

Arranged by Title and Number

1934 Pittsburgh Courier Feature Section” Your History”

f.1 Pittsburgh Courier Feature Section “Your History,1934

f.2 Pittsburgh Courier Feature Section “Your History,1934

f.3 Pittsburgh Courier Feature Section “Your History,1934

f.4 Pittsburgh Courier Feature Section “Your History,1934

f.5 Pittsburgh Courier Feature Section “Your History,1934

f.6 Pittsburgh Courier Feature Section “Your History,1934

f.7 Pittsburgh Courier Feature Section “Your History,1934

f.8 Pittsburgh Courier Feature Section “Your History,1934

f.9 Pittsburgh Courier Feature Section “Your History,1934

f.10 Pittsburgh Courier Feature Section “Your History,1934

f.11 Pittsburgh Courier Feature Section “Your History,1934

f.12 Pittsburgh Courier Feature Section “Your History,1934

f.13 Pittsburgh Courier Feature Section “Your History,1934

f.14 Pittsburgh Courier Feature Section “Your History,1934

f.15 Pittsburgh Courier Feature Section “Your History,1934

f.16 Pittsburgh Courier Feature Section “Your History,1934

f.17 Pittsburgh Courier Feature Section “Your History,1934

f.18 Pittsburgh Courier Feature Section “Your History,1934

f.19 Pittsburgh Courier Feature Section “Your History,1934

f.20 Pittsburgh Courier Feature Section “Your History,1934

f.21 Pittsburgh Courier Feature Section “Your History,1934

f.22 Pittsburgh Courier Feature Section “Your History,1934

f.23 Pittsburgh Courier Feature Section “Your History,1934

f.24 Pittsburgh Courier Feature Section “Your History,1934

f.25 Pittsburgh Courier Feature Section “Your History,1934

f.26 Pittsburgh Courier Feature Section “Your History,1934

f.27 Pittsburgh Courier Feature Section “Your History,1934

f.28 Pittsburgh Courier Feature Section “Your History,1934

f.29 Pittsburgh Courier Feature Section “Your History,1934

f.30 Pittsburgh Courier Feature Section “Your History,1934

f.31 Pittsburgh Courier Feature Section “Your History,1934

f.32 Pittsburgh Courier Feature Section “Your History,1934

f.33 Pittsburgh Courier Feature Section “Your History,1934

f.34 Pittsburgh Courier Feature Section “Your History,1934

f.35 Pittsburgh Courier Feature Section “Your History,1934

f.36 Pittsburgh Courier Feature Section “Your History,1934

f.37 Pittsburgh Courier Feature Section “Your History,1934

f.38 Pittsburgh Courier Feature Section “Your History,1934

f.39 Pittsburgh Courier Feature Section “Your History,1934

f.40 Pittsburgh Courier Feature Section “Your History,1934

f.41 Pittsburgh Courier Feature Section “Your History,1934

f.42 Pittsburgh Courier Feature Section “Your History,1934

f.43 Pittsburgh Courier Feature Section “Your History,1934

f.44 Pittsburgh Courier Feature Section “Your History,1934

f.45 Pittsburgh Courier Feature Section “Your History,1934

f.46 Pittsburgh Courier Feature Section “Your History,1934

f.47 Pittsburgh Courier Feature Section “Your History,1934

f.48 Pittsburgh Courier Feature Section “Your History,1934

f.49 Pittsburgh Courier Feature Section “Your History,1934

f.50 Pittsburgh Courier Feature Section “Your History,1934

f.51 Pittsburgh Courier Feature Section “Your History,1934

f.52 Pittsburgh Courier Feature Section “Your History,1934

f.53 Pittsburgh Courier Feature Section “Your History,1934

f.54 Pittsburgh Courier Feature Section “Your History,1934

f.55 Pittsburgh Courier Feature Section “Your History,1934f.

Box 82 (Large Over Size)

Collected Materials

Posters-Maps-Section: 3: Sub Section 9

1 Large Poster Celebrating the life and works of J. C. Johnson, fragile (3)

2 Poster, “Song Hits Written by Negroes Will Never Die, condition (1),fragile

3 Road Map, U. S. 66 (1); New York with Long Island;

4 Small map of Pennsylvania (1)

5 Booklet map “The Pennsylvania Turnpike (1)

6 Musical Modern Wall creations for every room(3)

7 Poster -African Educational Assistance Society (1)

Box 83 Flat Box

Collected Materials-Publications

Bulletins, Pamphlets Section 3: Sub Section 10: Sub-Sub Section 1

Arranged by Title and Number

No. 1 Freedom for All,1942

No. 2 The Knox School of Applied Saleship, n.d. 1916, 3 copies

No. 3 Just Because of You, n.d., (to J.C., from Pearl)

No. 4 The Official Magazine Guide for 1937-1938

No. 5 The Little Red Book, n.d.

No. 6 The New Cab Calloway’s Hipsters Dictionary, 1944

No. 7 Your Child Grows Up, n.d.

No. 8 Your Social Security and Medicare Benefits, 1968

No. 9 Picture History, Book 1, 1963

No. 10 Watching My Race Go By, by Ross D. Brown, 1931

No. 11 Religion and Communism by Earl Browder, n.d.

No. 12 On the Air, Robert Evans, Radio Academy, n.d.

No. 13 Negroes in the Post-Wat /World, by Albert parker, n.d.

No. 14 Pearl Buck Speaks for Democracy, 1942

No. 15 Decca Hill Billy Western /Cowboy Rale Sepia Records

No. 16 The Discovery of History of Carlsbad Caverns New Mexico, by Jim White

No. 17 Afro-American World Almanac

No. 18 The Redemption of Marie Gordon, 1926, No. 1

No. 19 Common Errors in History, 1945

No. 20 American Betrayed, 1950

No. 21 Boces J Wants You to Know, 1972

No. 22 By the Numbers1965

No. 23 Jousse’s Musical Catechism, 1906

No. 24 How to Enter Canada, 1936

No. 25 The Pictorial History of West Minister Abbey,

No. 26 Laughs and Chuckles, 1964

No. 27 Britain / Japan, 1944

No. 28 Austin Cosmetics, n.d.

No. 29 Walter R. Brooks, n.d.

No. 30 White Christian Party Attacks Purity, Beauty, and Religion of the Negro, n. d.

No. 31 Statement by Comrade Mao Tse-Tung, Chairman of the Central committee of

the Communist Party of China, in Support of The Afro American Struggle

Against Violent Repression, 1968

No. 32 Star Riddle Book, fragile

No. 33 Reader’s Digest Articles, n.d.

No. 34 The Silver Lining, October,1937

No. 35 Zolar’s, 1938

No. 36 The Haggadah off Passover, n.d.

No. 37 One of Opatra’s Nights,

No. 38 A Victor Groove, 1947-4The

No. 39 Capitol News, n.d.

No. 40 Perfume Points de Lanier, n.d.

No. 41 The World’s Easiest Ukulele Song-Book,

No. 42 Something New in Music,

No. 43 Composers Must Eat, n.d.

No. 44 What Every Songwriter Should Know,

No. 45 Reader’s Digest Music Guide, 1962

No. 46 African History

No. 47 The Negro and the Next War, Ross D. Brown,

No. 48 African Explorers of the New World, Harold G. Lawrence, 1962

No. 49 Virgo, 1967

No. 50 How Green Is Your? Garden,

No. 51 The Staple Singers

No. 52 Harlem Branch Young Men’s Christian Association, 1944

No. 53 Earl Conrad’s Harriet Tubman, Negro Soldier and Abolitionist, 1968

No. 54 Songs of Africa

No. 55 Technical and Scientific Books

No. 56 General Life Readings Stars, n.d.

No. 57 An Exhibit On The Races of Mankind, 1946

No. 58 Salute to Ghana-Day of Deliverance, 1952

No. 60 Bill Myer’s Ins and Outs Weekly, n.d.

No. 61 Human Anatomy, The Female

No. 62 Human Anatomy, n.d.

No. 63 Three Hundred Brain Teasers

No. 64 Longmans Books for Boys and Girls, 1946

No. 65 Laws of New York

No. 66 Books for Boys and Girls, 1941

No. 67 Practical English, 1934

No. 68 Mail Order Insurance, n.d.

No. 69 Nazi Atrocities

No. 70 Bulletin Quarterly, 1933

No. 71 The Basic Afro American Reprint Library

Box 84 (Custom)

Collected Materials-Publications

Bulletins-Pamphlets-Section 3: Sub Section 10: Sub-Sub Section 1

Arranged by Titles and Numbers

No. 1 Memorandum, Correlative of Africa West Indian and the Americas

(to Marcus J. Garvey & J. W. Garvey from Mother, 1944

No. 2 Societe des Auteurs Compositeurs et Editeurs de Musique, 1850-1955

Bulletin No. 101, 1955

No. 3 Negro History Calendar, 1957

No. 4 Negro History Calendar, 1955

No. 5 Rare Ancient Rugs, 1932

No. 6 51 Beauties of Scottish Song, n.d.

No. 7 Scotland Calling, n.d.

No. 8 Black’s Correct Chords to 100 Standards,

No. 9 You Are What You Eat, 1942

No. 10 American Art Association Exhibition, 1930

No. 11 King of Jazz, 3,1959

No. 12 Negro Art: Past and Present, 1936

No. 13 Kings of Jazz, Fats Waller, 1961

No. 14 The New Continental Practice Exercises in Arithmetic, 1948

No. 15 The New Continental Practice Exercise in Arithmetic, 1948

No. 16 Digest and Story, formerly The Negro, 1948

No. 17 Jazz Record, 1947

No. 18 London 1955

No. 19 The Lute of Love, n.d.

No. 20 Little Journeys, n.d.

No. 21 Action Unit Book, 1977, 2 copies

No. 22 Tribute to the Negro Performer, 1965

No. 23 College Entrance Regents, 1929

No. 24 Hot Jazz, Bluebird and Victor Records, n.d.

No. 25 A Practical Methods for Self-Instruction the Ukulele and Banjo Ukulele, n.d.

No. 26 A Practical Chord Methods of Self Instruction for the Plectrum Banjo, n.d.

No. 27 Singers in the Dawn 1937

No. 28 Warships of the World, 1944

No. 29 The Telephone Almanac, 1952

No. 30 The Telephone Almanac, 1957

No. 31 The Old Farmer’s Almanac, 1975

No. 32 Bulletin Quarterly, January 1934

No. 33 Bulletin Quarterly, April 1934

Box 84A

Collected Materials-Publications

Bulletins-Pamphlets-Section 3: Sub Section 10: Sub-Sub Section 1

Arranged by Titles (A-W) and Numbers

No. 1 Witchcraft News, n.d.

No. 2 Animals, n.d.

No. 3 First Aid, n.d.

No. 4 A Pageant of The Hours,1909, fragile

No. 5 Toasts, 1904

No. 6 The Chief End of Book Madness,

No. 7 Howe’s Handbook of Parliamentary Usage, 1932

No. 8 A Handy Guide to First Aid for the Injured, 1948

No. 9 The Science of Applied Salesmanship, 1916, 3 copies

No. 10 Warbe’s Discount and Commission Table, n.d.

No. 11 French Pronunciation Simplified, n.d.

No. 12 Common Things, incomplete, 2 copies, missing pages 1846

No. 13 Unidentified title, oriental figures

No. 14 Unidentified cover

No. 15 A Negro History Quiz, n.d.

No. 16 Gotham Life Official Metropolitan Guide

No. 17 Castle Films, n.d.

No. 18 Willow Sixteen Millimeter Film Rental Catalog, n.d.

No. 19 A Primer, 1934

No. 20 Southern California Guide, 1966

No. 21 The Inside Story of the Harlem Revue Theatre, n.d., 4 copies

No. 22 Negro War Aims, n.d.

No. 23 The Musician’s Digest, n.d.

No. 24` Our Presidents, (Washington-Roosevelt), n.d.

No. 25 Constitution and By Laws of the Associated Musician of Greater N. Y.,

No. 26 OK Race Records, n.d.

No. 27 The Universal Negro Improvement Association and African Communities League, 1929

No. 28 ASCAP Hails Negroes, Songwriters in Top Ranks as Creators of Our Music, n.d.

Box 85

Collected Materials-Publications

Magazines-Newspapers-Newsletters-Section 3: Sub Section 10: Sub-Sub Section 2

Arranged by Title (A–C) and Year (1927-1971)

African History, n.d.

Africa Report, n.d., 1961

Americana n.d.

American Federation of Musicians, local 802,1943

American Legion Magazine, 1943-1945, 1947

Amsterdam Star News, 1942

Art Expression n.d.

ASCAP Today, 1968-71

Astrological Readings n.d.

Billboard, 1963 -1964-1968

BME, 1969

Bruxelles n.d.

Cameroun, 1960

Century, 1927

Coliseum, 1954

Color, 1952, 1953; n.d.

Box 86

Collected Materials-Publications

Magazines-Newspapers-Newsletters-Section 3: Sub Section 10: Sub-Sub Section 2

Arranged by Title (D-G) and Year (1941-1972)

De Jazzwereld - Jazz - Music, n.d. fragile

Digest of Song Charts, 1972, Down Beat, 1941, 1950, 1952, 1954

Ebony, 1948, 1951, 1952, 1954, 1955, 1965, 1971

Esquire’s JAZZ BOOK, 1944-1947

Four Star Final, 1945

Golden Lear, 1966

Box 87

Collected Materials-Publications

Magazines-Newspapers-Newsletters-Section 3: Sub Section 10: Sub-Sub Section 2

Arranged by Title (H-N) and Year (1935-1975)

Hi-NoTe! 1955

Hobbles, 1942

Hit Parade, n.d.

Holiday, 1959,1960

Hootenanny, n.d.

Horoscope, 1970

Home Beautiful, Ludwig Baumann, n.d.

Industrial Medicine, 1947

Jazzbill, 1973

Jazz Journal, 1954, 1955

Jazz Monthly, 1955

Jazzrevy, 1935

Jazz Finder, 1948

JAZZ ‘N OPOS,1959

JET, 1942, 1953, 1954, 1956, 1960, 1967, 1975

Journal of Black Poetry, 1969

Life, 1972

MAD, 1971

Magazine of Popular Music, 1935

Metronome, 1943, 1949,1950

Metropolitan Museum of Art Bulletin, 1949

Music, 1946

Modern Music

Negro Digest, 1947

Negro History Bulletin, 1940,1944

New Masses, n.d.

New Republic 1947

Newspic., 1941

News Story, 1945

New York Amsterdam News,n.d.

Newsweek, 1971, n.d.

New York Times Book Review, 1971, 1965, 1970, 1967

New World News, 1951

Box 88

Collected Materials-Publications

Magazines-Newspapers-Newsletters-Section 3: Sub Section 10: Sub-Sub Section 2

Arranged by Title (O–S) and Year (1931-1976)

One World, 1943

Our World, 1951,1953, 1954, 1955

Playbill, 1975

Popular Album News, n.d.

Popular Mechanics,1959

Progressive, 1954, 1976

Punch,1940

Reader’s Digest, 1951

Reading About Music, 1957

Record Research, 1960, 1964, 1965

Record World, 1949

Rhythm and Blues, n.d.

Rock and Soul Yearbook, 1974

Saturday Evening Post, 1931, 1944

Showmen’s Trade Review, 1954, Signs, 1937

Sing, 1948; Social Whirl, 1954

Song Hits Magazine, 1942, 1943, 1944, 1952, 1954, 1956, 1961

Songs, 1952

Sounds, 1965

Southern Literary Messenger, 1941, 1942

Stage, 1937

Box 89

Collected Materials-Publications

Magazines-Newspapers-Newsletters- Section 3: Sub Section 10: Sub-Sub Section 2

Arranged by Title (T–Y) and Year (1929-1973)

Tan, 1951

The Atlantic, 1944

The Brown Bomber Journal, 1936

The Charm of Chrysanthemums, 1951

The Child Life, 1943

The Complete Collector, 1944

The Crisis, 1934, 1944, 1957,1959, 1960, CUE, 1971, 1973

The Golden Book Magazine, 1932

The Jazz finder, 1948

The Music Dial, 1943

The National Geographic, 1929-1941

The Periodical, 1949

The Playgoer, 1930, n.d.

The Sea Farer, vol. 1, 1943-1944

The Shield, 1940

The Spotlight, 1936

Time, 1949, 1973

Tuesday, 1966

Tune Favorites, n.d.

What’s On, 1959

Writer’s Digest, 1937, 1938, 1939, 1949

Your Music, 1945

Yugen, n.d.

Box 89-A

Collected Materials-Publications

Magazines-Newspapers-Newsletters- Section 3: Sub Section 10: Sub-Sub Section 2

Arranged by Title (A-V) and Year (1922-1972)

American Society of Composers, Authors, & Publishers,n.d.

Billboard, 1928, 1946, 1954, 1963, 1967, 1970

Blues News, 1963

Cape Verde, n.d.

Cash Box, 1971

Christianity Before Christ, n.d.,

Congressional Record, 1936, 1940

Dow Digest, 1972

Flash, Song Hits, n.d.

Liberation, 1961

Local 802 A. F. of M.,n.d.

Los Angeles Examiner, 1943

MIHIR, n.d.

Motion Picture Daily, 1963

National Committee of 13 Against Superstition and Fear, 1980

National Negro Action Guild of America, 1942

The Negro Actor Guild Newsletter, 1939, 1944, 1946

Negro Youth, 1941

New Masses, 1940

Reviews of the Harlem Try-Out, 1953 “The Year Round”

S.P.A.,1940

The Crusader, 1968

The Messenger, n.d.

The Musical Sentiments of the Nation-To the Point, n.d.

The Present Truth, n.d.

The Tattler, 1923

The Title Page, 1945

Throw-Away, William Jerome’s, n.d.

Today’s Living, 1957

Variety, 1967

Box 89-B

Collected Materials-Publications

Magazines-Newspapers-Newsletters-Section 3: Sub Section 10: Sub-Sub Section 2:

Arranged by Title and Year

Allegro, 1969-1976

American Guild Authors, Composer, Bulletin, 1963

ASCAP Notes, 1940, 1964-65

Astrological Forecast, n.d.

International Musician, 1941,1946, 1951, 1963-1965, 1968, 1970-1972

Box-90

Collected Materials- Publications-Monographs

Books-Section 3: Sub Section 10: Sub-Sub Section 3

Arranged by Number and Title

1 Lionel Hampton’s Swing Book, 1946

2 Billboard Music Year Book, 1944

3 French Economic Assistance in West and Equatorial Africa, “A Decade of Progress, 1948-1958

4 Dogs, 1937

5 All Women Are Wolves, n.d.

6 The Home Life of the Ancient Egyptians, 1944

7 Rights in New Media, 1954

8 Studies in Counterpoint, 1940

9 Woodstock, 1969

10 The True Cause of Disease, n.d.

11 Theatre Party, 6

, 1940

12 Establishing and Creating a Music Store, n.d.

13 Why, 1933

14 The Master Book of Candle Burning, 1942

15 Life of John Brown, 1960

Box-91

Collected Materials- Publications-Monographs

Books-Section 3: Sub Section 10: Sub-Sub Section 3: Including Art Publications

Arranged by Number and Title

1 The White Negro, 1957

2 Screws Bolts Nuts, 1937

3 What Made the U. S. Great, vol. 1, 1968, 2 copies

4 How to Write in and or For Washington, Federal Prose, 1948

5 Retreat with Stilwell, 1943

6 Life of Christ for Little Children, 1904, many autographs inside

7 A Helping Hand, 1958

7A Fundamental of Voice, manuscript by Bill Kenny, n.d.

Art Publications (all items are fragile)

8 Masterpieces of Modern Art, No. 1, Reproduction of Works by Austus John;

Frank Salisbury; Arnes by Brown, R. A.; Frank Brangwyn, R.A.; Charles Shannon,

R.A.; George Clausen, R.A.; Ambrose McEvoy; Sir William Orpen, R.A.

9 Master Pieces of Modern Art, No. 2, Reproduction of Works by: H. J. Harpegies;

A. L. Munnings; Tom Mostyn; W. Strang; Frank Brangwyn; Charles

Shannon; Joseph Simpson; W. Lee Hankey

10 Masterpieces of Modern Art, No. 7, Reproduction of works by: Aman-Jean;

Glyn Philpot; W. Lee-Hankey; Raymond P. R. Neilson; D. Murray Smith; Augustus E.

John; K. Gilsoul-Hoppe; Jose Pinazo; Alfred A. Wolmark

11 Masperpieces of Modern Art, No. 9, Reproduction of works by: Francis H.

Newbery; Charles Ricketts; Augustus E. John; John Littlejohn; W. B. E. Ranken;

Vlaminck; G. Spencer Watson; H. Davis Richeter; Jack B. Yeats

12 Masterpieces of Modern Art, No.13, Reproduction of works by: David Foggie;

A. J. Munnings; Mancini; Fairlie Harmer; Charles Shannon; Emile

Verpilleux; Archibale Barnes; Frank Brangwyn; Albert Besnard

13 Masterpieces of Modern Art, No. 14, Reproduction of Works by: C. Chapman; Laura Knight; G.

L. Brockhurst; Bertha Morissot; Ruth Hollingsworth; Charles Shannon, R.A.; E Vuillard; Henry

Tonks; Albert Baertsoen

14 Masterpieces of Modern Art, No. 15, Reproduction of Works by: Luiz Falero; C.

A. Buchel; Take Sato; C. L. Brockhurst; Hippolyte Daeye; Sir William Orpen; Jose

illegas; Byam Shaw; Harold Bilman

15 Masterpieces of Modern Art, No. 16, Reproduction of Works by: Vierin; W.

Strang; Sydney Lee; Gerald E. Moira; Robert Henrl; Take Sato; Alice Ronner;

Byam Shaw; H. J. Thaddeus, R.H.A.

16 Masterpieces of Modern Art, No. 16, Reproduction of works by: Vierin; W.

Strang; Sydney Lee; Gerald E. Moira; Robert Henrl; Take Sato; Alice Ronner;

Byam Shaw; H. J. Thaddeus, R.H.A.

17 Rare Book Autograph Manuscripts Drawing, 1934, catalogue no. 4073

Box-92

Collected Materials-Publications-Monographs

Music Books-Scores: Section 3: Sub Section 10: Sub-Sub Section 3:

Arranged by Number and Title

1 Choral Arranging for Schools, Glee Clubs and Publication, 1949

2 Robbin’s Mammoth Collection of American Songs, Section 11, 1941

3 Pianoforte Teachers, Thematic Catalog, Carl Rilther 1941 Edition

4 Modern Chord Method for Plectrum or Spanish Guitar by Arthur Black, 1931

4 Practical Method for the Pianoforte by Louis Kohler, vol. 1

5 OP 249, Revised Edition, 2 copies

6 Album of Cole Porter Songs, 1929, 1936, 1932,1938,1937

7 Georgia Minstrel and Entertainment Folio, by Joe Davis, 1940

8 Christensen’s Rag – Time Instruction Book for Piano, 1904

9 Nice Songs for Naughty People, Joe Davis, 1937

10 Songs My Father Taught Me (Not to Sing), Joe Davis, 1932

11 Entertainments and Minstrel Folio, Joe Davis, 1931

12 George Gershwin Song Album, 1938

13 Foundation to Baritone Playing an Elementary Method, 1918

14 Robbin’s Mammoth Collection of Viennese Waltzed, Section 6, 1940

Box-92A

Collected Materials-Music Publications-Monographs

Music Books-Scores: Section 3: Sub Section 10: Sub-Sub Section 3

Arranged by Number and Title

1 Musical Noises and Sound Effects for Piano, 1949

2 Everybody Favorite Gilbert and Sullivan Album, 1938

3 Harmony Book for Beginners, n.d.

4 Popular Anthems, 1937

5 Latin-American Dances, Allan Small,1940

6 Chappell’s Famous Ballad Successes, n.d.

7 Christmas Carols for Home and Everywhere, 1965

8 Burnt Cork & Melody, n.d.

9 Unidentified Song Book

Box-93

Collected Materials-Publications

Publications-Newspapers/Clippings Section 3- Sub Section, 10: Sub-Sub Section 4:

Arranged by Folder and Year

f.1 1920-1921

f.2 1922-1924

f.3 1925-1929

f.4 1930-1939

f.5 1940-1942

f.6 1943-1945

f.7 1946

f.8 1947

f.9 1948

f.10 1949

f.11 1950

f.12 1951

f.13 1952

f.14 1953

f.15 1954

f.16 1955-1956

f.17 1957

f.18 1958, 1960

f.19 1961

f.20 1952-1963

f.21 1964

f.22 1965

f.23 1966

Box -94

Collected Materials-Publications

Publications-Newspapers/Clippings Section 3- Sub Section, 10: Sub-Sub Section 4:

Arranged by Folder and Year

f.1 1967

f.2 1968

f.3 1969

f.4 1970

f.5 1971

f.6 1972-1973

f.7 1974-1975

f.8 1976

f.9 1977

f.10 1978

f.11 1979

Boxes 95-108

Collected Materials-Publications

Publications-Newspapers/Clippings

NOTE:

It was not possible to arrange the titles of Newspapers in order by titles within the box; a listing of titles is

listed below with the location of titles in the boxes

1 Afro Magazine, 1952 - Box 99

1A The Afro American, 1941- Box 99

2 Brooklyn Height Press, 1953-Box 102

3 Chicago Defender, 1924, 1949-Box 103

4 Courier Magazine, 1955, 1961-Box 98

5 Daily Graphic, 1931, 1960-Box 99

6 Daily Mail, 1955, 1957-Box 106/ also Box 97

7 Daily Mirror, 1937-1960-Box 103

8 Daily News, 1928-1978-Box 96

9 Daily Record, 1953-Box 103

10 Evening Citizen-Box 98

11 Evening Chronicle, 1955-Box 102

12 Evening News, 1955, 1961-Box 101

13 Evening Standard, 1955-Box 97

14 Family Weekly, 1971-1972-Box 103

15 Journal and Guide, 1962-Box 98

16 Long Island Daily News, 1945-Box 106

17 Los Angeles Examiner, 1951, 1965-Box 105

18 Los Angeles Sentinel, 1965-Box 195

19 Los Angeles Times-Box 98

20 Midnight, 1971, 1973-Box 101

21 National Examiner, 1971- Box 191

22 New Ghana, 1959

23 New York American, 1935- Box 107

24 New York Amsterdam News, 1927-1976- Box 104

25 New York Courier, 1965- Box 106; New York Inquirer

26 New York Herald Tribune, 1945-1957- Box 106

27 New York Journal American, 1938-1966-Box 107

28 New York Post, 1931-1970-Box 101; also, Box 103 (1931-1973)

29 New York Sunday, 1961-1972-Box 107

30 New York Sunday News, 1964-1973- Box 95

31 New York Times Magazine, 1948, 1964- Box 95

32 New York World Telegram, 1940, 1950- Box 106

33 Pictorial Living, 1965-Box 97

34 Pictorial Review, 1941-1952- Box 97

35 Pictorial TV Ties, 1955, 1957- Box 97

36 PM Dailey, 1943, 1945-Box 98

37 Police Gazette, 1954- Box 95

38 Saturday Home Magazine, 1945-1948-Box 95

39 Show Business, 1953, 1965-Box 98

40 Sunday Mirror, 1936-1959-Box 103

41 Republican Watchman, 1972-Box 195

42 St. Louis Post Dispatch, 1936-Box 105

43 Salt Lake Telegram, 1948-Box 105

44 Sunday News, 1940-1973-Box 95

45 Sunday Record, 1969-1976-Box 103

46 The Afro American, 1939, 1953, 1967-Box 104

47 The American Weekly, 1935-1959-Box 102

48 The Amsterdam New York Star News, 1941-1943-Box 104

49 The Bulletin, 1955-Box 98

50 The Episcopal New Yorker, 1971-1972- Box 102

51 The Indianapolis Record, 1946-Box 195

52 The Negro World, 1927, 1920-Box 105

53 The New York Age, 1940-1967

54 The New Yok News, 1936-Box 101

55 The New York Times,1960-1978

56 The People Voices, 1942, 1947-Box 97

57 The Pittsburgh Courier, 1938-1965-Box 108

58 The Queen’s Voice, 1969-Box 98

59 The Record Mirror, 1955-Box 103

60 The Sun Leger-Box 105

61 The Times Herald Record, 1971-1976-Box 99

62 The Village Voice, 1971-Box 101

63 The World New York, 1929-Box 106

64 Variety, 1936-1979-Box 100

65 World Journal Tribune, 1966-1967-Box 106

Boxes 109-148

Collected Materials-Publications

Publications-Books Sub Section,10: Sub-Sub Section 5

NOTE: Books-Boxes 109-148

There were over 300 book titles located in this collection. It was not possible to arrange the books in

order by titles within each box, therefore books are listed below by title, then box number

1 A History of American Journalism-Box120

2 A History of Popular Music in American - Box119

3 A History of Prostitution from Antiquity to The Present Day, 1936-Box 131

4 A Necessity of Life and Other Stories-Box120

5 A Preface to Morals -Box 118

6 A Short History of Music-Box 129

7 A Smattering of Ignorance -Box 132

8 A Star Dancer, Gertrude Lawrence-Box 115

9 A Study of Twentieth - Century Harmony, Mosco Carner-Box 115

10 A Treasury of American Song-Box 142

11 A Treasury of Gilbert & Sullivan-Box 142

12 Adventures of A Ballad Hunter-Box130

13 America’s Role in Asia-Box 140

14 American Poetry-Box 140

15 American Red Cross First Aid Text Book-Box 115

16 Amorous Fiammetta, 1932-Box 128

17 Animals of The World-Box 128

18 Aphrodite: Ancient Manners, 1932-Box 128

19 Auntie Mame, Patrick Dennis-box 110

20 At the Ballet-Box 134

21 Barbarous Barbers and Other Stories, Lafcadio Hern-Box 110

22 Beethoven And His Forerunners-Box 129

23 Beethoven And His Nine Symphonies, 1896-Box 123

24 Best Loved Plays of William Shakespeare-Box 131-Box 131

25 Between Tears and Laughter-Box 128

26 Black Beauty, Anna Sewell-Box 114

27 Book Papers from Italy and France-Box 111

28 Brewsters Millions, G. B McCutcheon (Fragile) -Box 113

29 Bring on The Girls-Box 126

30 Britannica Book of the Year, 1960-Box 143

31 Building the Nation: Events in The, History of the United States, 1882-Box 122

32 Businesses Administration: Theory, Practice and Application-Box 138

33 Call for Action, Box 116

34 Chariots of The Gods? -Box 115

35 Columbia Books, 1893-1933, Box 117

36 Columbia Record Catalog, 1949-Box 127

37 Concerning Irascible Strong and Trixie-Cunning and Their Songs, 1926-Box 122

38 Corn from Egypt: The Beginning of Agriculture, M. Gompertz, 1928, Box 116

39 Crimes of Passion, Poems by Terry Stokes, Box 116

40 Encyclopedia: International Reference Library, 1900 -Box 136

41 Dear Justice, Juliet Lowell-Box 114

42 Daily Desk Diary, 1967

43 Diccionarios Iter: Pequeno Diccionario: Ingles-Espanol Between Tears and Laughter-Box 128

44 Don’t Look Back, Bob Dylan-Box 115

45 Do You Know the Answer, Dee Henry’s Book of Common Facts-Box110

46 Dress Rehearsal-Box 126

47 Elbert Hubbard’s Scrap Book-Box130

48 Editor at Work, Julie Eidesheim-see box 109

49 Egyptian Architecture, 1938-Box 142

50 Egyptian Secrets, Albertus Magnus, 1939-Box 114

51 Encyclopedia of Common Diseases -Box 124

52 Encyclopedia of Love - Box 121

53 Encyclopedia of Organic Gardening-Box 127

54 Exploring American History-Box 134

55 Fables of Aesop-Box 115

56 Family History, H. S. Canby-Box 115

57 Fifteen Thousand Useful Phrases-Box 135

58 Five More Short Stories, Will A. Madden-Box 113

59 Folk Medicine, D. C. Jarvis-Box 115

60 From Chaucer To Tennyson, 1898-Box 132

61 From Grieg To Brahms-Box 134

62 From Ragtime to Swingtime-Box 140

63 From Jehovah To Jazz-Box 129

64 Genghis Khan: The Emperor of All Men- Box 121

65 George Gershwin’s Song-Book-Box 112

66 Geography: North America, The U. S. and Its Dependents, 1925, Box 116

67 Ghosts and Greasepaint: A Story of The Days That Were-Box 126

68 Give Out: Songs of, For and by the Men in the Service-Box 115

69 God’s Little Acre, Erskine Caldwell-Box 114

70 Go with God: A Treasury of The Great Prayers of All Time-Box 125

71 Government-Box 136

72 Hand Made Papers, Thomas N. Fairbanks Company-Box 111

73 Heavenly Discourse, Charles E. S. Wood-Box 110

74 Here Comes & Others Poems, Erica Jong-Box 110-2 copies

75 Here Comes & Others Poems, Erica Jong-Box 110-2 copies

76 History of Popular Music, David Ewen

77 House of The Damned-Box 135

78 How Music Grew With 64 Illustrations-– Box 121

79 How They Become Name-Bands, Paul Specht-Box 113

80 How to Organize and Conduct A Meeting-Box 126

81 How to Write a Hit Song and Sell It, Robert Bruce-Box 113

82 How to Write, Sing and Sell Popular Songs, Mick Kenny, Box 117

83 Humor in American Songs-Box 122

84 Indians and the Old West, The Story of the First American-Box 112

85 Initiative Psychic Energy, Warren Hilton-Box 115

86 Inside Tin Pan Alley, Trudi Michel-Box 115

87 In the Days of Christ: Sketches of Jewish Social Life-Box 141

88 In the Days of Queen Elizabeth, Eva March Tappan-Box 113

89 I Sat And Looked Out -Box 132

90 Jazz Masters of the 20’s-Box 127

91 Jazz, Paul Whiteman, 1926-Box 125

92 Jazz, Rex Harris-box 109

93 Jeeves, P. G. Woolhouse-Box 114

94 Journeyman, Erskin Caldwell- Box 116

95 Lafcadio Hearn Between Tears and Laughter-Box 128

96 Leaves of Grass with Autobiography, Whitman, 1909-Box 126-Box 126

97 Library Essays-Box 141

98 Light: A Narrative Poem, Joaquin Miller, 1907, Box 116

99 Lonesome Cities, Rod McKuen-Box 111

100 Love in A Dry Season-Box 118, c.2

101 Love in a Dry Season, Shelby Foate- Box 109

102 Lydia Bailey-Box 129

103 Lyrics, Oscar Hammerstein, II-Box 111

104 Madam Satan, Box 117

105 Making It New, 2 copies, Box 116

106 McKinney’s Consolidated Laws Of New York annotated, Book 34-Box 114

107 McKinney’s Consolidated Laws Of New York Annotated-Box 124

108 Memories of A Hundred Years-Box 133

109 Mother Goose Rhymes, 1929-Box 109

110 Mildred Pierce, James M. Cain-Box 110

111 Modern News Reporting, Carl Warren-Box 115

112 Moon of Israel-Box 133 other Goose: The Old Nursery Rhymes-Box 120

113 Music of Ancient Arabia and Spain-Box 141

114 Music: A Science and An Art-Box 124

115 Music on My Beat: An Intimate Volume of Shop Talk, Howard Taubman-Box 113

116 Music for The Millions; The Encyclopedia Of Musical Masterpieces-Box 139

117 My Gun Is Quick, Mickey Spillane-Box 114

118 My Life with Animals-Box 123

119 Names on The Land-Box 137

120 New Paths: Verse, Prose, Pictures, 1917-1918-Box 131

121 None Dare Call It Treason, John A. Stormer (2 copies)-Box 109

122 Of Men and Music-Box 120

123 100,000,000 Guinea Pigs: Dangers in Everyday Foods, Drugs, and Cosmetics- Box 119

124 103 Lyrics of Cole Porter-Box 126

125 Oriental Articles, Lafcadio Hearn (2 copies-Box 110

126 Oscar Wilde: His Life and Confessions-Box 127`

127 Out of The Night-Box 140

128 Paprika, Eric Von Stroheim-Box 114

129 Parliamentary Procedure at a Glance, O. Garfield Jones-Box 111

130 Pemmican, Vardis Fisher-Box 110

131 Personalities of Antiquity-Box 127

132 Pilgrims in The Zoo and Other Stories, B. Brooks-Box 114

133 Pleiades Club 1918-1919-Box 110

134 Pocket Dictionary of the English and French Languages, J. E. Wessely-Box 114

135 Pocket Manual of Parliamentary Law Condensed and Alphabetically Arranged, 1926- Box 116

136 Poets and Songwriters Guide Between Tears and Laughter-Box 128

137 Pre-Raphaelite and Other Poets, 1930-Box 131

138 Profile of the Nations, 2 copies-Box 112

139 Profitable Poultry Keeping-Box 124

140 Prophecy, J. F. Rutherford- Box 117

141 Radio Annual 1962 Television Yearbook-Box 125

142 Rage in Singapore: The Cauldron of Asia Boils Over-Box 118

143 Rasputin-Box 123

144 Read ‘EM And Weep: The Songs You Forgot to Remember-Box 141

145 Reader’s Digest Condensed Books: Volume 2, 1974-Box 139

146 Really the Blues, Milton “Mezz” Mezzrow, et al-Box 114

147 Record and Music Publishing Forms of an Agreement in Current Use, 1971

148 Replenishing Jessica-Box 132

149 Report on The Russians-Box 118

150 Reptiles and Amphibians-Box 130

151 Ripley’s Big Book: Believe It or Not! - Box 121

152 Rock Is Beautiful: An Anthology of American Lyrics, Stephanie Spinner- Box 116

153 Salute to Yesterday- Box 119

154 Secrets of The Success of Great Musicians: Biographical Studies Of Great Masters-Box 134

155 Short Stories of American Music, Fannie R. Buchanan-Box 112

156 Similes and Their Use, Grenville Kleiser-Box 118

157 Smoke Screen-Box 119

158 Smoke Screen, c. 2-Box 125

159 Social Work Year Book, 1945-Box130

160 Songs of America, David Ewen-Box 112

161 Songs and Other Verse, Eugene Field-Box 113

162 So Practical A Contribution-Box 112

163 So You Want to Write A Song, 1999 Facts-Box 125

164 Specific Atlas Correction-Box 111

165 Sporting and Colored Plate Books Original Drawings, 1937-Box 111

166 Stephen Foster, America’s Troubadour-Box120

167 Strategy in Handling People- Box 119

168 Tactical Walks-Box 113

169 Taffy, Phillis Kaye- Box 116

170 Tap Roots-Box 132

171 Teacher in America, Jacques Barzun-Box 113

172 Ten Years Digging in Egypt, W. M. Flinders Petrie-Box 109

173 The American Language: Supplement One-Box130

174 The American Orchestra and Theodore Thomas-Box 139

175 The Archaeological and The Historical Writings of The Sanhedrin And Talmud Of the Jews-Box

138

176 The ASCAP Biographical Dictionary of Composers, Authors & Publishers-Box 123

177 The ASCAP Biographical Dictionary, c. 2-Box 133

178 The Asian Legacy and American Life, A. E. Christy-Box 118

179 The Authors Club-Box 138

180 The Autobiography of Mark Twain, Charles Neider-Box 110

181 The Bedside Esquire-Box 135

182 The Best Plays of 1899-1909-Box 122

183 The Big Sky-Box130

184 The Book of Antiques-Box 124

185 The Book of the Ancient World- Box 117

186 The Business Encyclopedia -Box 138

187 The Chinese Room-Box 120

188 The Common Sense of Music-Box 120

189 The Complete Home Handyman’s Guide- Box119

190 The Copyright Handbook for Fine and Applied Arts, Howard Walls- Box 117

191 The Count of Monte Cristo-Box 138

192 The Book of Today, Arthur Brisbane, 1923-Box 114

193 The Cool World, Warren Miller- Box 116

194 The Dawn of Conscience-Box 132

195 The Death of a Nation, John A. Stormer-Box 115

196 The Dilemma of American Music, 1928-Box 130

197 The Epic of Chicago-Box 123

198 The Express Percentage and Discount Reckoners, J. Gall Inglis-Box 109

200 The Finger Print Instructor, F. Kuhne-Box 114

201 The Gentlemen Talk of Peach-Box 134

202 The Gentleman from Massachusetts: Henry Cabot Lodge-Box 133

203 The Green Felt Jungle-Box 115

204 The Handy Encyclopedia of Useful Information, Lewis Copeland-Box 114

205 The How and Why Wonder Book of Rocks and Minerals, Nelson N W. Hyler-Box 112

206 The Invention of New Jersey: Poems by Jack Anderson-Box 113

207 The Jews-Biography of a People, Judd Teller-Box 110

208 The Joy of Music, Leonard Bernstein- Box 121

209 The Last of The Mohicans: A Narrative of 1757-Box 133

210 The Lisle Letters-Box 126

211 The Making of The President, 1972, Theodore H. White- Box 116

212 The Muse of Lies-Box 133

213 The Nashville Sound, Paul Hemphill-Box 109

214 The Natural Food Primer, Beatrice Trum Hunter-Box 110

215 The Natural History of Nonsense, Bergen Evans- Box 116

216 The New Radiance and Other Scientific Sketches, Lafcadio Hear-Box 109

217 The Night Club Era-Box 132

218 The Political Madhouse in America and Nearer Home, Bernard Shaw- Box 116

219 The Psychology of Singing-Box 134

220 The Public Life of Capt. John Brown, James Redpath, 1860-Box 114

221 The Rape of the Tax Payer, Phillip M. Stern-Box 115

222 The Rare Books and Manuscripts, 1941-Box 111

223 The Revolt of The Actors-Box 124

224 The Rhymers Lexicon-Box 136

225 The Rise of Music in The Ancient World: East And West-Box 136

226 The Road to Buenos Ayres-Box 127

227 The Rodale Herb Book-Box 137

228 The Rodgers and Hart Song Book-Box 142

229 The Rubaiyat Of Omar Khayyam, Edward Fitzgerald-Box 109

230 The Seven Keys to Power, Lewis de Claremont-Box 113

231 The Sixth & Seventh Books of Moses- Box 121

232 The Slang Dictionary, 1870, damaged-Box 115

233 The Spanish Journal-Box 129

234 The Story of Philosophy-Box 137

235 The Stilwell Papers-Box 131

236 The Theatre: Three Thousand Years of Drama Acting & Stage Craft-Box 137

237 The Short Story’s Mutations-Box 140

228 The Story of My Life, Sir Harry H. Johnston, 1923-Box 125

239 The Story of One Hundred Great Composers, Helen Kaufmann-Box 109

240 The Tax Dodgers, Eimer L. Irey- Box 117

241 The Ugly American, Wm. J. Lederer-Box 109

242 The Universe Earth and Man- Box 111

243 The Vigil of A Nation, Lin Yutang-Box 115

244 The Trouble – Makers, Arnold Forster-Box 118

245-251 The University Library, Volumes. 1, 2, 3, 4, 5, 6, 7-Box 145

252-258 The University Library, Volumes,8, 9, 10, 11, 12, 13, 14-Box 146

259-264 The University Library, Volumes, 15, 16, 17, 18, 19, 20-Box 147

265-269 The University Library, Volumes, 21, 22,23,24, 25-Box 148

270 The Woman of Dnockaloe, a Parable, Hall Caine-Box110

271 The World of Ants, G. Collins Wheat-Box 112

272 Theatre Royal Drury Lane -Box 135

273 Thesaurus of Epigrams-Box 123

274 They All Sang: From Tony Pastor to Rudy Vallie-As Told To Abbott J. Liebling-Box 136

275 They Still Sing of Love-Box 135

276 They’ll Do It Every Time, Jimmy Hatlo- Box 111

277 Tops in Pops plus A Rock n Roll roundup, Steve Kahn-Box 109

279 Toucoutou, 1928-Box 122

280 Three Stories-Box 123

281 Twelve Against the Gods: The Story Of Adventure-Box 133

282 United States Official Postal Guide, 1926-Box 137

283 Vagabond Dreams Come True -Box 131

284 Variety Music Cavalcade: Music Historical Review 1620-1950-Box 139

285 Vindication-Box 120

286 Virgo: 1973 Horoscope- Box 119

287 Washington Confidential -Box 122

288 Webster’s Universal Dictionary of The English Language, Volume 2, 1939-Box 144

289 Webster’s Unabridged University Dictionary, Atlas of The World-Box 144

300 We Called It Music, Eddie Condon-Box110

301 Westward Ha! -Box 118

302 What Is Music? - Box119

303 While You Slept, J. T. Flynn- Box 117

304 Wishing on a Comet and Collected Poems-Box 126

305 Wit’s End, Charles P. Robinson-Box 109

306 With Malice Toward Some-Box 136

307 Word Origins and Their Romantic Stories- Box 121

308 World Hunt: The Last Word in Word Games, W. J. Hall-Box 113

309 World Wide Illustrated Encyclopedia -Box 129

310 World Wide Illustrated Encyclopedia, c. 2-Box 135

311 World Wide Illustrated Encyclopedia, Volume II -Box 137

312 World Wide Illustrated Encyclopedia, Volume IV-Box 138

313 World Wide Illustrated Encyclopedia, Volume VI-Box 138

314 World Wide Illustrated Encyclopedia,