80
Collection 3: Narrator and Voice
Part 1
Imagine you are in a dark forest on a winter night, hunting an enemy_who
just happens to be your neighbor. Now suppose that your neighbor is hunting
you, too. What makes people who should be friends become fierce enemies?
Who is the loser in this story’s deadly fight? The answer may shock you.
LITERARY FOCUS: OMNISCIENT NARRATOR
A story’s omniscient narrator knows everything that happens, and why. This
type of narrator is not a character in the story but an outside observer who
can tell you what each character is thinking and feeling.
As you read “The Interlopers,” pay special attention to the information
the narrator gives you about the two characters’ pasts.
The narrator of “The Interlopers” makes us think that events are leading
one way_up until the story’s very end. Prepare to be surprised.
READING SKILLS: MONITORING YOUR READING
Some of the words and sentences in “The Interlopers” may seem difficult.
The following tips will help you understand this classic story.
Look for context clues that can help you figure out the meaning of
unfamiliar words.
•Break down long sentences into shorter ones.
Look for the subject and verb in confusing sentences.
Stop to summarize important passages or scenes.
Re-read tough passages. Some passages are hard to understand the first
time.
•Try to visualize, or picture, the events that are happening.
Copyright © by Holt, Rinehart and Winston. All rights reserved.
The Interlopers
by Saki
Literary Skills
Recognize an
omniscient
narrator (or
point of view).
Reading
Skills
Monitor your
reading.
Vocabulary
Skills
Understand and
use context
clues.
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The Interlopers 81
precipitous (pr·sip√¥·t¥s) adj.: very steep.
The wooded slope was precipitousa vertical
cliffand hard to climb.
acquiesced (akw·est) v. (used with in): accept-
ed; agreed; consented.
They never acquiesced in the judgment of the
court; instead, they bitterly opposed it.
marauders (m¥·rôd·¥rz) n.: people who roam
around in search of loot, or goods to steal.
The man kept a sharp lookout for marauders
who might be prowling through the woods.
exasperation (eg·zasp¥†√◊¥n) n.: great
annoyance.
His exasperation at being captured was so great
that he cursed aloud.
pious (p¢√¥s) adj.: showing religious devotion.
Although not religious, his words were pious.
retorted (ri·tôrtid) v.: replied in a sharp or witty
way.
Feeling insulted, he retorted angrily.
condolences (k¥n·d£√l¥ns·iz) n.: expressions of
sympathy.
When he heard about his enemy’s death, he sent
condolences to the widow.
languor (la«√g¥r) n.: weakness; weariness.
After hours of hard work, he felt a great
languor, and this exhaustion lasted all day.
reconciliation (rek≈¥n·sil≈≤·†√◊¥n) n.: friendly end
to a quarrel.
The fight could end in one of two ways
reconciliation or death.
succor (sukôr) n.: help given to someone in
distress; relief.
Unable to free themselves, they waited for
rescuers to give them succor.
PREVIEW SELECTION VOCABULARY
Preview the following words from “The Interlopers.” Study the words before you begin the story.
Copyright © by Holt, Rinehart and Winston. All rights reserved.
Type of
Context Clue
Example
Definition
or restatement
Example
Antonym
Cause and effect
Tito’s languor, his complete weariness,
came when the danger was over.
Tito’s languor was like the feeling you
get after defeat in a basketball game.
His cousin was full of pep, but Tito had
a feeling of languor.
Because of his languor, Tito slept all day.
CONTEXT CLUES: SOLVING
WORD MYSTERIES
Successful readers are like detec-
tives looking for clues. When
good readers see an unfamiliar
word, they look at the context
the words and sentences around
the word_for clues to its mean-
ing. Look at these examples to
learn more.
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In a forest of mixed growth somewhere on the eastern spurs of
the Carpathians,
1
a man stood one winter night watching and
listening, as though he waited for some beast of the woods to
come within the range of his vision and, later, of his rifle. But
the game for whose presence he kept so keen an outlook was
none that figured in the sportsmans calendar as lawful and
proper for the chase; Ulrich von Gradwitz patrolled the dark
forest in quest of a human enemy.
The forest lands of Gradwitz were of wide extent and well
stocked with game; the narrow strip of precipitous woodland
that lay on its outskirt was not remarkable for the game it har-
bored or the shooting it afforded, but it was the most jealously
guarded of all its owner’s territorial possessions. A famous law-
suit, in the days of his grandfather, had wrested it from the ille-
gal possession of a neighboring family of petty landowners; the
dispossessed party had never acquiesced in the judgment of the
courts, and a long series of poaching affrays
2
and similar scan-
10
Copyright © by Holt, Rinehart and Winston. All rights reserved.
82
Collection 3: Narrator and Voice
Part 1
The Interlopers
Saki
Which character are you
introduced to in the first
paragraph? What is he look-
ing for in the forest?
Michael Busselle/Getty Images.
1. Carpathians (kär·p†√‚≤·¥nz): mountain range that starts in Slovakia
and extends through Poland, Ukraine, and Romania.
2. poaching affrays (¥·fr†z√): noisy quarrels or brawls about poaching,
which means “fishing or hunting illegally on private property.”
precipitous (pr≤·sip√¥·t¥s)
adj.: very steep.
acquiesced (ak≈w≤·est√) v.
(used with in): accepted;
agreed; consented.
Acquiesce has the same Latin
origin as quiet. Someone
who acquiesces agrees
quietly and without
excitement.
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dals had embittered the relationships between the families for
three generations. The neighbor feud had grown into a personal
one since Ulrich had come to be head of his family; if there was
a man in the world whom he detested and wished ill to, it was
Georg Znaeym, the inheritor of the quarrel and the tireless game
snatcher and raider of the disputed border forest. The feud
might, perhaps, have died down or been compromised if the
personal ill will of the two men had not stood in the way; as
boys they had thirsted for one another’s blood, as men each
prayed that misfortune might fall on the other, and this wind-
scourged winter night Ulrich had banded together his foresters
to watch the dark forest, not in quest of four-footed quarry, but
to keep a lookout for the prowling thieves whom he suspected of
being afoot from across the land boundary. The roebuck,
3
which
usually kept in the sheltered hollows during a storm wind, were
running like driven things tonight, and there was movement and
unrest among the creatures that were wont to sleep through the
dark hours. Assuredly there was a disturbing element in the for-
est, and Ulrich could guess the quarter from whence it came.
He strayed away by himself from the watchers whom he had
placed in ambush on the crest of the hill and wandered far down
the steep slopes amid the wild tangle of undergrowth, peering
through the tree trunks and listening through the whistling and
skirling
4
of the wind and the restless beating of the branches for
sight or sound of the marauders. If only on this wild night, in
this dark, lone spot, he might come across Georg Znaeym, man
to man, with none to witness
that was the wish that was upper-
most in his thoughts. And as he stepped round the trunk of a
huge beech he came face to face with the man he sought.
The two enemies stood glaring at one another for a long
silent moment. Each had a rifle in his hand, each had hate in his
heart and murder uppermost in his mind. The chance had come
20
30
40
Copyright © by Holt, Rinehart and Winston. All rights reserved.
The Interlopers 83
3. roebuck (r£√buk≈) n.: male (or males) of the roe deer, small deer that
live in Europe and Asia.
4. skirling (sk∞rl√i«) v. used as n.: shrill, piercing sound.
Re-read lines 19-31.
Underline what you learn
about why the two men con-
tinue the fight between the
neighboring families. Whom
is Ulrich feuding with?
marauders (m¥·rôd√·¥rz) n.:
people who roam around in
search of loot, or goods to
steal.
In lines 44-45, underline the
compound word_a word
that is made up of two
words. What does this com-
pound word mean?
In lines 48-49, circle the sen-
tence in which the omnis-
cient narrator tells you what
each character is thinking
and feeling.
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to give full play to the passions of a lifetime. But a man who has
been brought up under the code of a restraining civilization
cannot easily nerve himself to shoot down his neighbor in cold
blood and without a word spoken, except for an offense against
his hearth and honor. And before the moment of hesitation had
given way to action, a deed of Nature’s own violence over-
whelmed them both. A fierce shriek of the storm had been
answered by a splitting crash over their heads, and ere they
could leap aside, a mass of falling beech tree had thundered
down on them. Ulrich von Gradwitz found himself stretched on
the ground, one arm numb beneath him and the other held
almost as helplessly in a tight tangle of forked branches, while
both legs were pinned beneath the fallen mass. His heavy shoot-
ing boots had saved his feet from being crushed to pieces, but if
his fractures were not as serious as they might have been, at least
it was evident that he could not move from his present position
till someone came to release him. The descending twigs had
slashed the skin of his face, and he had to wink away some drops
of blood from his eyelashes before he could take in a general
view of the disaster. At his side, so near that under ordinary cir-
cumstances he could almost have touched him, lay Georg
Znaeym, alive and struggling, but obviously as helplessly pin-
ioned
5
down as himself. All round them lay a thick-strewn
wreckage of splintered branches and broken twigs.
Relief at being alive and exasperation at his captive plight
brought a strange medley of pious thank offerings and sharp
curses to Ulrichs lips. Georg, who was nearly blinded with the
blood which trickled across his eyes, stopped his struggling for a
moment to listen, and then gave a short, snarling laugh.
“So youre not killed, as you ought to be, but youre caught,
anyway, he cried, caught fast. Ho, what a jest, Ulrich von
Gradwitz snared in his stolen forest. Theres real justice for you!”
And he laughed again, mockingly and savagely.
50
60
70
80
Copyright © by Holt, Rinehart and Winston. All rights reserved.
84
Collection 3: Narrator and Voice
Part 1
5. pinioned (pin√y¥nd) v. used as adj.: pinned, as if chained or tied up.
Circle the important event
that happens to the two
enemies (lines 56-59).
Draw lines to break down
the long sentence in lines
69-72 into shorter units of
thought. Then, paraphrase
the sentence.
exasperation
(eg·zas≈p¥r·†√◊¥n) n.: great
annoyance.
pious (p¢√¥s) adj.: showing
religious devotion.
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“I’m caught in my own forest land, retorted Ulrich.
“When my men come to release us, you will wish, perhaps, that
you were in a better plight than caught poaching on a neighbor’s
land, shame on you.
Georg was silent for a moment; then he answered quietly:
“Are you sure that your men will find much to release? I
have men, too, in the forest tonight, close behind me, and they
will be here first and do the releasing. When they drag me out
from under these branches, it won’t need much clumsiness on
their part to roll this mass of trunk right over on the top of you.
Your men will find you dead under a fallen beech tree. For
forms sake I shall send my condolences to your family.
“It is a useful hint, said Ulrich fiercely. “My men had
orders to follow in ten minutes time, seven of which must have
gone by already, and when they get me out
I will remember
the hint. Only as you will have met your death poaching on my
lands, I don’t think I can decently send any message of condo-
lence to your family.
“Good, snarled Georg, “good. We fight this quarrel out to
the death, you and I and our foresters, with no cursed inter-
lopers to come between us. Death and damnation to you, Ulrich
von Gradwitz.
“The same to you, Georg Znaeym, forest thief, game
snatcher.
Both men spoke with the bitterness of possible defeat
before them, for each knew that it might be long before his men
would seek him out or find him; it was a bare matter of chance
which party would arrive first on the scene.
Both had now given up the useless struggle to free them-
selves from the mass of wood that held them down; Ulrich lim-
ited his endeavors to an effort to bring his one partially free arm
near enough to his outer coat pocket to draw out his wine flask.
Even when he had accomplished that operation, it was long
before he could manage the unscrewing of the stopper or get
90
100
110
Copyright © by Holt, Rinehart and Winston. All rights reserved.
The Interlopers 85
retorted (ri·tôr√tid) v.: replied
in a sharp or witty way.
condolences (k¥n·d£√l¥ns·iz)
n.: expressions of sympathy.
Condolence comes from two
Latin words: com-, a prefix
meaning “with,” and dolere,
meaning “to grieve.”
Re-read lines 82-94. What do
the enemies threaten to do
to each other once they are
rescued?
In line 113, circle the word
that restates the meaning of
endeavors.
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any of the liquid down his throat. But what a heaven-sent draft
6
it seemed! It was an open winter
7
, and little snow had fallen as
yet, hence the captives suffered less from the cold than might
have been the case at that season of the year; nevertheless, the
wine was warming and reviving to the wounded man, and he
looked across with something like a throb of pity to where his
enemy lay, just keeping the groans of pain and weariness from
crossing his lips.
“Could you reach this flask if I threw it over to you?” asked
Ulrich suddenly. There is good wine in it, and one may as well
be as comfortable as one can. Let us drink, even if tonight one of
us dies.
“No, I can scarcely see anything; there is so much blood
caked round my eyes, said Georg; and in any case I don’t drink
wine with an enemy.
Ulrich was silent for a few minutes and lay listening to the
weary screeching of the wind. An idea was slowly forming and
growing in his brain, an idea that gained strength every time that
he looked across at the man who was fighting so grimly against
pain and exhaustion. In the pain and languor that Ulrich himself
was feeling, the old fierce hatred seemed to be dying down.
“Neighbor, he said presently, “do as you please if your men
come first. It was a fair compact. But as for me, I’ve changed my
mind. If my men are the first to come, you shall be the first to be
helped, as though you were my guest. We have quarreled like
devils all our lives over this stupid strip of forest, where the trees
cant even stand upright in a breath of wind. Lying here tonight,
thinking, I’ve come to think we’ve been rather fools; there are
better things in life than getting the better of a boundary dis-
pute. Neighbor, if you will help me to bury the old quarrel, I
I
will ask you to be my friend.
Georg Znaeym was silent for so long that Ulrich thought
perhaps he had fainted with the pain of his injuries. Then he
spoke slowly and in jerks.
120
130
140
150
Copyright © by Holt, Rinehart and Winston. All rights reserved.
86
Collection 3: Narrator and Voice
Part 1
6. draft n.: drink.
7. open winter: mild winter.
Re-read the long sentence in
lines 118-124. Then, summa-
rize the sentence.
Read the boxed passage
aloud several times. Focus on
conveying the different atti-
tudes of Ulrich and Georg.
languor (la«√g¥r) n.: weak-
ness; weariness.
In lines 132-137, the narra-
tor reveals an important
change in Ulrich’s attitude.
Circle the important change
the narrator tells you about.
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“How the whole region would stare and gabble if we rode
into the market square together. No one living can remember
seeing a Znaeym and a von Gradwitz talking to one another in
friendship. And what peace there would be among the forester
folk if we ended our feud tonight. And if we choose to make
peace among our people, there is none other to interfere, no
interlopers from outside....You would come and keep the
Sylvester night
8
beneath my roof, and I would come and feast on
some high day at your castle....I would never fire a shot on
your land, save when you invited me as a guest; and you should
come and shoot with me down in the marshes where the wild-
fowl are. In all the countryside there are none that could hinder
if we willed to make peace. I never thought to have wanted to do
other than hate you all my life, but I think I have changed my
mind about things too, this last half-hour. And you offered me
your wine flask....Ulrich von Gradwitz, I will be your friend.
For a space both men were silent, turning over in their
minds the wonderful changes that this dramatic reconciliation
would bring about. In the cold, gloomy forest, with the wind
tearing in fitful gusts through the naked branches and whistling
round the tree trunks, they lay and waited for the help that
would now bring release and succor to both parties. And each
prayed a private prayer that his men might be the first to arrive,
so that he might be the first to show honorable attention to the
enemy that had become a friend.
160
170
Copyright © by Holt, Rinehart and Winston. All rights reserved.
The Interlopers 87
8. Sylvester night: feast day honoring Saint Sylvester (Pope Sylvester I,
d. 335), observed on December 31.
Pause at line 175. Earlier in
the story (lines 83-100), why
did each man hope that his
friends would be the first to
arrive? What has changed?
reconciliation
(rek≈¥n·sil≈≤·†√◊¥n) n.: friendly
end to a quarrel.
succor (sukôr) n.: help given
to someone in distress; relief.
Dudley Dana/Nonstock.
Notes
Notes
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Presently, as the wind dropped for a moment, Ulrich broke
the silence.
“Lets shout for help, he said; “in this lull our voices may
carry a little way.
“They won’t carry far through the trees and undergrowth,
said Georg, “but we can try. Together, then.
The two raised their voices in a prolonged hunting call.
“Together again, said Ulrich a few minutes later, after lis-
tening in vain for an answering halloo.
“I heard something that time, I think, said Ulrich.
“I heard nothing but the pestilential
9
wind, said Georg
hoarsely.
There was silence again for some minutes, and then Ulrich
gave a joyful cry.
“I can see figures coming through the wood. They are fol-
lowing in the way I came down the hillside.
Both men raised their voices in as loud a shout as they
could muster.
“They hear us! They’ve stopped. Now they see us. They’re
running down the hill toward us, cried Ulrich.
“How many of them are there?” asked Georg.
“I cant see distinctly, said Ulrich; “nine or ten.
“Then they are yours, said Georg; “I had only seven out
with me.
“They are making all the speed they can, brave lads, said
Ulrich gladly.
“Are they your men?” asked Georg. Are they your men?” he
repeated impatiently, as Ulrich did not answer.
“No, said Ulrich with a laugh, the idiotic chattering laugh
of a man unstrung with hideous fear.
“Who are they?” asked Georg quickly, straining his eyes to
see what the other would gladly not have seen.
Wolves.
180
190
200
Copyright © by Holt, Rinehart and Winston. All rights reserved.
88
Collection 3: Narrator and Voice
Part 1
9. pestilential (pes≈t¥·len√◊¥l) adj.: Strictly speaking, pestilential means
“deadly; causing disease; harmful.” Here, Georg uses the word to
mean “cursed.”
Pause at line 203. The narra-
tor doesn’t reveal who is
coming toward the men.
What effect does this lack of
information create?
Read to the end of the story.
Underline the one word that
reveals the story’s surprise
ending.
Why is it fitting that the two
men, who were hunting each
other in the forest that win-
ter night, are discovered
by wolves rather than by
rescuers?
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The Interlopers 89
The Interlopers
Narrator Questionnaire
This story is told by an omniscient narrator, who
knows all the story’s secrets. Fill out this chart to examine the way point of view
affects the plot and characters of “The Interlopers.
1. Does the narrator reveal the thoughts and feelings of the two men? Explain.
2. How would the story be different if it were told from the point of view of one of the
men?
3. How might the story be different if it were told from the point of view of the wolves?
Copyright © by Holt, Rinehart and Winston. All rights reserved.
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Complete the sample test item below. Then, read the explanation at right.
The Interlopers
Skills Review
Skills Review
90
Collection 3: Narrator and Voice
Part 1
Explanation of the Correct Answer
The correct answer is D.
A and C are not correct, because the
story is told from the omniscient point
of view, not the point of view of just
one character. B is not correct; Saki is
the author.
Sample Test Question
Who is the story’s narrator?
A Georg Znaeym
B Saki
C Ulrich von Gradwitz
D an unnamed, all-knowing storyteller
3. The two men decide to become
friends because_
A their men have ordered them to
B they hate the neighbors
C they have become tired of being
enemies
D they hope to save themselves by
working together
4. The narrator creates suspense by
waiting until the end to_
F reveal what is approaching the
men
G tell which man dies first
H explain what the men were fight-
ing about
J warn readers against hunting at
night
1. Which passage reveals that the narra-
tor is omniscient?
A “Both men spoke with the bitter-
ness of possible defeat, for each
knew that it might be long before
his men would seek him out.”
B “The forest lands of Gradwitz
were of wide extent and well
stocked with game.”
C “The two raised their voices in a
prolonged hunting call.”
D “‘No,’ said Ulrich with a laugh,
the idiotic chattering laugh of a
man unstrung with hideous fear.”
2. The narrator tells us the two men
F are hunting wolves
G don’t go hunting at night
H want to kill each other
J go to hunting parties together
DIRECTIONS: Circle the letter of each correct response.
Copyright © by Holt, Rinehart and Winston. All rights reserved.
Literary Skills
Analyze use of
the omniscient
narrator (or
point of view).
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The Interlopers 91
Skills Review
Skills Review
1. The hunter examined his quarry
after it had been shot.
A rifle C enemy
B land D hunted animal
2. No one could stop the bitter feud
between the two neighbors.
F ongoing argument
G broken fence
H agreement
J flooded lands
3. They heard the loud sound when
the tree thundered down on them.
A fell from the sky
B was split by lightning
C fell with a roaring noise
D yelled
4. He felt no pain in his right arm,
which was now numb.
F bandaged H painful
G without J foolish
feeling
Context Clues
DIRECTIONS: Read the passage, using context clues to identify the meaning
of the boldface word. Then, circle the letter of the definition of that word.
The Interlopers
Vocabulary in Context
DIRECTIONS: Complete the paragraph below by writing the correct word
from the box in each blank. Not all words from the box will be used.
precipitous
acquiesced
marauders
exasperation
pious
retorted
condolences
languor
reconciliation
succor
Wo r d B o x
Wo r d B o x
The two enemies stared at each other. The gray-haired one
laughed. “What are you laughing at?” the brown-haired one asked in
(1) . “I am laughing at two helpless men caught in
a trap,” the other (2) in anger. “Shall we become
friends? No, (3) is not in my plans. I will never
make up with you. And don’t give me any (4)
words about what religion has taught us. We will always be enemies. Our
widows can send each other (5) if they wish.”
Copyright © by Holt, Rinehart and Winston. All rights reserved.
Vocabulary
Skills
Analyze context
clues to identify
word meaning.
Use words in
context.
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42 The Holt Reader: Teacher’s Manual
The Interlopers 81
precipitous (pr·sip√¥·t¥s) adj.: very steep.
The wooded slope was precipitousa vertical
cliffand hard to climb.
acquiesced (akw·est) v. (used with in): accept-
ed; agreed; consented.
They never acquiesced in the judgment of the
court; instead, they bitterly opposed it.
marauders (m¥·rôd·¥rz) n.: people who roam
around in search of loot, or goods to steal.
The man kept a sharp lookout for marauders
who might be prowling through the woods.
exasperation (eg·zasp¥†√◊¥n) n.: great
annoyance.
His exasperation at being captured was so great
that he cursed aloud.
pious (p¢√¥s) adj.: showing religious devotion.
Although not religious, his words were pious.
retorted (ri·tôrtid) v.: replied in a sharp or witty
way.
Feeling insulted, he retorted angrily.
condolences (k¥n·d£√l¥ns·iz) n.: expressions of
sympathy.
When he heard about his enemy’s death, he sent
condolences to the widow.
languor (la«√g¥r) n.: weakness; weariness.
After hours of hard work, he felt a great
languor, and this exhaustion lasted all day.
reconciliation (rek≈¥n·sil≈≤·†√◊¥n) n.: friendly end
to a quarrel.
The fight could end in one of two ways
reconciliation or death.
succor (sukôr) n.: help given to someone in
distress; relief.
Unable to free themselves, they waited for
rescuers to give them succor.
PREVIEW SELECTION VOCABULARY
Preview the following words from “The Interlopers.” Study the words before you begin the story
.
Copyright © by Holt, Rinehart and Winston. All rights reserved.
Type of
Context Clue
Example
Definition
or restatement
Example
Antonym
Cause and effect
Tito’s languor, his complete weariness,
came when the danger was over.
Tito’s languor was like the feeling you
get after defeat in a basketball game.
His cousin was full of pep, but Tito had
a feeling of languor.
Because of his languor, Tito slept all day.
CONTEXT CLUES: SOLVING
WORD MYSTERIES
Successful readers are like detec-
tives looking for clues. When
good readers see an unfamiliar
word, they look at the context
the words and sentences around
the word_for clues to its mean-
ing. Look at these examples to
learn more.
80
Collection 3: Narrator and Voice
Part 1
Imagine you are in a dark forest on a winter night, hunting an enemy
_who
just happens to be your neighbor. Now suppose that your neighbor is hunting
you, too. What makes people who should be friends become fierce enemies?
Who is the loser in this story’s deadly fight? The answer may shock you.
LITERARY FOCUS: OMNISCIENT NARRATOR
A story’s omniscient narrator knows everything that happens, and why
. This
type of narrator is not a character in the story but an outside observer who
can tell you what each character is thinking and feeling.
As you read “The Interlopers,” pay special attention to the information
the narrator gives you about the two characters’ pasts.
The narrator of “The Interlopers” makes us think that events are leading
one way_up until the story’s very end. Prepare to be surprised.
READING SKILLS: MONITORING YOUR READING
Some of the words and sentences in “The Interlopers” may seem dif
ficult.
The following tips will help you understand this classic story
.
Look for context clues that can help you figure out the meaning of
unfamiliar words.
•Break down long sentences into shorter ones.
Look for the subject and verb in confusing sentences.
Stop to summarize important passages or scenes.
Re-read tough passages. Some passages are hard to understand the first
time.
•Try to visualize, or picture, the events that are happening.
Copyright © by Holt, Rinehart and Winston. All rights reserved.
The Interlopers
by Saki
Literary Skills
Recognize an
omniscient
narrator (or
point of view).
Reading
Skills
Monitor your
reading.
Vocabulary
Skills
Understand and
use context
clues.
Collection 3
Student pages 80–81
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Student Pages with Answers 43
dals had embittered the relationships between the families for
three generations. The neighbor feud had grown into a personal
one since Ulrich had come to be head of his family; if there was
a man in the world whom he detested and wished ill to, it was
Georg Znaeym, the inheritor of the quarrel and the tireless game
snatcher and raider of the disputed border forest. The feud
might, perhaps, have died down or been compromised if the
personal ill will of the two men had not stood in the way; as
boys they had thirsted for one another’s blood, as men each
prayed that misfortune might fall on the other, and this wind-
scourged winter night Ulrich had banded together his foresters
to watch the dark forest, not in quest of four-footed quarry, but
to keep a lookout for the prowling thieves whom he suspected of
being afoot from across the land boundary. The roebuck,
3
which
usually kept in the sheltered hollows during a storm wind, were
running like driven things tonight, and there was movement and
unrest among the creatures that were wont to sleep through the
dark hours. Assuredly there was a disturbing element in the for-
est, and Ulrich could guess the quarter from whence it came.
He strayed away by himself from the watchers whom he had
placed in ambush on the crest of the hill and wandered far down
the steep slopes amid the wild tangle of undergrowth, peering
through the tree trunks and listening through the whistling and
skirling
4
of the wind and the restless beating of the branches for
sight or sound of the marauders. If only on this wild night, in
this dark, lone spot, he might come across Georg Znaeym, man
to man, with none to witness
that was the wish that was upper-
most in his thoughts. And as he stepped round the trunk of a
huge beech he came face to face with the man he sought.
The two enemies stood glaring at one another for a long
silent moment. Each had a rifle in his hand, each had hate in his
heart and murder uppermost in his mind. The chance had come
20
30
40
Copyright © by Holt, Rinehart and Winston. All rights reserved.
The Interlopers 83
3. roebuck (r£√buk≈) n.: male (or males) of the roe deer, small deer that
live in Europe and Asia.
4. skirling (sk∞rl√i«) v. used as n.: shrill, piercing sound.
Re-read lines 19-31.
Underline what you learn
about why the two men con-
tinue the fight between the
neighboring families. Whom
is Ulrich feuding with?
Georg Znaeym
marauders (m¥·rôd√·¥rz) n.:
people who roam around in
search of loot, or goods to
steal.
In lines 44-45, underline the
compound word_a word
that is made up of two
words. What does this com-
pound word mean?
highest; most
important
In lines 48-49, circle the sen-
tence in which the omnis-
cient narrator tells you what
each character is thinking
and feeling.
In a forest of mixed growth somewhere on the eastern spurs of
the Carpathians,
1
a man stood one winter night watching and
listening, as though he waited for some beast of the woods to
come within the range of his vision and, later, of his rifle. But
the game for whose presence he kept so keen an outlook was
none that figured in the sportsman’s calendar as lawful and
proper for the chase; Ulrich von Gradwitz patrolled the dark
forest in quest of a human enemy.
The forest lands of Gradwitz were of wide extent and well
stocked with game; the narrow strip of precipitous woodland
that lay on its outskirt was not remarkable for the game it har-
bored or the shooting it afforded, but it was the most jealously
guarded of all its owner’s territorial possessions. A famous law-
suit, in the days of his grandfather, had wrested it from the ille-
gal possession of a neighboring family of petty landowners; the
dispossessed party had never acquiesced in the judgment of the
courts, and a long series of poaching affrays
2
and similar scan-
10
Copyright © by Holt, Rinehart and Winston. All rights reserved.
82
Collection 3: Narrator and Voice
Part 1
The Interlopers
Saki
Which character are you
introduced to in the first
paragraph? What is he look-
ing for in the forest?
Ulrich von Gradwitz;
he is hunting a human
enemy.
Michael Busselle/Getty Images.
1. Carpathians (kär·p†√‚≤·¥nz): mountain range that starts in Slovakia
and extends through Poland, Ukraine, and Romania.
2. poaching affrays (¥·fr†z√): noisy quarrels or brawls about poaching,
which means “fishing or hunting illegally on private property.”
precipitous (pr≤·sip√¥·t¥s)
adj.: very steep.
acquiesced (ak≈w≤·est√) v.
(used with in): accepted;
agreed; consented.
Acquiesce has the same Latin
origin as quiet. Someone
who acquiesces agrees
quietly and without
excitement.
Collection 3
Student pages 82–83
44 The Holt Reader: Teacher’s Manual
“I’m caught in my own forest land, retorted Ulrich.
“When my men come to release us, you will wish, perhaps, that
you were in a better plight than caught poaching on a neighbor’s
land, shame on you.
Georg was silent for a moment; then he answered quietly:
“A re you sure that your men will find much to release? I
have men, too, in the forest tonight, close behind me, and they
will be here first and do the releasing. When they drag me out
from under these branches, it won’t need much clumsiness on
their part to roll this mass of trunk right over on the top of you.
Your men will find you dead under a fallen beech tree. For
form’s sake I shall send my condolences to your family.
“It is a useful hint,” said Ulrich fiercely. “My men had
orders to follow in ten minutes’ time, seven of which must have
gone by already, and when they get me out
I will remember
the hint. Only as you will have met your death poaching on my
lands, I don’t think I can decently send any message of condo-
lence to your family.
“Good, snarled Georg, “good. We fight this quarrel out to
the death, you and I and our foresters, with no cursed inter-
lopers to come between us. Death and damnation to you, Ulrich
von Gradwitz.
“The same to you, Georg Znaeym, forest thief, game
snatcher.
Both men spoke with the bitterness of possible defeat
before them, for each knew that it might be long before his men
would seek him out or find him; it was a bare matter of chance
which party would arrive first on the scene.
Both had now given up the useless struggle to free them-
selves from the mass of wood that held them down; Ulrich lim-
ited his endeavors to an effort to bring his one partially free arm
near enough to his outer coat pocket to draw out his wine flask.
Even when he had accomplished that operation, it was long
before he could manage the unscrewing of the stopper or get
90
100
110
Copyright © by Holt, Rinehart and Winston. All rights reserved.
The Interlopers 85
retorted (ri·tôr√tid) v.: replied
in a sharp or witty way.
condolences (k¥n·d£√l¥ns·iz)
n.: expressions of sympathy.
Condolence comes from two
Latin words: com-, a prefix
meaning “with,” and dolere,
meaning “to grieve.”
Re-read lines 82-94. What do
the enemies threaten to do
to each other once they are
rescued?
In line 113, circle the word
that restates the meaning of
endeavors.
Each threatens to have
the other killed.
to give full play to the passions of a lifetime. But a man who has
been brought up under the code of a restraining civilization
cannot easily nerve himself to shoot down his neighbor in cold
blood and without a word spoken, except for an offense against
his hearth and honor. And before the moment of hesitation had
given way to action, a deed of Nature’s own violence over-
whelmed them both. A fierce shriek of the storm had been
answered by a splitting crash over their heads, and ere they
could leap aside, a mass of falling beech tree had thundered
down on them. Ulrich von Gradwitz found himself stretched on
the ground, one arm numb beneath him and the other held
almost as helplessly in a tight tangle of forked branches, while
both legs were pinned beneath the fallen mass. His heavy shoot-
ing boots had saved his feet from being crushed to pieces, but if
his fractures were not as serious as they might have been, at least
it was evident that he could not move from his present position
till someone came to release him. The descending twigs had
slashed the skin of his face, and he had to wink away some drops
of blood from his eyelashes before he could take in a general
view of the disaster. At his side, so near that under ordinary cir-
cumstances he could almost have touched him, lay Georg
Znaeym, alive and struggling, but obviously as helplessly pin-
ioned
5
down as himself. All round them lay a thick-strewn
wreckage of splintered branches and broken twigs.
Relief at being alive and exasperation at his captive plight
brought a strange medley of pious thank offerings and sharp
curses to Ulrich’s lips. Georg, who was nearly blinded with the
blood which trickled across his eyes, stopped his struggling for a
moment to listen, and then gave a short, snarling laugh.
“So you’re not killed, as you ought to be, but you’re caught,
anyway,” he cried, “caught fast. Ho, what a jest, Ulrich von
Gradwitz snared in his stolen forest. There’s real justice for you!”
And he laughed again, mockingly and savagely.
50
60
70
80
Copyright © by Holt, Rinehart and Winston. All rights reserved.
84
Collection 3: Narrator and Voice
Part 1
5. pinioned (pin√y¥nd) v. used as adj.: pinned, as if chained or tied up.
Circle the important event
that happens to the two
enemies (lines 56-59).
Draw lines to break down
the long sentence in lines
69-72 into shorter units of
thought. Then, paraphrase
the sentence.
At Ulrich’s side, so
near that Ulrich . . .
could almost have
touched him, lay
Georg Znaeym. Georg
was alive and strug-
gling. But Georg was
as helplessly pinned
down as Ulrich was.
exasperation
(eg·zas≈p¥r·†√◊¥n) n.: great
annoyance.
pious (p¢√¥s) adj.: showing
religious devotion.
Collection 3
Student pages 84–85
Student Pages with Answers 45
“How the whole region would stare and gabble if we rode
into the market square together. No one living can remember
seeing a Znaeym and a von Gradwitz talking to one another in
friendship. And what peace there would be among the forester
folk if we ended our feud tonight. And if we choose to make
peace among our people, there is none other to interfere, no
interlopers from outside....You would come and keep the
Sylvester night
8
beneath my roof, and I would come and feast on
some high day at your castle....I would never fire a shot on
your land, save when you invited me as a guest; and you should
come and shoot with me down in the marshes where the wild-
fowl are. In all the countryside there are none that could hinder
if we willed to make peace. I never thought to have wanted to do
other than hate you all my life, but I think I have changed my
mind about things too, this last half-hour. And you offered me
your wine flask....Ulrich von Gradwitz, I will be your friend.
For a space both men were silent, turning over in their
minds the wonderful changes that this dramatic reconciliation
would bring about. In the cold, gloomy forest, with the wind
tearing in fitful gusts through the naked branches and whistling
round the tree trunks, they lay and waited for the help that
would now bring release and succor to both parties. And each
prayed a private prayer that his men might be the first to arrive,
so that he might be the first to show honorable attention to the
enemy that had become a friend.
160
170
Copyright © by Holt, Rinehart and Winston. All rights reserved.
The Interlopers 87
8. Sylvester night: feast day honoring Saint Sylvester (Pope Sylvester I,
d. 335), observed on December 31.
Pause at line 175. Earlier in
the story (lines 83-100), why
did each man hope that his
friends would be the first to
arrive? What has changed?
reconciliation
(rek≈¥n·sil≈≤·†√◊¥n) n.: friendly
end to a quarrel.
succor (sukôr) n.: help given
to someone in distress; relief.
Dudley Dana/Nonstock.
Notes
Notes
Earlier, Ulrich and
Georg each wanted his
men to arrive first so
the other man, the
enemy, would be
killed. Now, Ulrich and
Georg each wants his
men to arrive first so
his former enemy may
be rescued as a show
of friendship.
any of the liquid down his throat. But what a heaven-sent draft
6
it seemed! It was an open winter
7
, and little snow had fallen as
yet, hence the captives suffered less from the cold than might
have been the case at that season of the year; nevertheless, the
wine was warming and reviving to the wounded man, and he
looked across with something like a throb of pity to where his
enemy lay, just keeping the groans of pain and weariness from
crossing his lips.
“Could you reach this flask if I threw it over to you?” asked
Ulrich suddenly. “There is good wine in it, and one may as well
be as comfortable as one can. Let us drink, even if tonight one of
us dies.
“No, I can scarcely see anything; there is so much blood
caked round my eyes, said Georg; “and in any case I don’t drink
wine with an enemy.
Ulrich was silent for a few minutes and lay listening to the
weary screeching of the wind. An idea was slowly forming and
growing in his brain, an idea that gained strength every time that
he looked across at the man who was fighting so grimly against
pain and exhaustion. In the pain and languor that Ulrich himself
was feeling, the old fierce hatred seemed to be dying down.
“Neighbor, he said presently, “do as you please if your men
come first. It was a fair compact. But as for me, I’ve changed my
mind. If my men are the first to come, you shall be the first to be
helped, as though you were my guest. We have quarreled like
devils all our lives over this stupid strip of forest, where the trees
can’t even stand upright in a breath of wind. Lying here tonight,
thinking, I’ve come to think we’ve been rather fools; there are
better things in life than getting the better of a boundary dis-
pute. Neighbor, if you will help me to bury the old quarrel, I
I
will ask you to be my friend.
Georg Znaeym was silent for so long that Ulrich thought
perhaps he had fainted with the pain of his injuries. Then he
spoke slowly and in jerks.
120
130
140
150
Copyright © by Holt, Rinehart and Winston. All rights reserved.
86
Collection 3: Narrator and Voice
Part 1
6. draft n.: drink.
7. open winter: mild winter.
Re-read the long sentence in
lines 118-124. Then, summa-
rize the sentence.
Read the boxed passage
aloud several times. Focus on
conveying the different atti-
tudes of Ulrich and Georg.
languor (la«√g¥r) n.: weak-
ness; weariness.
In lines 132-137, the narra-
tor reveals an important
change in Ulrich’s attitude.
Circle the important change
the narrator tells you about.
The winter was mild,
so the trapped men
were warmer than
usual in winter. The
wine warmed Ulrich
and made him feel
better. He began to
pity Georg, who was
trying not to groan
with pain.
Collection 3
Student pages 86–87
46 The Holt Reader: Teacher’s Manual
The Interlopers 89
The Interlopers
Narrator Questionnaire
This story is told by an omniscient narrator, who
knows all the story’s secrets. Fill out this chart to examine the way point of view
affects the plot and characters of “The Interlopers.
1. Does the narrator reveal the thoughts and feelings of the two men? Explain.
2. How would the story be different if it were told from the point of view of
one of the
men?
3. How might the story be different if it were told from the point of view of the wolves?
Copyright © by Holt, Rinehart and Winston. All rights reserved.
Yes, the narrator describes how the two men hated each other since
childhood and now want to kill each other; how the two men r
eact
when trapped under the tree; how their feelings change when they fear
that they may both die; how they both react to the wolves.
The reader might be more sympathetic to the man fr
om whose point of
view the story was told; the reader might not car
e that the wolves
attacked the other man.
The reader might be sympathetic to the wolves instead of to the two
men. The story might not have the surprise ending it has.
Presently, as the wind dropped for a moment, Ulrich broke
the silence.
“Let’s shout for help,” he said; “in this lull our voices may
carry a little way.
“They won’t carry far through the trees and undergrowth,
said Georg, “but we can try. Together, then.
The two raised their voices in a prolonged hunting call.
“Together again, said Ulrich a few minutes later, after lis-
tening in vain for an answering halloo.
“I heard something that time, I think, said Ulrich.
“I heard nothing but the pestilential
9
wind, said Georg
hoarsely.
There was silence again for some minutes, and then Ulrich
gave a joyful cry.
“I can see figures coming through the wood. They are fol-
lowing in the way I came down the hillside.
Both men raised their voices in as loud a shout as they
could muster.
“They hear us! They’ve stopped. Now they see us. They’re
running down the hill toward us, cried Ulrich.
“How many of them are there?” asked Georg.
“I can’t see distinctly, said Ulrich; “nine or ten.
“Then they are yours, said Georg; “I had only seven out
with me.
“They are making all the speed they can, brave lads, said
Ulrich gladly.
“A re they your men?” asked Georg. Are they your men?” he
repeated impatiently, as Ulrich did not answer.
“No, said Ulrich with a laugh, the idiotic chattering laugh
of a man unstrung with hideous fear.
“Who are they?” asked Georg quickly, straining his eyes to
see what the other would gladly not have seen.
Wolves.
180
190
200
Copyright © by Holt, Rinehart and Winston. All rights reserved.
88
Collection 3: Narrator and Voice
Part 1
9. pestilential (pes≈t¥·len√◊¥l) adj.: Strictly speaking, pestilential means
“deadly; causing disease; harmful.” Here, Georg uses the word to
mean “cursed.”
Pause at line 203. The narra-
tor doesn’t reveal who is
coming toward the men.
What effect does this lack of
information create?
Read to the end of the story.
Underline the one word that
reveals the story’s surprise
ending.
Why is it fitting that the two
men, who were hunting each
other in the forest that win-
ter night, are discovered
by wolves rather than by
rescuers?
The men were acting
more like wolves than
humans, out hunting
their enemies at night.
It creates suspense.
Collection 3
Student pages 88–89
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Student Pages with Answers 47
The Interlopers 91
Skills Review
Skills Review
1. The hunter examined his quarry
after it had been shot.
A rifle C enemy
B land D hunted animal
2. No one could stop the bitter feud
between the two neighbors.
F ongoing argument
G broken fence
H agreement
J flooded lands
3. They heard the loud sound when
the tree thundered down on them.
A fell from the sky
B was split by lightning
C fell with a roaring noise
D yelled
4. He felt no pain in his right arm,
which was now numb.
F bandaged H painful
G without J foolish
feeling
Context Clues
DIRECTIONS: Read the passage, using context clues to identify the meaning
of the boldface word. Then, circle the letter of the definition of that word.
The Interlopers
Vocabulary in Context
DIRECTIONS: Complete the paragraph below by writing the correct word
from the box in each blank. Not all words from the box will be used.
precipitous
acquiesced
marauders
exasperation
pious
retorted
condolences
languor
reconciliation
succor
Wo r d B o x
Wo r d B o x
The two enemies stared at each other. The gray-haired one
laughed. “What are you laughing at?” the brown-haired one asked in
(1) . “I am laughing at two helpless men caught in
a trap,” the other (2) in anger. “Shall we become
friends? No, (3) is not in my plans. I will never
make up with you. And don’t give me any (4)
words about what religion has taught us. We will always be enemies. Our
widows can send each other (5) if they wish.”
Copyright © by Holt, Rinehart and Winston. All rights reserved.
Vocabulary
Skills
Analyze context
clues to identify
word meaning.
Use words in
context.
exasperation
reconciliation
pious
condolences
retorted
Complete the sample test item below. Then, read the explanation at right.
The Interlopers
Skills Review
Skills Review
90
Collection 3: Narrator and Voice
Part 1
Explanation of the Correct Answer
The correct answer is D.
A and C are not correct, because the
story is told from the omniscient point
of view, not the point of view of just
one character. B is not correct; Saki is
the author.
Sample Test Question
Who is the story’s narrator?
A Georg Znaeym
B Saki
C Ulrich von Gradwitz
D an unnamed, all-knowing storyteller
3. The two men decide to become
friends because_
A their men have ordered them to
B they hate the neighbors
C they have become tired of being
enemies
D they hope to save themselves by
working together
4. The narrator creates suspense by
waiting until the end to_
F reveal what is approaching the
men
G tell which man dies first
H explain what the men were fight-
ing about
J warn readers against hunting at
night
1. Which passage reveals that the narra-
tor is omniscient?
A “Both men spoke with the bitter-
ness of possible defeat, for each
knew that it might be long before
his men would seek him out.”
B “The forest lands of Gradwitz
were of wide extent and well
stocked with game.”
C “The two raised their voices in a
prolonged hunting call.”
D “‘No,’ said Ulrich with a laugh,
the idiotic chattering laugh of a
man unstrung with hideous fear.”
2. The narrator tells us the two men
F are hunting wolves
G don’t go hunting at night
H want to kill each other
J go to hunting parties together
DIRECTIONS: Circle the letter of each correct response.
Copyright © by Holt, Rinehart and Winston. All rights reserved.
Literary Skills
Analyze use of
the omniscient
narrator (or
point of view).
Collection 3
Student pages 90–91
Graphic Organizers 209
Name Date
Selection Title
Narrator Chart
The point of view of the narrator determines what you learn as you read a story. A third-
person-omniscient narrator knows and tells all. The third-person-limited or first-person
narrator tells only what one character knows. If the narrator is biased or unreliable, you
may not be able to believe what you read. In the chart below, fill in the point of view of the
narrator who tells the story you have just read. Then tell what you have learned from the
narrator. (You may not learn anything about an omniscient narrator.) Finally, decide if what
you learned is reliable.
Copyright © by Holt, Rinehart and Winston. All rights reserved.
Is the information reliable?_____________________________________________________________
_________________________________________________________________________________________
Point of View:
The Narrator:
Other Characters:
Events:
What I Learned About